Sentences with phrase «white box space»

How did something that started off as a simple white box space in SoHo transform into a worldwide cultural platform?
The Gallery at Sulfur Studios is a 720sq ft. white box space with a center feature wall and 142ft of running wall space.
Chelsea became a refuge for galleries fleeing soaring real estate prices in Soho in the late»90s, and white box spaces run by Larry Gagosian, Pace Gallery and Paul Kasmin are holding fast there, and even expanding, today.
An adjacent building houses nine stories of white - cube galleries, «very crisp clinical white box spaces that don't impose the character of the historic building on you.»
Throughout the neighborhood, galleries can be found tucked into small storefronts, up narrow staircases, and more recently in newly - built white box spaces.

Not exact matches

The popular burger chain and subject of stoner cult classic Harold & Kumar Go to White Castle acknowledged 4/20, showcasing one of its trademark burgers inside of a «hot box» — a reference to a technique in which weed is smoked inside of a tightly - enclosed space to increase potency.
So we saw a white space between the big box and the boutique stores.
We're currently working on a fix, but for now you can click on the white space underneath the «cook time» box and the print page will pop up.
We're currently working on a fix for our print button, but for now you can click the white space underneath the «cook time» box and a print window will pop up!
The white rectangular box outlines the view taken by NASA's Hubble Space Telescope.
bedroom designs for a small room box room bed idea in small bedroom design idea design ideas small white modern painted bedroom designs small space.
Chic office space in living room with West Elm Parsons Desk in Polished White, West Elm Swivel Leather Desk Chair, West Elm lacquer Shelves, Pottery Barn Pinboard, Pottery Barn Savannah Lidded Basket and The Container Store Semikolon Document Box in Black.
You'll find us in our airy and bright space, on the corner of Olin Ave and Santana Row, in between Diesel and Ted Baker - we're the ones with the white plant boxes above our doorway!
Use headlines, underlining, italics, lists, boxes, and ample white space.
«Lights On» warning buzzer, 8» touch screen, Bluetooth Handsfree Phone Connection, Front parking sensors, Full Link App interface, Low fuel warning light, Outside temperature gauge, Progressive power assisted steering, Rear parking sensors, Remote fuel flap release, SEAT Drive profile, SEAT logo boot release, Service interval indicator, Touch screen display, Trip computer, Voice control system, 2 USB ports, 2 X SD card slot, Auxiliary input socket, Bluetooth audio streaming, DAB Digital radio, Radio / CD + MP3, SD card slot, Steering wheel mounted audio / phone controls, Aluminium front door sills, Black bodyside mouldings, Black radiator grille, Body colour door handles, Body coloured bumpers, Dark tinted rear windows, Electric adjustable / heated / folding door mirrors, Electric front windows + one touch + anti-pinch, Electric headlamp adjustment, Exclusive Cupra front and rear bumpers, Gloss black door mirrors, High gloss black finish B and C pillars, High gloss black front grille surround, LED indicators in door mirrors, Rear wash / wipe, Reverse activated kerb - view adjustment on passenger's door mirror, Twin exhaust pipes, 12v power point in centre console, 3 height adjustable rear headrests, 60/40 split folding rear seat, Active head restraints, Additional heating and ventilation outlet in rear of centre console, Aluminium pedals, Ambient lighting, Black roof lining, Boot net, Driver seat height adjust, Driver seat lumbar adjustment, Driver / passenger sunvisors with illuminated vanity mirrors, Dual zone climate control, Dust / pollen filter, Footwell illumination, Front adjustable head restraints, Front armrest with storage box, Front cupholders x 2, Front seatback pockets, Front seats - «Easy Entry», Front sports seats, Front / rear floor mats, Height / reach adjust steering wheel, Illuminated boot, Illuminated glovebox, Illuminated rear centre console, Instrument lighting with brightness control, Leather handbrake, LED reading lights, Luggage tie - down hooks, Passenger seat height adjuster, Passenger seat lumbar adjust, Perforated leather steering wheel with white stitching + gear knob, Rear armrest, Rear top tether child seat ISOFIX attachment, Storage boxes under front seats, Convenience pack plus - Leon, Full LED headlight pack - Leon, Parking assistance pack - Leon, Seat sound pack - Leon, 3 point rear seatbelts x3, ABS + traction control, Collision mitigation braking system, Curtain airbags, Driver / Front Passenger airbags, Drivers knee airbag, Electronic parking brake with auto hold, ESP+EBA, Front seatbelt pretensioners, Front Seatbelt warning, Front side airbags, Hill hold control, Passenger airbag deactivation system, Red brake calipers, Tyre pressure monitoring system, 2 folding remote keys with window open / close function, Engine immobiliser, Locking wheel bolts, Remote central locking + deadlocks, Volumetric alarm with back up horn, Dynamic chassis control, Electronic limited slip differential, Sports suspension, Gloss black interior trim, 19» Cupra Machined alloy wheels 30/2, Space saver spare wheel
You ll also find plenty of space to stow items in the door - trim panel bins and under - seat rear storage area there s even space for a laptop inside the available flow - through center console., ELECTRONIC LOCKING W / 3.73 AXLE RATIO, REVERSE SENSING SYSTEM, XL SPORT APPEARANCE PACKAGE - inc: Fog Lamps Box Side Decals Wheels: 17» Silver Painted Aluminum Body - Color Front and Rear Bumpers body - color front fascia, TRAILER TOW PACKAGE W / 101A - inc: Towing capability up to 11 100 lbs Class IV Trailer Hitch Receiver towing capability up to 5 000 lbs on 3.3 L V6 PFDI engine (99B) and 2.7 L EcoBoost engine (99P) or up to 7 000 lbs on 3.5 L EcoBoost engine (99G) and 5.0 L V8 engine (995) smart trailer tow connector and 4 - pin / 7 - pin wiring harness Pro Trailer Backup Assist Upgraded Front Stabilizer Bar, OXFORD WHITE, ENGINE: 2.7 L V6 ECOBOOST - inc: auto start - stop technology GVWR: 6 360 lbs Payload Package, TRANSMISSION: ELECTRONIC 10 - SPEED AUTOMATIC - inc: selectable drive modes: normal / tow - haul / snow - wet / EcoSelect / sport, TRAILER TOW PACKAGE - inc: Towing capability up to 11 100 lbs Class IV Trailer Hitch Receiver towing capability up to 5 000 lbs on 3.3 L V6 PFDI engine (99B) and 2.7 L EcoBoost engine (99P) or up to 7 000 lbs on 3.5 L EcoBoost engine (99G) and 5.0 L V8 engine (995) smart trailer tow connector and 4 - pin / 7 - pin wiring harness Upgraded Front Stabilizer Bar, EQUIPMENT GROUP 101A MID - inc: SYNC enhanced voice recognition communications and entertainment system 911 assist 4.2» LCD display in center stack Applink and 1 smart charging USB port 4.2» Productivity Screen in Instrument Cluster compass XL Power Equipment Group Power Glass Sideview Mirrors w / Black Skull Caps manual - folding Power Door Locks flip key and integrated key transmitter ke
On this page, you can enter the title of your post in the top wide and narrow box, write the content of your post in the large white space and add your favourite photos by clicking Add Media.
Channels: - Digital Clock added to the Wii Menu right under the channel bar - Forecast Channel now displays the current condition (cloudy, raining, etc.) directly in the Wii Menu in the Forecast Channel box - News Channel can now show 2 scrolling headlines at a time in the Wii Menu, 3 when you click on the button - Message Board now has the «Today's Accomplishments» message as a white message which allows it to stand out from other messages - Address Book entries can now be shifted around using A+B but only to empty spaces.
(«Action / Abstraction,» by contrast, informed by the pronouncements of Clement Greenberg and Harold Rosenberg, was shown in the museum's white - box ground - floor space.)
Arlen Austin (b. 1981, Winooski VT), has worked on an uncompensated or below minimum wage basis for: Columbia University School of the Arts, Scaramouche Gallery, Chinese Staff and Workers» Association, Brooklyn is Burning, Public Art Fund Development Grant, Daniele Ugolini Contemporary, National Mobilization Against Sweatshops, Lower Manhattan Cultural Council, Mole Vanvitelliana, Ancona, Sweatshop Free Upper West Side, Volta NYC, Creative Time / Queens Museum, 6 - 9 Months Project Space, Fischer - Landau Center for Contemporary Art, Barefoot in the Head at Bruce High Quality Foundation, White Box and Frederich Petzel Galleries.
But that video, along with an earlier one, has been upstaged by a bizarre surrounding installation that transforms Cohan's white - box space into a funky Chinatown shop or bus - company waiting room with metal chairs, broken A.T.M.s and a shabby facade.
The Sunroom Project Space provides an alternative to the kind of white - box setting a contemporary gallery might typically offer.
Observatorium is an art space in a crude white box of some 500 square meters.
His work has been widely exhibited at venues such as the Sundance Film Festival, Park City, Utah; The Indianapolis Museum of Contemporary Art, Indianapolis; 303 Gallery, New York; Wesleyan University, Middletown, Connecticut; Artsonje Center, Seoul; Context Galleries, Derry; The Hospital, London; PKM Gallery, Beijing; Kunst - Werke, Berlin; Palacio de Bellas Artes, Mexico City; Participant Inc, New York; Centre de Cultura Contemporània, Barcelona; White Box, New York; Galerie Chez Valentin, Paris; Smart Project Space, Amsterdam; The Islip Art Museum, Islip, New York; and Momenta Art, Brooklyn, New York.
Anyone weary of the vast white - box spaces of Chelsea may want to visit the refreshingly human - scale Lower East Side, where a show of recent work by Robert Moskowitz at the Kerry Schuss Gallery presents a potential beacon.
Highlights include: Gavin Brown's Enterprise, Marian Goodman, Hauser & Wirth, Anton Kern, Massimo de Carlo, Gagosian, Karma International, kurimanzutto, Matthew Marks, kamel mennour, Regen Projects, Esther Schipper, Sprüth Magers, Luisa Strina, The Box, White Cube and David Zwirner; and in Focus: VI, VII, 47 Canal, Antenna Space, Galeria Jacqueline Martins and Carlos / Ishikawa; among many others.
Water Table I and Water Table II, unique pieces designed by Rauschenberg in 1971, are also minimal in design, free of extraneous details that might detract from the materials employed and essential function.The box - like tables are made of wood and white formica and have a sheet of glass set into their top surfaces making visible a light source within the interior, a space which is also meant to contain water.
Stumble upon punctuated performances in public spaces on Floors 1 and 2 throughout the day, and join us in the Gina and Stuart Peterson White Box on Floor 4 as dancers activate the space through improvisational movement.
Kahlon has exhibited in North America, Europe and Asia, including the 2012 Taipei Biennial, MHKA, Haus der Kulturen der Welt, Wilhelm Hack Museum, NGBK, Queens Museum of Art, Artists» Space, White Box and Apex Art.
«The Sunroom Project provided a space to explore what interests me, a specific context and space for my work that could hardly be paired with a white - box gallery.»
He called his small premises there White Cube in reference to the influential collection of essays by Brian O'Doherty, Inside the White Cube: Ideologies of the Gallery Space, in which the author argued that the blank, box spaces of modern galleries had themselves become «the archetypal image of 20th - century art».
This evening seeks not only to draw out parallels and overlaps between the spaces of performance in the visual and performing arts — the somewhat outdated concepts of the white cube and the black box — but also to question the increasing role of performance art in museums today and how architecture frames and determines it.
Gagosian is rumoured to have looked at the space, and even to have had Richard Gluckman (Cooper's architect on her first Chelsea space, and so originator of Chelsea's white - box aesthetic) spec out the renovation; but in the end the property was too small for Gogo's needs.
Museums and collections Museum of the City of New York, New York New York Historical Society, New York Yeshiva University Museum, New York Hudson River Museum, New York Art Students League, New York White and Case, New York West Valley Art Museum, Surprise, Arizona France Loisirs, Paris, France Millennium Hotel, New York Carrot Capital, LLC, New York Queen's College Museum Exhibitions 2016 Andrea Tardini Gallery, Venice Scuderie Aldobrandini, Rome 2008 Gallerie OPEN, Berlin, Germany Gallerie Rose, Hamburg, Germany 2007 Berlin Capital Club, Berlin Germany 2006 Famira Gallery, Sylt Germany Nabi Gallery 2005 Dankert, Box, Meier, Rechtsanwalte (Law Offices) Berlin, Germany Peter Findlay Gallery, New York, NYTon Warndorff Gallery, Haarlem, The Netherlands Nabi Gallery, New York, NY Gallery Rose, Hamburg, Germany Famira Gallery, Sylt Germany 2004 Jan Famira Gallery, Sylt, Germany West Vallery Art 2003 West Valley Museum, Surprise, Arizona 2002 Ludvika Konsthall, Ludvika, Sweden 1999 Galleri Rubens, Smedjebacken, Sweden Realismus Galerie, Kasel, Germany Galerie Rose, Hamburg, Germany 1997 Galerie Peter Fischinger, Stuttgart, Germany 1995 Galerie Peter Fischinger, Stuttgart, German Susan Conway Gallery, Washington, D.C. 1992 Frank Bustamante Gallery, New York, NY 1991 Galerie Le Chainon Manquant, Paris, France Loisits Corporate Offices, Paris, France 1990 Galerie Peter Fischinger, Stuttgart, Germany Galerie Rose, Hamburg, Germany 1989 The Exhibition Space, New York (sponsored by Ingber Gallery) 1988 Inngber Gallery, New York, NY 1986 Nicolas Roerich Museum, New York, NY 1974 Galerie des Ambassadeurs, Paris, France 1968 Art Students League, New York City
How does the approach to your work change depending on the physical location you're in, be it a city such as Cape Town, New York, or Berlin or a space such as a white box gallery, a museum, or in the street?
They also moderate the «white box» effect of modern art spaces: The windowed rooms help one imagine what Berggruen works might look like in your home.
NCP has performed at exciting venues such as Brooklyn Academy of Music (BAM) Fisher, (le) poisson rouge, Galapagos Art Space, Korea Gallery, Symphony Space, The Center for Fiction, White Box, and Issue Project Room as part of MATA's Interval series.
At Dulwich the prints will be hung decoratively, densely packed, more like an 18th - century «print room» than the usual sparse hang of the «white box» contemporary gallery space.
Generously and elegantly hung, these ample white - cube spaces are interspersed with fully provisioned black boxes dedicated to films, videos, sound, and computer - generated works.
2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.
Seeing Round Corners (Turner Contemporary, Margate UK, 2016); Objects Do Things, (Centre of Contemporary Art, Poland 2016); Stories in the Dark (Whitstable Biennale, UK, 2016); Doug Fishbone's Leisure Land Golf, (Venice Biennale 2015); Reads Like a Book The Book Lovers (Cricoteka, Poland, 2015); Mirrorcity (Hayward Gallery, London, 2014); The Red Queen (MONA, Tasmania, Australia 2013); Toulouse International Art Festival (Hȏtel - Dieu, Toulouse, France, 2013); Entangled2 Theatre II (Matt's Gallery London 2013); Monocular4 (Quad, Derby, UK 2013); Nowhere Less Now (Artangel commission, Tin Tabernacle, Kilburn, London, 2012); Entangled2 (Turner Contemporary, Margate, UK 2012); Extramission 6 (Gallery TPW, Toronto, 2011); Einladung zur Ausstellung (Kunstverein Freiburg, Germany 2012); A Trip to the Moon, (Bonniers Konsthall, Sweden 2012); Monodrome, Athens Biennale, (Greece 2011); Lofoten International Art Festival, (Norway, 2011); Dis - covery (Salamanca Art Centre, Tasmania, 2011); The Collection (Rugby Art Gallery, 2011); Steps into the Arcane (Kunstmuseum Thurgau, Switzerland 2011); It has to be this way ² (National Gallery of Denmark, 2010 (SMK), Mead Gallery, Warwick, 2010 and BALTIC, Gateshead, 2011); Broadcast commission 3 minute wonder series, Channel 4 (27,28,29,30 Sept 2010 and October 2010); It has to be this way 1.5 (Aspex gallery Portsmouth, 2010); Persistence of Vision (FACT, Liverpool, 2010 and Nikolaj Art Centre Copenhagen 2010 - 2011); It has to be this way, (Matts Gallery, 2009); Altermodern, 4th Tate Triennial, (Tate Britain, 2009); Event Horizon, (Royal Academy of Art, 2008); Swallowing Black Maria, (Smart Project Space, Amsterdam 2007); CinemArt, (The Auditorium, Rome, 2007); Foreign Bodies, (White Box, New York, 2007); The Believers, (touring show in Norway with performances, Stavanger, Førde and Bergen, 2007).
White box structures resembling ancient temples or libation tables (a dedicated space to make liquid offerings to gods) are nestled into neat mounds of earth — like little ant hills scattered across the project space.
Director and Chief Curator Kimberly Davenport instituted this mission in response to the gallery's architectural characteristics: a 40 x 44 foot «white box» space with a 16 - foot high ceiling and a front glass wall.
The old opposition between the «white cube» and the «black box» feels obsolete, even as the exhibition space's importance as a subject of artistic and critical investigation continues to grow.
Also present is Jennifer Rubell, who installed a large brown leather sofa in the middle of the small, white - box space.
Her work has been exhibited at Roane State Community College in Harriman, TN; Des Lee Gallery in St. Louis, MO; Tahoe Gallery in Incline Village, NV; White Box Gallery in New York, NY; Co-prosperity Sphere Gallery in Chicago, IL; and at Shift Space in Wichita, KS amongst others.
Noteworthy solo exhibits include shows at The Schneider Museum, Ashland, OR, Suyama Space, Seattle, WA, The Columbus Museum, GA; Saltworks Gallery and the Atlanta Contemporary Arts Center, Atlanta, GA; Nature Morte and Gallery Maskara in India; White Box, Tilt Gallery & Project Space and Disjecta, Portland, OR.
・ 2011 BFA Photography, School of Visual Arts (New York) ・ 2013 * Currently obtaining a Masters in Fine Arts, Wimbledon College of Arts (London) ・ 2010 White Box / SCOPE Art fair (Miami) ・ 2010 New York Photo Festival, DUMBO BK (New York) ・ 2011 Tokyoscapes, Just Another Space (Tokyo) ・ 2012 BOOBS Galeria Des.Pacio (SJ Costa Rica) ・ 2013 Boobs in Japan, GALLERY MoMo (Tokyo) July 20 - Aug 10 Read more... Left: Untitled, Mori Art Museum (From the series of «Tokyo») / 2011 Right: Boobs / 2012 / mixed media (detail) Untitled / 2013 / acrylic, ink on board
COLLABORATIONS 2018 «I Fucking LXXX You Tois» Kibbee Gallery, Atlanta, Ga. 2017 «Medium» with T Lang, Zuckerman Museum, Atlanta, Ga. 2017 «Post» with T Lang, The Chapel at Fort McPherson 2016 «I Fucking LXXX You Too» Kibbee Gallery, Atlanta, Ga. 2014 «I Fucking LXXX You» Kibbee Gallery, Atlanta, Ga. 2014 «The Music Box: Resonant Memory» with New Orleans Airlift, Georgia Tech and Goat Farm Arts Center, Atlanta, Ga. 2012 «Threshold» with Lucky Penny, GA Tech Theater, Atlanta, Ga. 2011 Elevate Mural, Underground, Atlanta Ga 2011 Sunday Southern art RevivalKIbee Gallery, Atlanta Ga. 2011 Four Coats project Mural, Castleberry Atlanta Ga. 2010 Survey Sunday Southern Art Revival, Puritan Mill, Atlanta Ga 2009 «Engine Swapping» Sunday Southern Art Revival, Marcia Wood Gallery, Atlanta Ga. 2008 «SSAR» Sunday Southern art Revival, Starr Studio, Atlanta ga 2007 «Verses» Sunday Southern Art Revival, Screen Arts Gallery, St Augustine Fla. 2007 «Sunday Southern Art Revival» Sunday Southern Art Revival, White Space Gallery, Atlanta GA. 2007 «Verses vs. Vs.» Sunday Southern Art Revival, SLM Projects, Roswell Ga..
There are also different artistic needs for space and time that show the possibilities and limits of the interchangeability of the white cube and black box, not to mention the role of the observer, of whom a different way of seeing and behaving is expected when facing a performance.
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