Not exact matches
It rolls along the
surface like pearls and
while doing so, it also cleanses the
leaves by removing dirt from it.
1) Mix flour, butter and icing sugar in a bowl using two knives to cut the butter until the mixture resembles fine breadcrumbs 2) Add in the egg yolks and vanilla extracts and mix well, then add iced water until the dough starts to come together 3) Shape the dough into a ball on a cool, flat, floured
surface 4) Flatten dough into a disc and then wrap in plastic wrap, and chill in the refrigerator for at least 30 minutes 5) Meanwhile, peel, core and slice the apples into as thin slices as possible 6) Mix sugar and ground cinnamon powder with sliced apples and let it rest for a
while 7) Pre-heat oven to 180 deg cel 8) Once dough has chilled, roll pastry dough on a sheet of parchment paper until it has expanded to the size of the tart mold (I used a rough mold the size of a large pizza) 9)
Leaving at least an inch of dough free, arrange apple slices by overlapping them slightly in the shape of a circle, starting from the outermost part of the circle, until you reach the inside 10) Fold the edges of dough over the filling and then sprinkle the dough with a bit of sugar 11) Bake for about 40 - 45 minutes, or until the crust is golden brown and the apples are soft 12) Serve warm, with a side of whipped cream or ice cream (optional)
While CO2 laser radiation is unable to generate codes on uncoated beverage cans due to its reflection off metal
surfaces, the latest fibre laser systems are perfectly suited for these type of applications: thanks to their high pulse peak power they can code bare aluminium, as well as coated or anodised aluminium,
leaving an indelible mark by anodising the
surface (a process that does not engrave but actually creates a protective layer on the aluminium).
As can be seen, this baby safety gate is firmly installed to the wall and to the banister, guaranteeing the child's safety,
while at the same time,
leaving the
surface on which it was placed on completely intact.
Organic wool is naturally fire resistant and will absorb moisture
while leaving a dry
surface.
But when gobbling up the tiny crustaceans near the
surface, the whales tend to be lefties, launching themselves upward
while performing a 360 - degree barrel roll to the
left, researchers report in the Nov. 20 Current Biology.
But when gobbling up the tiny crustaceans near the
surface, the whales tend to be lefties, launching themselves upward
while performing a 360 - degree barrel roll to the
left,...
Acid rain,
while still water,
leaves a different kind of imprint on many
surfaces, corroding metal and eroding limestone and marble.
On the
surface they appear the same, but the hangover sufferer is capable of conversing only in terse grunts
while leafing through a dog - eared copy of New Scientist from 1999.
In this case, the microscope not only identified signatures corresponding to calcium carbonate as forming the crust, but was also able to differentiate between the calcite and vaterite forms when it was present as a mixture
while still attached to the
leaf surface.»
Left - hand view shows the
surface characteristics
while right - hand «ribbon» view shows details of the protein architecture.
He saw that
surface area wasn't everything: By extending a
leaf's overall size
while keeping living, energy - greedy matter to a minimum, the plant increases the odds that at least some of the splotchy sunlight will strike each
leaf.
While these dry oils are still classified as traditional carrier oils, they won't
leave a sticky feeling on the
surface of your skin.
This helps the
surface of your skin to look more hydrated for a little
while, but as it evaporates (which it regularly does unless you're in a very humid climate), you're
left with less hydration overall, leading to dryness, dullness, and accelerated aging.
While some beauty treatments change the appearance of skin by removing the
surface layer of skin, micro-needling
leaves several small pinpricks in the treated area.
that there will be easier for dating with HIV.This is a place where you can feel safe
while dating with HIV.The terrors, with lethal tentacles reaching out an incredible 160ft (49 metres), lurk inches below the
surface and just one sting can
leave a ADVERTISEMENT.
Left on the craft to experience 23 years without human contact
while his companions experience mere minutes on the
surface of the planet, his reappearance is one of the film's most resonant moments — the more so for being so quiet and so delicately played by Gyasi.
He tries for a lot of things, careening wildly from earnest romance to feel - good comedy to hackneyed suspense, all the
while leaving it up to the audience to suss out the moral complexity and existential terror underneath the glossy
surface.
The outer
surface of the
left rear fender is convex and voluptuous,
while the right fender is fairly flat behind the wheel.
By moving the fingers on their
surfaces you can control the digital instruments (
left touchpad) and Comand system (right touchpad): up and down movements select main menus
while left and right ones control the submenus.
On the tablet's
left edge are a volume rocker and headphone jack,
while the right edge is home to a microUSB port, magnetic power slot and full - size USB 3.0 port, an upgrade from the
Surface RT's USB 2.0 port.
They try to skim the cream of the authorial crop (or whatever is floating to the
surface, anyway) and push some,
while others are
left adrift without a paddle.
The top of the
Surface holds the power button
while the
left side houses a headphone jack and volume rocker.
So it looks like Windows RT is being
left while the new
Surface 3 line - up should be getting the Windows 10 upgrade when it finally lands.
Since Paperwhites use capacitive touch, you obviously can't control it
while physically underwater, but once we pulled it out, the few drops
left on the
surface didn't impair page turning to any noticeable degree.
While he made sure she was always fed, he
left her alone in the factory — exposed to the harsh printing chemicals — and didn't provide her with proper bedding or a
surface to rest on.
Snails that crawl on hard
surfaces are always potential escapees,
while substrate dwellers rarely
leave the sanctuary of their gravel beds.
On the
surface, it's a simple distinction: Tourists
leave home to escape the world,
while travelers
leave home to experience the world.
We know it can be frustrating for children who are too young to do the PADI Junior Open Water course to see Mums, Dads, brothers and sisters descending into the underwater world
while they're
left snorkelling on the
surface.
On the
surface it seems like a fairly standard top - down twin - stick shooter; you move with the
left stick, fire weapons with the right (and certain others with the triggers)
while venturing around the universe, taking on the various missions.
Environment design is reminiscent to that of Neon Chrome as certain interior
surfaces such as thinner walls, glass and furniture can be destroyed with multiple melee attacks or shooting at them,
while keys are required to open some doors, alongside a glimpse of the conditioning of exterior environments when nearby to an outer wall as rain or snow falls and a trail of devastation is
left behind by Mr. Time's experiments.
As the trailers have suggested, Exodus sees you
leaving the titular metro, and
while the
surface environments don't constitute an open world in the traditional sense, the locations will be vast, non-linear levels that offer sandbox exploration alongside the directed story missions.
Done on unbleached canvas,
while leaving the bottom half of the painting untouched, «Abstraction» (2002 - 2015) hovers between being a brown cloth
surface on which paint has been applied and a deep space terminating at a far wall.
«Brake» (2014) is a clash of horizontal and vertical stripes, with swaths of ochre drifting across the
surface and a band of intense cadmium yellow along the upper edge,
while in «Raft,» (also 2014), the vertical stripes run from top to bottom, with two horizontal sets constrained within shield - like shapes on the
left and right, calling to mind Walker's fascination with Aboriginal and African art.
The hues in Articulation Portfolio II Folder 28 (B) work in concert to give the flat
surface the distinct appearance of a tunnel or other 3 - dimensional space;
while the form on the
left appears to move towards the viewer, the form on the right seems to lead directly into the canvas.
While the eight square paintings share the same motif ---- a quatrefoil made of four circular forms pressed together,
leaving an open space in the center ---- each painting's overall form, palette, and
surface is distinct.
Maintaining the consistency of the brushstrokes
while varying the amount of paint and pressure applied, Lee keeps «expression to a minimum in order to achieve the maximum» (L. Ufan, Lee Ufan, Tokyo, 1993, p. 3) The almost hypnotic repetition of marks that comprise From Line is created by the artist pressing a brush loaded with blue paint suspended in viscous glue directly onto the
surface of the canvas, then repeating the process until there is barely any pigment
left on the filaments of the brush.
His first works (1964 - 1969) reflect the attempt to give order to the
surface while leaving space for the artist to manoeuvre, without allowing preconceived programming to reign over his work.
Another stage played as a ramshackle take on a Sol LeWitt wall drawing: on a wood plank marked with squiggly etchings on the wall, course - goers had to lean over and trace the shape of the lines
while maintaining close proximity and without letting their pencils
leave the
surface for any reason.
While quite cute and innocent on the
surface, many of his works are also quite sexualized, tying into the anime phenomenon of fanservice, and
leaving it an open question as to how innocent his works are in the end.
Ms. Kretschmer abstractly paints and draws on the
surface of the plywood
while leaving areas of the wood grain exposed.
The ruler on the
left lies flat against the painting's two - dimensional
surface,
while the middle one tapers upward, suggesting that it is tilting away from the painting's
surface, and moving back in space.
In the early 1960s French contemporary art was dominated by the far -
left avant garde Supports -
Surfaces group, whose members painted large - scale canvases without stretchers (the physical support behind the canvas),
while materials were often cut, woven, or crumpled.
One of his first works, at the San Francisco Art Institute in 1969, involved simply rearranging the institute's movable interior walls that were used for exhibitions but
leaving the walls empty, to make evident to visitors that
while the walls «appear to be architectural
surfaces,» as he wrote, «they are really planar objects.»
Taking thousands of words from newspaper text, Krisanamis obliterates letters
while leaving untouched the negative spaces within such letters as 9, 8, 0 and b. Rendering the text invisible, he builds up densely layered, textured, shimmering
surfaces, replacing language with pure optical effect.
Swiping right or
left skips forward and backwards through your current playlist,
while tapping in the center of the
surface plays and pauses your music.
Wireless charging is an amazing feature that allows a battery to be charged via electromagnetic induction and as a result, you just have to
leave your phone on a charging
surface for a
while and it will replenish the battery.
Control Center is now
surfaced by swiping down from right corner,
while a swipe down from the
left gets you to the notification list.
While the coverage of van der Kolk's work looked good on the
surface, the innuendos throughout
left me feeling that it was more of an attack.
Because this piece had such tight lines and a limited
surface, I decided to go with a stencil I had which reminded me of the swirling
leaves that I love to see as cars kick them up
while driving by or as autumn breezes make them dance.