Sentences with phrase «while younger viewers»

While younger viewers might find some scenes of the future a bit frightening, most of the cartoon violence — exploding inventions, biting ants, a family food fight and an attacking dinosaur — is no scarier than regular Saturday morning fare.

Sadly, most baby boomers will consider themselves too mature to ever sit for a cartoon, much less one featuring a bunch of superheroes, while younger viewers who readily eat up such features will not quite be in tune with the many old - school styles in the art or political implications of the back story.

While younger viewers might be more prone to nightmares than inspiration after seeing this bedtime story, older kids and their parents may enjoy the mix of fright and fairytale in Lady in the Water.

Not exact matches

Bakish is focused on turning around the business after years of falling domestic ad revenues and poor ratings as younger viewers increasingly watch content online, while Paramount has suffered from a lack of box - office hits.

For the MLB, partnering with YouTube provides a way for the league to reach younger, digital viewers while showcasing the sport's most high - profile event.

Yet while those comic book references, along with plenty of well - written quips aimed at older audiences, will engage the parents in the theater, the film's introspective second act may fail to hold the attention of younger viewers.

Cobra Kai manages to give Karate Kid fans exactly what they want, while using the template of the original to launch new characters aimed at younger viewers.

Pixar has always had a knack for tugging at the heartstrings of grown - ups while delighting younger viewers with good - natured characters and eye - popping visuals.

The plot is simple enough for young viewers to relate to, while still providing a complexity that makes Kung Fu Panda 2 a movie sure to fight its way to the top of this genre.

While these portrayals are hardly based on reality, the action sequences may leave younger viewers excited about replicating kung fu moves at home.

Though there's some adult humor sprinkled throughout, it'll be the young adult audience laughing at every gag while older viewers eventually grow tired of the cheap laughs (especially the repeated fat jokes) and dispensable storyline.

While young and less jaded viewers (who haven't seen this script multiple times) may buy into the adventure, parents should note that moments of peril, hand - to - hand combat and the death of a prominent character may be too intense for young children.

While initially Dreamworks» TURBO looks like one of those animations directed towards the younger viewer — don't say they all are — once you've watched the trailer here, you might think again!

The trouble is that these sequences are at times a little too cartoony for their own good and while they may appeal to younger viewers who are not quite ready to grapple with the headier ideas regarding how dangerous mere words can be to the social order, older audience members will find themselves waiting impatiently for the next visual poem to begin.

While initially Dreamworks» TURBO looks like one of those animations directed towards the younger viewer - don't say they all are - once you've...

But while her method produces the intended gasps when things go from miserable to outright nightmarish, viewers without a firm grasp of Cambodian history may reach the same half - formed understanding of events as young Loung.

Instead, he put viewers behind the wheel of a getaway car while a young driver (Ansel Elgort) learned big lessons about the perils of power.

There's a good chance it'll play too young for many grown - ups, while it may prove too emotionally raw for younger viewers, especially during its final scenes.

Instead, he keeps the story focused, driving forward at a pace and, while the ugliness of the violence is hinted at rather than revealed (except for the results of an insect attack that the youngest viewers - it's a 12 - may find disturbing), there is a real viciousness at the heart of the story.

While many scenes will likely be too intense for very young viewers, this movie, packed with whispering tomes and colorful secondary figures, is aimed at older children who won't suffer from nightmares after viewing the frightening adventures portrayed on screen.

While all the depictions are too ridiculous to be taken seriously, they may still be a bit frightening for young viewers.

The PG - 13 rating is a major plus; young viewers will relate to the story as a contempo Robinson Crusoe, while the philosophical elements are likely to appeal to more mature auds.

While most of them are endearing (such as the rock biter, luck dragon, and little elves), others look so bizarre that they may be disturbing to young viewers.

While this violence is portrayed in a comical manner, there are moments of peril for some of the characters that may frighten young viewers.

While the BD and DVD are identical in terms of supplementary material, the Blu - ray keepcase includes the foldout booklet «The Beginner's Guide to Seeing Ghosts» (mainly a primer on the film's cartoonish creatures targeted at young viewers) and a crisp - sounding CD sampler containing four cues from Danny Elfman's iconic score.

While most of the violence is played for comedy, people do get stabbed and the computer animated monsters and body decompositions may disturb young viewers.

From rides on the «train of thought» to commercial jingles that get stuck in your head to a clever gag about mixing facts and opinions, co - directors / co-writers Pete Docter and Ronaldo Del Carmen keep things fresh and funny while maintaining a simple conflict that easily gets younger viewers invested.

I heard more screaming from the crowd in this movie than in quite a while that was made for younger viewers.

After all, Kenan has previously directed dark - tinged films for younger viewers (Monster House, City of Ember), while screenwriter David Lindsay - Abaire is best known for child - friendly scripts (Robots, Inkheart, Rise of the Guardians, Oz the Great and Powerful).

So, while I Kill Giants may not be appropriate for young viewers, it's certainly well suited for viewers who are young at heart.

While older genre fans will most likely dig the Joe Dante vibe, Krampus is ultimately far too intense for younger viewers.

While clever enough at times to moderately entertain adults, it's quite silly and sophomoric, with fart gags and gross - out jokes a-plenty, so I suspect that younger viewers will probably enjoy this more than their parents will.

The sentiment applies perfectly to the decision to give viewers a new, young Han Solo while Harrison Ford still walks the planet.

While there are no lion hunting games or funny bloopers to catch the attention of younger viewers, there is an extended alternate ending that introduces additional characters and contains a lot more pomp and pageantry than the film's screened ending.

That's another hallmark of Solondz: forcing the viewer to linger well beyond what's expected or what's even comfortable, holding focus, for example, on a young boy staring at the sky while lying in his backyard.

The leap forward in time is a daring move, especially since the kids that watched the first movie haven't grown up anywhere near as much as Hiccup and his friends have, yet everything is kept relatable for the younger viewers while the change gives older fans even more to enjoy.

In the years since her death, viewers young and old have experienced the kind of thrill I feel, still, whenever I look at Neel's work, which, like all great art, reveals itself all at once while remaining mysterious.

Hilton Als, a theater critic at The New Yorker, who curated the Alice Neel exhibition in Chelsea, writes, «In the years since her death, viewers young and old have experienced the kind of thrill I feel, still, whenever I look at Neel's work, which, like all great art, reveals itself all at once while remaining mysterious.»

The formidable young sculptor and MacArthur recipient Sarah Sze fashions whole ecosystems from tiny pieces of detritus, addressing serious topics such as overconsumption and sustainability while supplying viewers with moments of whimsy and delight.

Hai Bo's «The Northern No. 7» and Wang Ningde's «Some Days No. 9» offer stark counterpoints to each other; in the former, a man bicycles toward the viewer on a rural road, surrounded by emptiness, while in the latter, a man and his young son stand in grayness, their backs to the camera, as trains pass by on either side.

The advert, released during February, depicts a healthy - looking young man and woman propelling themselves through a cloud of smoke while the audio assures viewers of, «satisfaction for vapers».