Sentences with phrase «while sticking to the facts»

Not exact matches

Also, avoid all superlatives while you are at it («best», «biggest», etc.) Stick to the facts and partner with a platform that is experienced with securities offerings because screwing this stuff up can result in serious, negative consequences.

While she's probably not wrong in that it's likely hovering near the end - point, I would like to just take a moment to point out that most of this whole affair has been fuelled by weak - sauce allegations and conflated facts, and this particular air of desperation as people keep flinging the equivalent of spaghetti against a wall in the hope that something inevitably sticks.

So while you may have your grievances against Israel, try and stick to the facts, however difficult it may be.

In fact crust sticks to the knife while slicing.

The sticking point in the deal is said to be the fact that the Italian side want the security of a loan deal, while Manchester City are looking to sell the player outright, with no danger of his return.

As mentioned earlier, Conte never spent more than # 15m on a single player in Turin and while that may be largely due to the fact he did not have the wealth he will have at Chelsea, the coach may be keen to stick to his guns and look for solid deals.

In fact, United have scored exactly 2 goals at home to Blackburn in the last three seasons, while they're stuck in the same rut at the present having scored the same number of goals at Old Trafford in their previous four home league fixtures.

I think that while there may be a small percentage of «on the fence» women who might be swayed by a free formula sample, the fact is that the majority of women who aren't that interested in breastfeeding aren't going to stick it out when the going gets tough anyway and the formula companies can hardly be blamed for trying to grab up this segment.

While listening to our challenges Indra said something that stuck to me (in fact enough that there will be separate blog post speaking about this point at length)... she said something to the effect that you don't get to be a trailblazer without paying some price.

While it may seem complicated to pick the right one out, if you stick with basic facts about what you need, you will have peace of mind and will keep your baby happy and safe.

We would like to kindly ask that the print media and blogs covering this story refrain from printing hearsay and fabrications and stick to the facts, while respecting that the family is grieving.»

While I still dabble a little in DIY, nowadays I stick with plant - based products I know and love — owing in part to the fact that I no longer have hours to kill between college classes, but mainly because there are so many brands crafting far more incredible all - natural formulas than I, the scrappy amateur, ever could.

Stick to facts instead of feelings and remind yourself that while it might be possible, it's not probable.

While putting your profile just mention the fact that you are going for only sex and you don't want to stick with relationship.

Jones conducts with confidence, getting the viewer into the mood of investigation while cleverly reinforcing Colter's vulnerability and his habitual need to protect the passengers and Christina, despite orders to stick to the facts.

From rides on the «train of thought» to commercial jingles that get stuck in your head to a clever gag about mixing facts and opinions, co - directors / co-writers Pete Docter and Ronaldo Del Carmen keep things fresh and funny while maintaining a simple conflict that easily gets younger viewers invested.

Based on an incident in his own life that involved meeting a half - sister he never knew he had, Kurtzman discussed being emotionally true while not sticking to the facts, and why trusted Pine to play his alter - ego on screen.

While I have no doubt the form factor will be a driving factor in the phone's initial sales when it's released, owing to the popularity of ebooks and digital comics in Japan, the fact that past attempts were stuck with low resolution displays and equally poor software does not bode well for this device, owing to the poor optimization of Android for dual displays.

I would not trust «intelligent scan» — it can unlock your phone while your eyes are closed — I have not tested it against a picture yet but the fact that someone could unlock my phone while I am asleep is enough for me to just stick with Iris scanning and FPS, which are honestly fast enough anyway

In fact, the same study found that 67 % of millennials stick to a budget while baby boomers lagged behind at only 55 %.

While years ago, people might have stuck with the same job for the long haul (and in fact, more than 40 % of Baby Boomers stayed with their employer for 20 + years), today's economy is much more fluid, with millennials more willing to act on job opportunities and move from company to company.

However, the lack of control optimisation can be forgiven due to the fact that important elements of the control scheme including technical and signature modifiers are mapped to L and R respectively, while the potential of re-mapping anything from the rear touch pad to the touch screen in such a technical fighting game could have possibly been more problematic as the player would need to utilise both analogue sticks at times.

While I'd saw one of my feet off for a new Uncharted game, I felt Uncharted 3 didn't match Uncharted 2, so the fact that the devs are working on a new IP allows them to get stuck in to a load of new ideas, features and styles.

While the game's anime-esque plot and graphical style are undoubtedly served well by sticking to the Japanese audio, the fact that so much of what goes on is spoken about while you're trying to avoid a hundred bullets makes understanding the plot and the character's relationships extremely diffiWhile the game's anime-esque plot and graphical style are undoubtedly served well by sticking to the Japanese audio, the fact that so much of what goes on is spoken about while you're trying to avoid a hundred bullets makes understanding the plot and the character's relationships extremely diffiwhile you're trying to avoid a hundred bullets makes understanding the plot and the character's relationships extremely difficult.

While the multiplayer is somewhat frustratingly divided into 4 screens despite the number of players and the fact that certain team - mates, naming no names, are actually detrimental to your team in the long and short of it, Lylat Wars will always stick out in my mind as that perfect balance of compelling characterisation and fast - paced action.

While there's an easy argument to be made that Splatoon 2 is actually the better game in terms of polish and refinement, I tip the scale to PUBG here for the simple fact that Splatoon 2 — though great — stuck close to the playbook of Splatoon 1.

You'll want to use the left stick to move and the right stick to turn just as in any other FPS, but the fact you can also turn your body whichever way you like can lead to odd situations where you move one way while turning the other and end up feeling like you're on a ferry in a class - 5 hurricane.

Sure, the actual concept of using the right stick for camera control had been around for a while before Sunshine came out (in fact, once the DualShock was released, I'm pretty sure most games took full advantage of it), but it was the first Mario game to do so.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

While you all would like to stick out your hopes on the fact that something will come along to save us, your hopes get us nowhere.

Have you noticed that the perennially successful (two decades and counting) denskepticon community has absolutely no problem with appeals to emotion, while insisting that their more rational opposition should stick to cold facts?

This latest exercise might feel redundant, were it not for the fact that its message, while beginning to stick, still hasn't entirely sunken in.

The fact that you need to buy a licence for Windows 10, while SteamOS — like other Linux distros — is free, is another reason why people aren't too happy with being stuck with Windows.

And while a creative presentation is important, when it comes to your qualifications and accomplishments, stick to the facts.

Stick to the facts when writing your job application, while highlighting your true skills, accomplishments, and abilities.