While leaving the theater, I overheard several sets of people discussing the various actions some of the characters took and what they, the viewers, might have done in their stead.
The film, which is considered a leader in the Oscar race for Best Picture after triumphant screenings in Toronto and Telluride, won the strongest reaction from TIFF - goers who deposited their ticket stubs
while leaving the theater or cast ballots online.
Not exact matches
So, for you comedy buffs out there that really are intent on seeing this, hey, who's going to stop you (maybe your parents, I suppose), but believe me, the lack of layers in the story, the nonsensical dialogue, and the overall «wow, I can't believe that I just saw that
while sitting in a movie
theater» factor, probably will
leave you at least a little disappointed.
(Bonus points for
leaving off «Olaf's Frozen Adventure», the polarizing short that preceded Coco in
theaters... at least for a little
while.)
While a number of the nominees are still in
theaters, here are 11 movies you can watch right now without having to
leave your couch.
While I still consider Brand to be quite a lunatic, I
left the
theater inspired by his story and impressed with him as a person.
And
while it's an art that has already yielded our first magnum opus of the year, the 100 Most Anticipated Movies Of 2014, (and we should probably be awarded the rest of January off as a result) there's still a category of film we've
left unmined: those movies that we saw and reviewed in 2013 at festivals or sneak screenings or parts foreign tha t won't be in
theaters until 2014.
While all the praise seems to be on the performance of great actor, Demian Bichir, you can't take Bichir's «Carlos» without applauding a beautiful score by Alexandre Desplat or the honest and leveling work of Jose Julian or the rapturously morose finale that didn't
leave a eye dry in any
theater or living room across the world.
While there were a handful of audience members who weren't quite sure what to make of «Demolition,» which defies easy categorization, most viewers seemed to
leave the
theater on a movie contact high.
While it has a few flaws, Scott Pilgrim vs. The World is sure to have folks
leaving the
theater happy.
Avengers: Infinity War has been breaking box office records worldwide
while leaving fans anxiously and desperately waiting for the Avengers: Infinity War sequel which sadly doesn't arrive in
theaters until May 3, 2019.
Serkis is great but the film is a familiar freak show of hardship and ego run amok: a mad man of a singer - songwriter who, physically crippled by childhood polio that
left an arm and a leg emaciated and nearly useless, blasts his way to stardom with cheeky lyrics and a stage act heavy on
theater,
while off stage fails as a husband (to artist Olivia Williams, tired of his self - involved existence), father (to impressionable son Bill Milner) and boyfriend (to adoring Naomie Harris).
We know this before we even step into the
theater, and The Stanford Prison Experiment succeeds because it brings our fears to life, and
while Alvarez may have wanted to
leave his audience with a breather, his film works far better when it's making us gasp at humanity's fragile morality.
I was itching so bad to
leave the
theater while watching this one, and not because I had to pee.
«We expect the film to stay alive in
theaters for a
while because it's that rare documentary where audiences feel better
leaving the
theater than they do going in.»
While I can't speak for how everyone feels about it, I do believe that the sequel delivers something that will have many
leaving the
theaters satisfied in multiple ways.
And,
while this sort of movie isn't really for me (and my particular tastes), I
left the
theater supremely satisfied with a «family» film I just wasn't sure I'd enjoy.
Always accompanied by a tenacious Boston terrier, his co-star in all situations, George bumps into an aspiring young actress named Peppy Miller (Bérénice Bejo)
while leaving a packed
theater premiere.
«
While the lush 3D location shots of a desolate Moscow are admittedly stunning, the forgettable characters and paint - by - the - numbers plot threaten to burn the entire film out of your brain mere seconds after you've
left the
theater,» says Daley before joking, «Remove the sporadic alien attacks and «The Darkest Hour «suddenly feels like a Sunday night slideshow of your parents» summer tour of the Motherland.»
While it certainly strides more often than it stumbles, the potential to absolutely shine is right there for the taking and the film never delivers on its promises,
leaving one to exit the
theater thinking wistfully about how great it could have been.
While most audience members won't worry about protecting their necklines when they
leave the
theater, this script may still expose more dangerous attitudes about young love than most parents will care to lay bare for their kids.
Still, one also can't help but
leave the
theater with an emptiness of feeling, because
while the meal is undoubtedly tasty, it's definitely not very filling.
I had gone to the night's last showing of Woody Allen's Bullets Over Broadway and
while driving home from the
theater, mulling over the movie, I had half - absentmindedly continued straight where I usually took a
left, slipping beneath an overpass and entering a neighborhood I knew only by its forbidding reputation.
Have you noticed when watching a movie in the
theater that when you see something, like glass breaking on the
left side of the movie screen the sound comes from the
left side of the
theater,
while other sounds come from the right.
Piano's design
leaved the building's exterior largely unchanged,
while it completely transformed the internal space to accommodate an exhibition center, an ice skating arena, a convention center,
theaters, restaurants, a shopping center, an hotel, a department of the University of Turin, and the Pinacoteca Agnelli.
The reference 3 - way SVS Ultra Center channel speaker reproduces the most demanding movie and music content with depth, clarity and vigor,
while serving as the main soundstage anchor and critical sonic bridge between the front
left and right speakers in a surround sound home
theater.