Jonathan Lasker gives oil squiggles the informality and visceral color of crayon, and Rochelle Feinstein's
white acrylic almost fades into canvas before one's eyes.
Not exact matches
No matter,
acrylics is a very forgiving medium, so I mixed some
almost white paint (a little lighter than the sky) and made it a touch runnier with a drop of water, so it would flow better.
By pouring her
acrylic pigments (she works
almost solely with black and
white) directly onto glass and letting them dry there, she can then slice into the pigment and, having cut out a cartouche or a length of filigree, can carefully lift that segment of limp paint from the glass and position it upon the canvas.