Sentences with phrase «white church faced»

The big white church faced the bayou that divided Shaw.

Not exact matches

I think one reason fewer black people join the LDS church is because they see a lot of white faces and assume (prejudice?

One of the ministers» principal aims was to reach out to the local white community, especially the clergy and churches, looking for a chance to talk about the changes whites were having to face.

Your disillusionment with the Church may seem like a petty wound to nurse right now, with Latino children getting taunted by their classmates, Muslim communities facing religious persecution, and black families grappling with a world in which white nationalism has been validated and emboldened, but grief is grief.

I'd say uneducated, unsuccessful bitter racist white - trash fundamentalists (who are all about as sharp as a marble) are always the ones drawn to the KKK, John Birch, and fundamentalist «churches»... they're easy to amp up with hatred of a common enemy... which is what you see «churches» like Westboro Blabtist do... just look at the combination of zeal and hatred in their faces when they're on the news.

The prominent display of pictures and murals of a white Jesus in black churches is a slap in the face to those who understand Jesus as the liberator of oppressed blacks.

None of these demonstrators hid their faces like their white - supremacist American forebears, and many of them were in their churches Sunday and showed up for work on Monday morning.

You will definately be able to tell whether it is a «Black Christian Church», «White Christian Church» or a «Latino Christian Church» just by looking at the faces of the parishoners.

He tells the story of visiting a church led by a Ghanaian friend and being one of just a few white faces in a congregation of 400.

The White Evangelical Church in the US may indeed see no evil in worshiping the Heavenly Father, while see the face of Political Power.

The politician is a poster child for the Church of Jesus Christ of Latter - day Saints» campaign to present a more diverse face to a historically very white cChurch of Jesus Christ of Latter - day Saints» campaign to present a more diverse face to a historically very white churchchurch.

1928 editorial from the Wall Street Journal, «What America needs today is not Government controls, industrial expansion, or a bumper corn crop; America needs to return to the day when grandpa took the team out of the field in the early afternoon on Wednesday in order to hitch them to the old spring wagon which grandma put all the children after she washed their faces shining clean; and they drove off to prayer meeting in the little white church at the crossroads underneath the oak trees, where everyone believed the Bible, trusted Christ, and loved one another.»

If you are standing on these stairs, you're facing broad street and starring at a busy intersection and big white church.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenChurch State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenchurch pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.