Sentences with phrase «white bronze sculptures»

Halcyon Gallery presents Summer Exhibition showcasing four contemporary artists; featuring world renowned glass artist Dale Chihuly's new chandeliers, Fiori and a magnificent amethyst Persian ceiling, international sculptor Lorenzo Quinn's aluminium and white bronze sculptures, and bold, bright master graphics by painter and printmaker Donald Sultan.

Not exact matches

In the back room in the Chelsea space, the show also boasts a neon sign and video of a small fox, but her heart seems most invested in the gestural drawings and small bronze sculptures, coated with a chalky white patina that gives them a clunky plaster - of - Paris look.
There was a tipped - over piano and a lot of dirt and mud on the walls where we hung, for example, a bronze sculpture by Louise Bourgeois and a pristine white Lutz Bacher «Playboy» painting, [chuckles] which really frightened me from a registrarial position.
Alongside some superb clas - sical modern works by Magdalena Abakanowicz (Marlborough Fine Art), Sir Anthony Caro (Annely Juda Fine Art), Sir Eduardo Paolozzi (Pangolin), Sir Michael Craig - Martin (New Art Centre), and Tony Cragg (Holtermann Fine Art) are wonderful visceral, textural sculptures by Urs Fischer (Gago - sian), Tuakuro Kuwata (Alison Jacques Gallery) and an extraordinary white - enameled bronze tree by Ugo Rondinone (Sadie Coles HQ).
While Dappled Light stands out in the open, braving the elements, the Victoria Miro sculptures (except for two bold pieces tolerating the terrace) remain closeted inside, their rough bronze at odds with the clean white gallery space.
While the earlier forms were created from accessible materials and objects, generally coated in gesso to create hauntingly white forms, the new sculptures are cast bronze with a white patina creating a very similar effect.
At Pace, Fred Wilson went whole - hog with superimposed, black - and - white «flag» paintings, and both glass chandelier and bronze Egyptian - god sculptures.
Baselitz's first solo exhibition at White Cube Bermondsey will span the entire gallery space, and will include the large - scale paintings, but also a bronze sculpture and a wide number of works on paper.
Roughly hewn in wood and then cast in bronze with Baselitz's trademark matt, black patina, the sculpture presents five almost comically elongated legs dressed in familiar high - heels, extending a recurrent motif that was used most recently in paintings and sculpture first exhibited at White Cube at Glyndebourne and White Cube Hong Kong.
Thomas Houseago's sculpture is still dark, even when he gives his bronze a patina of white.
One highlight is the 90 - minute video Repaint Miró (2016), in which we see a restorer cover a bronze sculpture by Joan Miró in white, then re-paint it in its original colours.
Mathias Rastorfer, a partner at Switzerland's Galerie Gmurzynska, paid homage to the city's strong tradition of public sculpture in his booth, which greeted fairgoers at the entrance with a bronze sculpture by Joan Miró in front of a black - and - white photo of the 39 - foot - high concrete statue of the same form that sits in Chicago's Brunswick Building Plaza.
The collection featured large white bronze casts of foamcore Hello Kitty and Miffy foamcore sculptures — a particular style distinctive to the artist.
There was a series of pictures made in marble and stone for his 2006 White Cube Cave Paintings show, and some sculptures made in painted bronze (using the arms from shop mannequins as legs) for the subsequent year's American Tan show.
For other artists, the works are representative, but lesser - known: the figures in Pistoletto's mirrors are fibreglass and bronze sculptures, rather than painted onto the surface; Boetti's maps are serigraphed rather than embroidered; Castellani's textured white surface is paper rather than canvas.
A 2011 solo exhibition included bronze sculptures based on childlike silhouettes of flowers as well as numerous faux - naïf black - and - white flower paintings.
A selection of black - and - white drawings featuring expressionistically painted images of bulls and men, which were exhibited in Caro's retrospectives at the Museo Correr, Venice (2013) and the Yale Center for British Art, New Haven (2012), highlight the linear qualities of the steel, bronze and brass sculptures on view.
In the hall on the first floor of the villa, White Newborn (1993 - 1994) was presented on a Steinway grand piano; four walls of the building were sparsely and elegantly furnished with several postcard collages; and in the smaller rooms of the house, wooden showcases contained reflective bronze and occasionally black or white glass sculptWhite Newborn (1993 - 1994) was presented on a Steinway grand piano; four walls of the building were sparsely and elegantly furnished with several postcard collages; and in the smaller rooms of the house, wooden showcases contained reflective bronze and occasionally black or white glass sculptwhite glass sculptures.
For the exhibition Arena created two further stools / sculptures from the same series, which will be available on commission, and four geometric sculptures in white bronze as well.
The Last Great Adventure is You, Tracey Emin's new exhibition at White Cube Bermondsey, features the paintings, large - scale embroideries and neons for which she is well known, along with a range of new bronze sculptures - the result of learning the process of lost - wax casting from scratch.
Her sculptures are either cast in polished bronze or in black or white frosted glass.
The exhibition will consist of an environment of approximately forty bronze sculptures painted with white enamel, which were created from the years 2008 to 2012.
T03609 Carving No. 2 1981 White Arni marble and Grey Imperial marble 24 1/2 × 24 × 24 (622 × 609 × 609) Not inscribed Purchased from Waddington Galleries (Grant - in - Aid) 1983 Exh: Barry Flanagan, Sculptures in Bronze 1980 — 81, Waddington Galleries, December 1981 (not in catalogue); Barry Flanagan Stone and Bronze Sculptures, British Pavilion, XL Biennale, Venice, June — September 1982, Museum Haus Esters, Krefeld, October — December 1982, Whitechapel Art Gallery, January — February 1983 (72, repr; also repr.
Sotheby's is hardly testing the water here: Bourgeois holds the record for the most expensive sculpture by a woman to be sold at auction (a within - estimate $ 28.2 million in November 2015 for her nine - foot bronze Spider, 1997) and Kusama once held the auction price record for any living female artist ($ 7.1 million for her painting White No. 28 (1960) in 2014) before being dethroned by Cady Noland.
A writer, art collector and curator, he has curated numerous contemporary art exhibitions at museums and galleries throughout the UK with projects including Tim Walker: Dreamscapes at the Bowes Museum (2013), Black Bronze: White Slaves, The Sculpture of Keith Coventry at The New Art Centre, Salisbury (2012), and a solo show by Roger Hiorns at the Church of Saint Paulinus, Richmond (2007).
Very different approaches to related themes can be found in the monumental bronze sculptures Willow, Skull and Migrant, while white sculptures in wood and onyx entitled Sail open new lines of investigation that derive from his Versus series.
Illustrating artists» work in sculpture at multiple scales, Pace's presentation will also include large - scale pieces including Louise Nevelson's white painted aluminum sculpture Double Image (1976), an untitled bronze sculpture from 2016 by Joel Shapiro, and a white chandelier sculpture, Tears for Desdemona (2015) by Fred Wilson.
Hauser & Wirth: The gallery also sold three versions of Paul McCarthy's 2010 - 2011 black monumental bronze sculpture «White Snow DWARF 7,» to collectors from the U.S. and Europe for $ 2.75 million each, said an Art Basel e-mailed statement.
The largest of these totems is over nine feet tall, while the smaller bronze sculptures resemble a pair of boulders hand - painted and topped with white pompoms.
Alongside some superb classical modern works by Magdalena Abakanowicz (Marlborough Fine Art), Sir Anthony Caro (Annely Juda Fine Art), Sir Eduardo Paolozzi (Pangolin), Sir Michael Craig - Martin (New Art Centre), and Tony Cragg (Holtermann Fine Art) are wonderful visceral, textural sculptures by Urs Fischer (Gagosian), Tuakuro Kuwata (Alison Jacques Gallery) and an extraordinary white enameled bronze tree by Ugo Rondinone (Sadie Coles HQ).
This theme of nonconformist show organization, stressed throughout «Assisted,» was introduced with the placement of Tony Tasset's Cup (2), 2013 — a bronze cast, painted white, of a spirally torn Styrofoam cup — atop one of Stockholder's new ground - floor sculptures.
Five black and white photographs of Henry Moore's Standing Figure bronze, 1950, in situ at Glenkiln Sculpture Park, Scotland, bearing studio stamp verso and another photograph of Atom Piece by Henry Moore, British Sculpture in the Sixties label versoRead more
Black and white and colour photographs, polaroid's and coloured slides Images of drawings, etchings and bronze sculptures, colour slides of installation shots from the solo exhibition at the Iowa Museum of Art (1995), slides of installation shots by JC Mazur possibly from the group exhibition «Feminin - Masculin» at the Centre Georges Pompidou, Paris, France (1995), colour Polaroid photographs of small bronze pieces of women labelled «Copperfield Archive», «Zilko» and «Umbilical Cord».
Colour and black and white photographs Includes colour installation shots by Anthony Stokes of the Venice Biennale, Italy (1982), colour slides of installation shots of «Les Champs de la Sculpture 2000», Champs - Elysees, Paris, France (1999), colour transparencies of installation shots of the solo exhibition at the Galerie Hans Mayer, Dusseldorf, Germany (1994), colour installation shots of bronzes including Hare on Ball and Claw, 1989/90, and Drummer, 1996, installed in the gardens of Galerie Hans Mayer, black and white installation shots by John Webb of «Sculptures in Stone 1973 - 1979» at Waddington Galleries, London, UK, a black and white installation shot of «Barry Flanagan sculptures in bronze 1980 - 1981» at Waddington Sculptures in Stone 1973 - 1979» at Waddington Galleries, London, UK, a black and white installation shot of «Barry Flanagan sculptures in bronze 1980 - 1981» at Waddington sculptures in bronze 1980 - 1981» at Waddington Galleries.
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