Sentences with phrase «white characters into»

Not exact matches

That was a very interesting read many comments caught my attention I've recently been diagnosed with Bipolar I have hallucinations and hear voices in my ear's when I hallucinate it's likes they are trying to get me thousands of them I can only describe them as dark shadows and they are trying to get me just as they are about to get me a brilliant white light surrounds me and there's three entities humanly shaped but like this brilliant white light they are also glowing this brilliant whiteness I can't understand what they are saying the only way I can explain it is emotions comfort joy love is what I feel emanating from these entities the voices I hear aren't evil telling me to do bad things to people when I get put into a mode of fear I live in a rough area of Scotland and everytime I've got into a fight something possesses me I know this for a fact as I can't control myself I'm an observer watching my family / Friends say I change they say my eyes change and I look evil I personally do think possibly through my own personal experience I» am possessed as I act out of character I've lost interest in many things I've recently I decided it's time for change I've lost my faith I've been trying to connect with God and feel his love which I used to feel the presence of the holy spirit everytime I try connect I get a feeling of abandonment I just think if I am possessed could these entities stop me connecting with «God» I can say from my heart of hearts «JESUS CHRIST HAS COME IN THE FLESH» I think it's more to do with the persons own personal fears which I have noticed my fears have changed if I had to be truthfully with myself I fear God which I know I'm not supposed to just I can't explain it I guess if you ever need a test subject I'm up for the challenge like I said I'm on journey to find myself and my travels have brought me hear I'm going to hang around for a wee while there's lots of good information to be plundered loll

Indeed, with the capacity to keep milk fresh for days rather than hours, America plunged into a near - obsession with milk - drinking that came to be part of the national character: Three glasses of milk a day turned into a staple of the diet for city dwellers along with farm families already close to the source; kids with red - and - white milk cartons became as common in school cafeterias as mystery meat.

Combining orange, white, black and pink, this printed pullover from Kenzo will breathe color and character into any edit with a fun floral design.

Integrate the main character of our story into your own outfit by creating a yellow, white, and green look with an airy finish that's reminiscent of the iconic watercolor illustrations throughout the book and perfect for planet - hopping and flying around the stars.

Photographed by Miguel Reveriego at the Catalina Beach Club in Atlantic Beach, New York, Margot steps into a mixture of nautical - inspired black, white, navy and red outfits styled by Jessica Diehl, truly getting into her 50s character.

In the «Twice in a Lifetime» episode, Betty White's character, Rose Nylund, runs into old flame Buzz Mueller, a musician in Spike Jones» band.

But there are problems in Wakanda, not all stemming from the film's few white characters: CIA man Everett Ross (Martin Freeman) blunders into Wakandan power politics, and white South African career criminal Ulysses Klaue (Andy Serkis) plots to steal their vibranium.

Solo is as much the Kessel - running starship's origin story as it is the title character's, and without wanting to give away too many surprises, it's great to see how the Falcon looks before she is turned into a hyperspacing bucket of junk: all shimmering and white and with an escape pod neatly filling the gap between those two front prongs.

But then the action is muddled by some unnecessary and meaningless CGI pyrotechnics, a holdover character from a previous MCU film (a white dude, naturally) is shoved into the spotlight, and we all brace ourselves for the typical post-credits stinger.

It's only upon reflection that viewers may realize that, despite its nominal title character, the movie never delves that deeply into who Gloria Grahame was, aside from a femme fatale slinking across a black - and - white screen.

As the wife of a white man, thrown in jail while pregnant, a mother of small children, who becomes the driving force behind changing archaic laws that forbid a white man bedding down with a black woman, Negga virtually disappears into the character.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

«Dark Stranger» doesn't feature a consistent story, instead it's a series of vignettes, all tied to themes of attraction, trust, and commitment, hoisted up high by self - centered characters who spend much of the movie arguing into white noise.

Kristen Stewart as Snow White: Aside from accusations related to preference of appearance, Stewart has the vulnerability aspect of Snow White down, but can't transition the character to be the strong fighter this movie wants to turn her into.

Morton talks about why they went with black and white (essentially, the Vita screen is awesome and really makes it pop), briefly looks at how the touch screen factors into gameplay, and discusses how the two characters operate in terms of the game's puzzles.

Returning to Underland as Alice and the White Queen meant returning to Oscar winning costuming by Colleen Atwood which presented the actresses with tools to get more into their characters mindsets at whichever point in time they were in.

Rest of Cast: Yes, this version of Snow White brings the dwarf characters back into the fray, but they're not Sleepy, Grumpy, etc..

Tarantino also mentioned «stuff» that «never made it into the movie,» and there are some deleted scenes from the Kill Bill saga, such as a fight sequence between Bill (David Carradine) and a character played by Michael Jai White.

Instead of cheering for an old - fashioned, white - hat - black - hat western, we wonder when the sunset is going to come along so the characters can start riding into it as quickly as possible.

After making his name in super-human roles like the Avengers» Thor and Snow White's Huntsman, Chris Hemsworth has tried to shift down into less flashy characters.

While I came into this movie excited about every inch of it, M'Baku a.k.a Man - Ape in the comics has had a very messy and problematic history being written as the scary, angry, dark - skinned black man who wants Wakanda to be a primitive society that includes human sacrifice, because... this character was created by white authors in the late 1960s, and this was their idea of nuance.

Unlike biracial Vin Diesel's The Chronicles of Riddick, which translated racial and political awareness into a quasi-classical drama, Black Panther marginalizes its white characters: «Another broken white boy for us to fix,» a Wakanda scientist rhetorically spears a CIA outsider.

Beyond the ickiness of the relationship between an infamously predatory director (John Malkovich) entering into a relationship with the 17 - year - old daughter (Chloe Grace Moretz) of Louis» character, the juxtaposition of a black - and - white,»40s - screwball comedy setting with profane, raunchy humor just never works.

Trends of the Year: Sex addiction (Don Jon, Thanks for Sharing), shipwrecks (Gravity, All Is Lost), the skin trade (Lovelace, The Look of Love), taking the White House hostage (Olympus Has Fallen, White House Down), the apocalypse as comedy (This Is the End, The World's End), slow cartoon protagonists who nonetheless win the big race (Turbo, Planes), likable character actors who are revealed to be villains in the final reel (Star Trek Into Darkness, White House Down, The Lone Ranger)

Then there's exchange student Tracy Walker (Greta Gerwig) who's character is fun and whip smart and a go - getter but she sadly falls right into the «white savior» trope that is just beyond tired and is just a bad look when it's a white guy using another culture to tell that story in the first place.

Before his life becomes a monomaniac quest for vengeance, a sleepwalking, barely awake Willis embodies wealthy whiteness at its most expensive and plain as the husband of a beautiful, white, boring Elisabeth Shue and the father of a college - age daughter who is very model - beautiful, white and boring to the point where her brutal assault is the catalyst for the action and her father's descent / ascent into vigilante - hood and I forgot that her character existed and was still alive but in a perilous state for most of the movie.

While you could argue these descriptions fall into another common trope of dystopia narratives — sometimes called «But Not Too Foreign» — where characters in sci - fi or futuristic situations are often mixed race, it's explicit that they are not written as white.

While Kevin Hart tries to infuse his unique style of comedic timing and humor (a family - friendly version, of course) into the white, fluffy character — it just doesn't work as well as the filmmakers had hoped.

For the first time since Zohan, which rooted its silliness in a real understanding of New York life, a Happy Madison production has moments that might be called sharply observed, especially in dealing with its marginal characters: the childhood best friend who can't stop mentioning that she's already seen the bride in her dress; the old biddy who takes time to steal centerpieces during an evacuation; the skeptical grandmother who can be lured back into the fold with a threat of having to eat «white - people potato salad» if she doesn't attend Kirby's planned rehearsal dinner.

But Barry begs to differ; its drama springs from the character's identity crisis — his difficulty in assimilating into either Ivy League academia, where white peers insist he «get over» slavery and campus cops harass him, or New York's black community.

This would be a minefield even if its creator weren't dealing with rumors regarding his own alleged bad behavior; as it is, the movie's questioning of whether great art excuses artists with personal failings and how privilege plays into it («I guess only poor people are pedophiles,» says one character) comes with C.K.'s usual sharp wit, anything - goes experimentation (that black - and - white cinematography, those old - school Hollywood credits) and a refusal to offer up easy answers.

If that isn't doing it for you, here are a couple of newly released clips from the film that while don't give us much insight into plot or character, we do get a general sense for the film's tone and style — being in black and white probably the most obvious.

The film is captured in beautiful black and white as it sets the tone for the entire film while the cinematography catapults the film into a free - flowing renaissance where nature takes on a form of not just setting but a character to sympathize with and examine more thoroughly.

The pack includes: Story Power point - a power point presentation of the sequencing pictures for children to retell the story Interactive Power point - a power point about the story with questions Display banners Display border A4 Book information poster Sequencing pictures Picture flash cards Large alphabet - large alphabet letters in lower and upper case each night sky pictures and a flying owl Large owl pictures Constellation posters A4 word card Number line - an owl number line to 50 Alphabet line - an alphabet line on bright stars Speech bubble worksheets Writing sheets Story word cards Writing worksheets Story sack tags Question cards Owl writing sheets Counting cards Colouring pictures Owl masks Owl finger puppets Make a moving owl - cut out the owl pieces and attach using split pins Word searches A collection of worksheets - these could be made into a workbook using the book cover or used individually: · Favourite part of the story · Write a book review · Speech bubble worksheet · Write about what you are afraid of · Who said what - draw each character next to the speech bubbles · Two question worksheets · Cut and sequence the story · Write sentences about the different pictures Nocturnal animals A photo pack of different nocturnal animals Masks in colour and black and white of nocturnal animals A Powerpoint about nocturnal animals A wordsearch Light and Dark A colourful banner Question cards about day and night and light and dark A Powerpoint about light and dark Word cards A themed bingo game A wordsearch Photos of different sources of light Please note: The art work used in these resources has been produced by ourselves.

The Crimson Petal and the White seems to begin with you, the writer, personally addressing the reader and then leading him or her into the intimate details of characters and events.

- Batman, Wyldstyle, Gandalf, and the Batmobile all come in the Starter Pack for $ 99.99 - complete the entire critical path with just this content - extra characters, vehicles, or weapons are sold separately - you may see ghosts flying around a level and need the Ghostbusters to take them out - use Scooby - Doo to dig and open up a new area - gameplay has you collecting studs, building and rebuilding within the world, and switching between characters - use Batman's grapple hook to tear down big obstacles - you can also drive the Batmobile to run over poppies (flowers that put characters to sleep if they're near them)- fight the Wicked Witch of the West - use the Lego Gateway outside of the game to avoid obstacles - when the Wicked Witch cast a magic spell, it can lock you into a position - when this happens, the Lego Gateway will flash red, save for one white safe area - move the actual figurine to the white area to be safe - every vehicle has three different forms - you must build and rebuild them throughout the adventure to get by - on mission makes you repower a gateway, but the generator is encased in blue Lego brick - build the Batblaster to use the brick - blaster and electricity shield to get by - in - game instructions tell you how to take apart the Batmobile and physically morph it into the Batblaste - use the sonar brick - blaster to destroy blue bricks

Join PS3 Attitude's most colorful (albeit white - skinned) character as he delves so deep into all things Super Street Fighter II...

Make sure to keep your eyes open for the character models in Pride; against the stark white backdrop, these guys look so vividly real in HD you could swear they are about to hop off the screen into your living room.

Join PS3 Attitude's most colorful (albeit white - skinned) character as he delves into all things Super Street Fighter II Turbo HD...

Experience fierce fighting like never before with 70 playable and customizable characters plus an intuitive control system that allows you to jump right into the white - knuckled action.

Undeterred by Final Fantasy 15's focus on straight white men, however, fans are already taking matters into their own hands and re-imagining its central cast of canonically straight characters in all sorts of new — and, usually, super-gay — ways.

Californian bad boy Paul McCarthy's visceral, taboo - bashing, disturbing representations often appropriate icons of popular culture and childhood — Santa Claus, Barbie, Snow White and Heidi — and show these characters degenerating into violence and depravity.

When in 2014 white artist Joe Scanlan introduces a character played by a black woman into the Whitney Biennial, the mostly queer and black Yams Collective withdraws from the show.

In a separate room, Gonzales - Day brought his subject up to date in works that insert characters from Run Up into photographs of the protest marches in Los Angeles that followed a grand jury's refusal to indict Darren Wilson, a white police officer, for fatally shooting Michael Brown, an unarmed black teenager, in Ferguson, Missouri, in 2014.

Chiara also loves to add a touch of digital art to really make her images come alive - for instance, in one setting the characters seem to pull the heavens down to Earth... In another, you can see a flowing white dress turning into huge angel wings.

Highlights from the show include Royal College of Art graduate Jodie Carey's eight foot chandeliers made out of fluff from a hoover, Tom Price's animated, small scale sculpted plaster heads, Emma Puntis's mesmerizing miniature portraits, Tatsuya Kimata's ironic sculptures of everyday objects sculpted using traditional marble and stone carving skills, Doug White's majestic palm trees crafted from thousands of abandoned car tyres retrieved from road sides in Belize, Michael Lisle - Taylor's army uniforms crossed with straight jackets, which play to his 19 years in the Navy, and Boo Ritson's large - scale photographs of people she transforms into characters caked in thick paint, which have sold out in her second solo show only a year after graduating.

In his first New York City exhibition in 2009, titled The TV Show, PEET organized the concept around characters he coined «The Luxury Leaders» and «The Resistants» — symbolic metaphors for white - collar corporate America versus the anti-materialist, subcultural underbelly.3 Considering these fragmented story lines of rebellion and subversion, alongside the fact that the artist is sometimes positioned somewhere nearby covertly broadcasting an element of live feed into the gallery space, somehow it doesn't seem a stretch to imagine a grinning PEET tucked away in a dingy basement making human lard soap, à la Brad Pitt's nihilistic Tyler Durden from the 1999 film Fight Club.

(It is worth noting that in 1967, around the same time that Plimack Mangold started doing the floor paintings, Al Held began working on his illusionistic black - and - white paintings, which have often been credited with, as Robert Storr recently put it in his catalogue essay, «muscl [ing] painting back into three dimensions without betraying its character as painting or his own long - standing commitment to the primacy of gesture.»

Standouts include Carrie Mae Weems» holographic narrative about race, sex, and politics portrayed by ghostly characters on a burlesque stage; The Propeller Group's video that draws parallels between funeral practices in Vietnam and New Orleans, along with the collective's sculptures of tricked - out musical instruments, which were also photographed with members of Louisiana marching bands; Glenn Kaino's installation of water tanks that turn military machines into coral reefs; Jean - Michel Basquiat's paintings and works on paper that reference the cultural legacy of the Mississippi Delta and the South; Camille Henrot's video exploration of the universe by way of the storage rooms of the Smithsonian Institution; Tavares Strachan's 100 - foot long neon sign declaring «You belong here» from a barge on the Mississippi River; and Andrea Fraser's monologue, in which she recreated a heated debate by New Orleans city council members during a 1991 vote to racially integrate the Mardi Gras krewes — changing her voice and expression as she dynamically alternated between speakers, both black and white.

with Nicole Kidman and Will Ferrell — the white cottage Kidman's character moves into is perfect inside and out — my dream house!