Sentences with phrase «white archival»

L. Aviva Diamond provides liquid magic, photographic juice for the parched eye in «Light Stream Series 2 # 13,» a black and white archival pigment print photo.

Neostructuralist film with overlapping geometric colors -LSB-...] projectors screening loops of grainy black - and - white archival footage, abstraction that's supposed to be referencing other abstraction — it was all there, all straight out of the seventies, all dead in the water.

It features black and white curves in graphite on white archival paper for a contemporary feel.

Marco Maggi, Spelling Square (G&W), cuts and folds on 841 grey and white archival papers in 35 mm slide mounts, 59 x 59 in, 60 x 60 in framed

Marco Maggi, Spelling Square (G&W), cuts and folds on 841 gray and white archival papers in 35 mm slide mounts, 59 x 59 in, 60 x 60 in framed, detail

(black and white archival pigment print on matte paper, 29,7 x 42 cm (A3 format)

Overture (1986), on the other hand, consists of ragged, jittery found 16 mm black - and - white archival footage shot between 1899 and 1901 of a train trip through the precipitous passes and tunnels of the Rocky Mountains.

Many of Arden's earliest works from the middle of the 1980s, some of which appeared in his first solo exhibitions at artist run centres like Western Front in Vancouver in 1986 and YYZ Artist's Outlet in Toronto in 1987, consist of found, black and white archival photographs of urban scenes in Vancouver.

Studio I, II, III, 2014, White stickers on white archival mat in Plexiglass case, triptych, 14 x 11 in (each), 14 x 36 in (overall)

Viewers are required to put on crisp, white archival gloves to precariously page through his paint - splattered copy of

Not exact matches

In addition to interviewing leading legal scholars and activists, like Angela Davis, DuVernay said she reviewed about 1,000 hours of archival footage, including of images of lynchings, cellphone videos of police abuse, and The Birth of a Nation, the 1915 D.W. Griffith film that glorified the Ku Klux Klan (and was screened at the White House for President Woodrow Wilson).

Badenes's team examined archival observations and found a white dwarf and neutron star orbiting one another extremely closely.

Archival work, of course, isn't exactly what most scientists dream to be doing at NASA, so in 1999 Dr. Livio began shifting his research, focusing on black holes, acceleration of mass, white dwarves, neutron stars and particularly on supernova explosions.

The Double G, inspired by an archival design from the»70s — a hallmark era of house Gucci — is elevated in 18kt white gold.

Beveled white mat is archival quality and acid - free.

Viewers who have been paying close attention (though why they would is a mystery) won't be terribly surprised by this development, since the Colleens earlier received an extended lecture from their history teacher (Vanessa Paradis) on the area's latent Nazi population — as illustrated through black - and - white mock - archival footage of the villainous Adrien Arcand (Haley Joel Osment) trying to start his own Third Reich by blaming unemployment on «the fault of the Canadian Jew» and proposing the launch of «Le Solution Finale.»

«Because of the way it was shot, on a black - and - white Kodak stock that doesn't even exist anymore, and the fact that the only archival print we have is so damaged it can't be replicated at this point, it's literally at risk of disappearing forever.

They adhere to the posture and demeanor fitting the archival footage of her time in the White House.

We do get to see Irwin Allen say, «There's no false sense of humility here, I'm not a humble man,» and some archival making - of footage featuring a hella - creepy white fire mask.

The opening features a black & white collage of archival footage of arrests and intimidation of homosexuals and of police raids of gay bars during less enlightened times, followed by a brief clip of an ashen fellow Supervisor Diane Feinstein announcing the murders of Milk and Moscone.

The 1.33 X 1 black & white image transfer can show the age of the materials used, but this looks good and comes from pretty good 35 mm archival stock.

Utilising archival images and interview footage of the author and the three social - change giants, as well as historic misrepresentations of the black man in white American culture, I Am Not Your Negro offers an arcing, aching narrative that spans the centuries of abuse and oppression suffered by the African American population.

Featuring archival footage of Chief Justice Earl Warren, Associate Justices Douglas, Brennan, Black, Fortas, Harlan, Clark, White and Stewart, and of plaintiffs Mildred and Richard Loving.

Archival Footage «Africa: Search for Common Ground» courtesy of Common Ground Productions ARD — Westdeutscher Rundfunk, Nairobi The Black Man's Land Trilogy: «White Man's Country,» «Mau Mau,» «Kenyatta» Courtesy of Anthony Howarth and David Koff ITN Archive / Reuters Kenya Broadcasting Corporation, Nairobi Kenya Times News, Nairobi «The Naked Earth» Produced by Sharad Shankardass Nation Media Group Limited, Nairobi Ngorongo Makanga UCLA Film & Television Archive WGBH Media Library and Archives The WPA Film Library

As in Cane River, Tademy populates her tale with archival material from the period - letters, newspaper articles, photos of her ancestors and of historical sites such as the extraordinarily tactless historical marker that still stands outside the court house in Colfax which reads, «On this site occurred the Colfax Riot in which three white men and 150 negroes were slain.

Sweet makes use of collage that includes actual childhood photographs of White, as well as other archival materials, like rough drafts of manuscripts, as she unfolds the life and works of the man that children fell in love with through novels like Charlotte's Web and Stuart Little.

Archival pigment print on Innova Smooth Cotton High White 315 gsm paper, dry - mounted on Alu Reynobond, acrylic glass, oak frame

Archival pigment print on Innova Smooth Cotton High White 315 gsm paper, dry — mounted on Alu Reynobond, acrylic glass, oak frame

Bar None (Robert Smithson, New Jersey) 1967 Composite inkjet print on archival rag paper taken from original 126 format black & white negatives printed 2012 21 3/4 x 40 3/4 inches (55.2 x 103.5 cm) Framed: 24 x 46 x 1 1/2 inches (61 x 116.8 x 3.8 cm) Edition 1 of 5 plus 1 AP ARG # HN1967 - 002.1

This exhibition and event series invited contemporary artists to respond to archival materials and poetry relating to the history of white southerners who migrated to northern cities in the 1960s and 70s and organized cross-racial social movements, while addressing historical and contemporary questions of equity, justice, and race relations.

'' The world is my language», museum archival black & white silver gelatin prints (Korea / Mexico); narrative photography.

Marco Maggi Nasher Papers (Labeling White), 2018 Cuts on self - adhesive archival paper on museum board 14.5 h x 11.5 w in framed (36.8 h x 29.2 w cm) with Optium Museum Acrylic

This image of the work turned on its side, made from an archival slide, documents the drips of white paint that marked the work's surface until Rauschenberg covered it with a fresh coat of black paint.

The Black & White Best in Show winners are Lori Dunn for her scratchboard, «The Laws of Attraction» and Harry Longstreet for his archival inkjet print, «Take A Bow, Any Bow.»

Childress lived near Neel, on East 118th Street, and archival materials assembled by Mr. Als position both women's artistic practices in a larger uptown ecosystem — in which Neel, who was white, figures as a full participant.

Black and white print on archival backlit film, commissioned by Liverpool Biennial, Karachi Biennale and The Tetley, part of the New North and South, in collaboration with Hospitalfield and ROSL Arts.

Agathe Snow Amanda Keeley Archival Feedback Andrew Goldstein Badlands Unlimited Catherine Taft Celia Hollander ($ 3.33) Cesar Aira Christophe Boutin Dan Graham David Taylor and David Chickey David Louis Zuckerman DROOIDS John Miller helper Hueso Records (Ivan Navarro) Heidi Reitmaier Horace Brockington Harry Bertoia Isaac Julien Irene Hofmann Justin Randolph Thompson Jason Yoon Jonathan Harker Jim Gaylord Joanne Lefrak Kiki Mazzucchelli Katherine Bernhardt Katherine Hubbard Kathleen Ash - Milby Maayan Strauss Marianna Ellenberg Madeline Hollander Michael Chabon Michelle Wang NMO Nora Burnett Abrams OKRM PLuto Pablo Helguera Piper Marshall Pablo Leon de la Barra Pip Day Prem Krishnamurthy Maria Elena Ortiz Rocio Aranda - Alvarado Ricardo Mor RVNG Sara Ludy Shannon Stratton Sergio Vega Tamar Ettun Wendy White

Alongside his celebrated abstractions, early black - and - white paintings and the photorealist depictions of candles, skulls and clouds that have become indisputable icons of modern painting, Panorama includes nearly 30 new paintings made over the past ten years, extensive comparative works, studio photographs, archival images and a substantial interview with the artist conducted by Nicholas Serota.

Archival Pigment Print on Epson Bright White Exhibition Paper.

WHITE ROOM TECHNICIAN - Pledge $ 25 or more and receive a signed 4X5» archival pigment print from the Abandoned in Place series printed on archival Hahnemühle Fine Art Baryta paper.

The photograph is printed on beautiful archival Epson Velvet Fine Art Paper, framed with glass and white wood.

Spelling three word: black, gray, white, 2015, Self - adhesive archival paper on museum board mounted on dibond, 40 x 60 inches, 41 x 61 inches framed, full view

Michelle Stuart, Sacred Solstice Alignment, 1981 - 2014, Archival inkjet photographs from analog black and white photographs taken in 1981, Approx. 36.25 x 69.75 inches.

Archival pigment print with uv laminate, mounted on dibond with white frame.

These various arrangements, including posters, framed collages, and sculptural objects based on Pendleton's extensive archival material, incorporate images from various sources — all kept within a consistently black - and - white aesthetic.

Pigment print on archival paper, framed in hand - painted white poplar frame.

Seven pigment prints on archival paper, framed in hand - painted white poplar frames, 46 5/8 x 55 5/8 x 1 1/2 inches.

Five pigment prints on archival paper, framed in hand - painted white poplar frames, 30 3/4 x 53 x 1 1/2 inches.

Rose's work is a gateway to the rest of the booth, which brings together a strong selection of work with a political bent, including Broomberg & Chanarin's Genesis (2013), a bible defaced with archival photographs of conflicts, and Shirin Neshat's arresting black - and - white print from her 1999 Soliloquy Series.

Their monochrome tones also suggest and make reference to archival black and white photography, and the timelessness of their subject matter.