Sentences with phrase «while modern lighting»

Cozy artwork, alongside dark blue shades in the bedroom area linens bring the entire space together, while modern lighting and furniture give the room and sleeping quarters a nice, homey feel.

Not exact matches

While the Protestant Churches were facing mounting battles in beliefs and while many were attempting to reinterpret the faith in the light of modern demands, one thing continued to mark the American sWhile the Protestant Churches were facing mounting battles in beliefs and while many were attempting to reinterpret the faith in the light of modern demands, one thing continued to mark the American swhile many were attempting to reinterpret the faith in the light of modern demands, one thing continued to mark the American scene.

Ultimately, this book, while good, is little more than an introduction to some of the key themes and issues surrounding the interpretation and understanding of Genesis 1 in light of modern science.

As the hours went by, tempers frayed as the African expressed his confidence in the clear words of scripture, while the American stressed the need to interpret the Bible in the light of modern scholarship and contemporary mores.

In this regard we do need to return to the essential outlines of the Thomistic tradition while developing its specific arguments and detailed categories in the light of modern science.

Winemaker Jean - Marc Dulong enlisted time - honored winemaking practices as well as modern techniques to create a collection of finely balanced, elegant wines that are eminently drinkable: Downton Abbey Blanc is a light and crisp white blend, while Downton Abbey Claret is medium - bodied red with bright fruit and a silky finish.

Modern double - glazed windows should keep out any noise from outside while blackout blinds will prevent any unwanted light from shining through.

While the light gray and hickory brown is subtle enough for any gender neutral baby nursery, the dark brown is a perfect fit for a sophisticated or modern living space.

The Classic Swaddle features traditional baby light baby colors, while the Premier has more of a modern touch.

While I'm waiting, here's some light entertainment on the risks of childbirth before modern obstetrics.

But the need for pigment to provide this extra protection waned as modern human populations migrated northward over the past 60,000 years or so, while the need to absorb UVB light became greater, particularly for those humans who migrated to the far North behind retreating glaciers less than 10,000 years ago.

But the need for pigment to provide this extra protection waned as modern human populations migrated northward over the past 60,000 years or so, Elias said, while the need to absorb UVB light became greater, particularly for those humans who migrated to the far North behind retreating glaciers less than 10,000 years ago.

«People in modern societies can take lessons from this research by attempting to get lots of light exposure during the day while reducing blue - wave light exposure after dark and dropping inside temperatures by a few degrees at night.»

While it's nearly impossible to avoid blue light from screens in the modern world, following these tips can help protect your precious peepers from damage and allow your eyes to soak up the beauty of the world around us.

With the movement of the pleated skirt and casual nature of the tank top, I found that the mixed textures of the pieces made this outfit feel edgy and modern while still being light and girly.

The light blue base mimics the polished appearance of blown glass, while the sleek fabric shade creates a modern look.

The ornate built - in surround for the refrigerator adds visual interest while the pendant light above brings a modern element to the space.

A tribute to Ol' Blue Eyes himself, Sinatra is a classy way to embrace the bright lights of show business in the city of lights, while enjoying Italian cuisine with a modern twist.

ALIVE AND KICKING gives the audience an intimate, insider's view into the culture of the current swing dance world while shedding light on issues facing modern American society.

New water effects, up - scaled textures and fonts, higher polygon counts, specular materials, real - time lighting and dynamic shadows all add to the game looking a little more modern while still retaining its attractive cartoon style visuals.

Electric lighting ensures that no place need close when the sun sets, while the web of modern electronic communication systems allows instantaneous, round - the - clock contact between virtually any two points on Earth.»

It's one of those machines that had modern classic written all over it the moment it first saw the light of day and while it was the first car AMG designed from scratch in house it was also sadly the last to be fitted with a naturally aspirated V8.

Replacing the Freelander 2 globally, the 2015 Discovery Sport brings forth a new urban, modern and sporty design language that takes references from the Evoque and Range Rover Sport in the company's portfolio; while also being significantly lighter than the outgoing model courtesy of the extensive use of aluminium in the construction.

The MX - 5 was conceived as a small roadster - with light weight and minimal mechanical complexity limited only by legal and safety requirements, while being technologically modern and reliable.

Chevy feels that the new grille gives the 2019 Malibu a bolder look, while the LED headlights and daytime running lights give it a more modern look.

Beyond its modern, robust design, the core of Frontier is a strengthened structure with a reinforced chassis that makes it four times more durable, while being lighter and more efficient.

Sharp feature lines complement muscular rear haunches, while LED daytime running lights, subtle brightware elements and a choice of stylish alloy wheels afford the Flying Spur a modern, contemporary feel.

At the front, the sculpted surfaces, jewel - like headlamps and the raked windshield on the all - new Discovery break with the model's tradition, while the daytime running lamps deliver a modern appearance and a distinctive new light signature.

* Compact design gives driver greater control, while body's lightness and low center of gravity allow racecar - like handling * Both power and environmental performance provided by 2 - liter boxer engine and light body * Flash Red body color contains hint of blue; interior expresses modern feel with minimal coverage of the highly refined structural components evoking enthusiasm for cruising

It now has a larger more upright grille and a taller hood, while new «light blade» LED daytime running lights give it a more modern touch.

The comforts and capabilities of the new car, while modest in comparison to many modern rides (no adaptive cruise, no lane - keep assist, minimally adjustable seats, etc.) are light - years beyond the old model.

A new grille and lights give it a more modern front end, while those sharp design lines along the sides and rear make it look lower and wider.

Powered by a 3.2 Liter 6 Cylinder that unleashes a potent 271hp while paired with a responsive automatic transmission to reward you with a composed ride you'll look forward to each day!Our Cherokee Sport combines classic Jeep elements with a modern and aerodynamic shape accented by daytime running lights tucked under the sharply curved hood, 17 - inch steel wheels and all - season tires.

Alba Thanh Tan Hot Spring Resort Hue is a lovely three - star resort located in the historic town of Hue, the seat of the final imperial dynasty of Vietnam.Situated 30 km from the city centre, guests will find themselves perfectly placed for a relaxing and healthful stay, while still being close enough to enjoy the historic sites of the Imperial Citadel, the Tombs of the Emperors, and the Thanh Toan Wooden Bridge.The rooms of this hotel are offered in three configurations: Standard, First Class, and Deluxe Suite rooms.All are decorated in a light and playful modern rendition of Vietnamese decor, and are equipped with air conditioning, complimentary wireless internet access, mini-bar, satellite television, coffee and tea - making facilities, and private bathroom with complimentary toiletries and hairdryer.

The 121 rooms, inspired by local artist workshops, feature natural wood and earth tones, which complement Tom Dixon's «Art et Floritude» modern lighting, while vintage furniture by Jean Prouvet and Charlotte Perriand reflect the hotel's unusual heritage.

All rooms are beautifully decorated in fresh light colours and white percale linen while the modern en - suite bathrooms are fitted with large showers or baths and tiled in timeless naturals.

Designed and crafted in a unique style that blends traditional materials, exotic woods and thatched - palm roofs with a modern building concept, giving each bungalow a particular atmosphere, with a softly lit original sauna - style bathroom that allows you to enjoy a shower while admiring the surroundings.

The neon lights of Seoul sit alongside equally dazzling, meticulously restored palaces, while in the fishing villages, wooden hanok houses, serene rice paddies and islands, life continues untouched by modern times.

Natural stone features are offset by soft white walls and subtle lighting throughout to create a clean modern look while polished stone floors and air conditioning keep you cool as a cucumber when the temperature starts to rise.

The main on - site restaurant serves up modern Thai and international cuisine, while there is also a café for lighter bites.

Living spaces are light and airy with large windows embracing breath - taking views, while modern amenities, such as air - conditioning and cable television, provide creature comforts.

While modern engines are usually concerned with shaders, tessellation and advanced lighting, the Retro Engine is concerned with raster effects, palette manipulation, «mode 7» and a whole host of other gaming tricks from the days of yore.

The sculpture's location in the light - filled Sun Porch strengthens this sense of interior space, while juxtaposing Brent's modern sensibility with the grandeur of its surroundings in Glyndor House.

Displayed works, gathered from some of the most prestigious museum collections, such as the Reina Sofia in Madrid, MNAM Centre Georges Pompidou in Paris, Paul Klee Zentrum in Bern, Munchmuseet in Oslo, Stedelijk Museum in Amsterdam, Tate Britain in London, and the Dia Foundation in New York, as well as from the collections of both the GAM - Torino and the Castello di Rivoli, and numerous private collections, considers light, its vibrations, and the world of emotions, while challenging the standardization of the use of color in the modern age.

One room brings together the paintings of modern European colorists (Pierre Bonnard, Henri Matisse, Vincent van Gogh) who forayed into abstraction, while another showcases their American counterparts (Milton Avery, Arthur Dove, Albert Pinkham Ryder), revealing the artists» similar preoccupation with color and light yet different sensibilities.

Major projects Creative Time undertook while Pasternak was director include Tribute in Light, the twin beacons of light that illuminated the sky above the former World Trade Center site after 9/11; Paul Chan's production of Samuel Beckett's Waiting for Godot in New Orleans's Lower 9th Ward; Nick Cave's Heard NY in Grand Central Terminal; Doug Aitken's Sleepwalkers at The Museum of Modern Art; Jenny Holzer's For New York at Rockefeller Center; Kara Walker's A Subtlety in the former Domino Sugar warehouse in Williamsburg, Brooklyn; and the recent joint project Funk, God, Jazz & Medicine: Black Radical Brooklyn at the Weeksville Heritage Center and its surrounding neighborhood in BrooLight, the twin beacons of light that illuminated the sky above the former World Trade Center site after 9/11; Paul Chan's production of Samuel Beckett's Waiting for Godot in New Orleans's Lower 9th Ward; Nick Cave's Heard NY in Grand Central Terminal; Doug Aitken's Sleepwalkers at The Museum of Modern Art; Jenny Holzer's For New York at Rockefeller Center; Kara Walker's A Subtlety in the former Domino Sugar warehouse in Williamsburg, Brooklyn; and the recent joint project Funk, God, Jazz & Medicine: Black Radical Brooklyn at the Weeksville Heritage Center and its surrounding neighborhood in Broolight that illuminated the sky above the former World Trade Center site after 9/11; Paul Chan's production of Samuel Beckett's Waiting for Godot in New Orleans's Lower 9th Ward; Nick Cave's Heard NY in Grand Central Terminal; Doug Aitken's Sleepwalkers at The Museum of Modern Art; Jenny Holzer's For New York at Rockefeller Center; Kara Walker's A Subtlety in the former Domino Sugar warehouse in Williamsburg, Brooklyn; and the recent joint project Funk, God, Jazz & Medicine: Black Radical Brooklyn at the Weeksville Heritage Center and its surrounding neighborhood in Brooklyn.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

But while there's a traditional feel to the place, elegant and tasteful touches including parquet, vintage bar stools, gorgeous light fittings, open fires, sofas and modern art keep it all cutting edge.

The exhibition Béton (Concrete) emphasises the perpetually modern aspect of this material, while shining light on the social and ideological implications of past concrete architectures at the same time.

By analyzing the different color theories that took shape in the turbulent socio - political context that characterized the 20thcentury, the exhibition reflects on a perspective that considers light, its vibrations and the world of emotions, while challenging the standardization of the use of color in the modern age (synthetic colors) and the digital era (RGB colors offered by various online palettes), a leveling that considerably reduces our ability to distinguish colors in the real world.