Sentences with phrase «white churches need»

I would say that white churches need to go in communities and partner with the black churches and the hispanic churches and the Asian churches that are already there.

Not exact matches

The murderer on - the - run preacher in The Apostle who founds a church where class and status make no difference, a congregation of displaced misfits who are poor and poorer, dumb and dumber, black and white, male and female, and fatter and fatter still, is telling people who need to hear (because they can't read) what they most need to know to turn their lives around: They can be saved, despite it all, if they believe in Jesus and «Holy Ghost power.»

I had the option of converting to Catholicism when I married my husband and chose not to because of what I saw as a church run by a bunch of old, white men out of touch with the needs of women and people of diverse backgrounds.

-- like the Republican evangelicals who all think their church is the most Christian, the most right, the only ones going to heaven yet ignore the real teachings of Jesus by judging others, ignoring charity and the needs of their community, not understanding when the Lord's Prayer begins with «Our» Father — the «Our» is not just white people.

What do you see as the major problems the Church needs to address regarding the division between African - American and white Christians?

Platt is joined by a number of white pastors in recent days who have spoken openly about the church's need to address racism in wake of the 50th anniversary Dr. Martin Luther King Jr.'s assassination, including John Piper and Matt Chandler.

This is for everyone who stayed home from church yesterday — for every mom of a special needs kid, every survivor of sexual assault, every black or brown body in a predominantly white community, every son or daughter of an immigrant, every defender of the marginalized who just couldn't bring yourself to stand and sing «Great Is Thy Faithfulness» alongside the people you feel sold you out this week, the Christians who supported Donald Trump.

«Because you are white you need to reject the allure of avoiding the topic altogether to write about sexy husbands, deep calls from Jesus, oppressed women in third world countries, patriarchy in the western church, or tasty recipes.

It should have read «I told a Muslim in order to follow Christ she doesn't need to become a white washed tomb» since it's evident you think that's what church goers are.

Yes, Barack Obama is the wrong type of Christian for white evangelicals in America, they are willing to fall head over heels in love with Mitt Romney the Mormon, of which most of these churches have preached against this religious group from the inception that it's a CULT and you need to stay away from that type of doctrine.

Former White House strategist Steve Bannon said this month that bishops support immigrants out of «economic interest» and said «they need illegal aliens to fill the churches», remarks rebuked by Cardinal DiNardo.

One need only look at President Jimmy Carter, who went so far as to teach Sunday school at his local Baptist church, to see how a sitting president can make room for faith, said Balmer of Dartmouth, who counts among his many books «God in the White House: How Faith Shaped the Presidency from John F. Kennedy to George W. Bush.»

The church black or white needs to stop making excuses for a president based on his / her color.

if anyone really needs to ask this question; «is jesus and santa white» seriously just walk around and look at all the stain glass paintings in churches, the murals on their walls, the pendants around everyone's necks... the guy is depicted white.

There is no need to cause unnecessary offense to folks who have already been so ostracized by the Church, no need to wave a red and white banner through yet another culture war.

As white Christians have tried to move beyond the prejudice of their grandparents and second and third generation black British Christians feel less need for the safety of a culturally specific home church, the challenge is to find ways of reintroducing both sides to each other.

The current critique charges the Church and the churches with being part of the Establishment, white, middle - class, tax - free, economically secure, insensitive to the needs of minorities, smug in wealth, sot in structures, bureaucratic in organization.

1928 editorial from the Wall Street Journal, «What America needs today is not Government controls, industrial expansion, or a bumper corn crop; America needs to return to the day when grandpa took the team out of the field in the early afternoon on Wednesday in order to hitch them to the old spring wagon which grandma put all the children after she washed their faces shining clean; and they drove off to prayer meeting in the little white church at the crossroads underneath the oak trees, where everyone believed the Bible, trusted Christ, and loved one another.»

There is a need for a new ecumenism among black Christians as a task more pressing than that of an ecumenical rapprochement between black and white churches.

Our God — Passion (featuring Chris Tomlin) God's Not Dead (Live)-- newsboys 10,000 Reasons (Bless the Lord)-- Matt Redman Lord, I Need You — Matt Maher Oceans (Where Feet May Fail)-- Hillsong United How He Loves — David Crowder Band Redeemed — Big Daddy Weave Love Came Down — Kari Jobe White Flag — Building 429 Glorious Day — Casting Crowns One Thing Remains — Passion (featuring Kristian Stanfill) Open Up the Heavens — Vertical Church Band Your Great Name — Natalie Grant Forever Reign — Chris August Beautiful Things — Gungor Bonus Track: Lay Me Down — Rush of Fools Bonus Track: Stronger — Dara Maclean Bonus Track: Revival — Soulfire Revolution (featuring Kim Walker)

Otherwise, the musical appears to be following the film's familiar story arc, with Muriel Heslop (originally played by Collette) feeling stuck in her sleepy town of Porpoise Spit, dreaming of the perfect wedding, complete with white dress, church, and loads of much - needed attention.

One of the most exciting and unique things about the xenosaga series is that you can look foward to seeing different character models with each new game because appearence of the characters change with each game, not because the characters have aged but for other reasons.There is one special thing that xenosaga episode three has that should have been in the other xenosaga games is the swimsuit mode because it allows you to watch movie scenes with the characters in there swimsuits but for some reason not all of the movie scenes in xenosaga 3 can be viewed in swimsuit mode, I guess it would have made the movie less serious or something.My favorite movie scenes in xenosaga are blue testament, white testament, KOSMOS verses Black Testament, any movie with Luis Virgil becaus ehe is my favorite character in the game because he's passionate and i don't think that he is a bad guy since he was able to brek free from being a testament and the only real reasons why he became a testament was because he wanted to be able to visit that old church on miltia and to gain power to prevent death.I also love Luis Virgil and all of the movie scenes that he appear in becaus they are very dramatic.The best thing about the xenosaga series is thst the story is very dee, interesting, and shocking and anyone who has played the game in order from episode one through three will definitely say the same thing.There is no doubt that anyone who has completed episode one and two will be stunned when every secret and mystery is unraveled in episode three.The one thing that I can't seem to under stand is why do some of the characters have to travel back to the earth in the end, will shion and the gang make it back to earth or will there descendants finish the mission and find earth in the end, Chaos and Nephilim told the group that the key to saving humanity lies on earth, what I want to know is what is it and how will it be used to save the universe, Even in the end new mysteries arose and remained unraveled.If there is any one outher who has has the awnswer to any of these questions please let me know when you write you're review or else there has just got to be a xenosaga four on the way, (crying) they just can't leave the story end this way.The only thing that dissapointed me about the game at first was the battle system because on the back of the case of xenosaga three said that the best aspect of the previous battles systems from episode one were combined to form a new battle system, If namco had really done this Xenosaga episode three would have had a better battle system in my opinion because I belive that the best aspect of xenosaga episode one were the special atacks wich are better than the those of episode three and the best aspect of episode three as the break system wich was also better than those of episode three.I think that namco should have given xenosaga episode 3 the battle system of episode 2 combined episode ones style of special attack, but doing this would have probably made the battle system of xenosaga episode three boring because the same old tactics would have to be used in a new game and the battle system most likely would not be as realistic as it is but it would probably be cooler.However the ability to summon all four Erde Kaisers including the new Erde Kasier Sgma my most favorite summon in the world at will and use new Ether and Tech attacks along with the new Counter and Revenge abilities gave xenosaaga episode three more than boost that it needed to have an descent battle systemThe E.S battle system of xenosaga episode 3 is way more better than those of episod one and two though, I must say that Namco really outdid themselves with the E.S battle system of xenosaga episode because the other E.S battle system from the two previos games weren't good, luckily they made up for it with the character battle system.In episode one I never really wanted to use anA.G.W.S, lucky for me they were optional but in episode two sadly it is manatory that you pilot an E.S to progress in the game in Episode three you piloting an E.S is also mandatory to progress in the game but the difference between the three episode is that will be sorry in episode three you will ge glad that you are using an E.S because their battle system is extremely cool.Xenosaga is most definitely one of the besrt RPG games in the world andit is far more better than any final fantasy game that Square Enix has ever made but for some reason it still score lower than Some Final Fantasy and other Sqare Enix games on this site.I bet that if xenosaga was actually named Final Fantasy and had a subtitle it and if it wre made by sqare Enix it would have probably been more famous and it would have scored higher even though it is still the same gameIn the end with every thing being written said and done all i can say is that I feel more at peace now that I have defended this underated game.All I have to say now is that TURN BASED GAMES RULE!

Atmos Sala Alcalá 31, Madrid (catalogue) Hemispheres and Continents Matthew Marks Gallery, New York 2012 All Things Pass Galerie Max Hetzler, Berlin (catalogue) Patricia Low Contemporary, Gstaad Fullmoon and Night + Fog Domaine de Chaumont - sur - Loire, Chaumont - sur - Loire 2011 Landscape with Path The High Line, New York Xippas, Montevideo L'Abbaye de la Chaise Dieu, Chaise Dieu Nocturne Villa Merkel, Esslingen (catalogue)... between here and the surface of the moon FRAC Auvergne, Clermont Ferrand; traveled to: FRAC Haute - Normandie, Sotteville - lès - Rouen 2010 As it is Alfonso Artiaco, Naples The Principle of Moments Whitecube, London Fullmoon@Eifel Weidingen, Eifel Matthew Marks Gallery, New York PKM Trinity Gallery, Seoul 2009 Sommer Gallery, Tel Aviv Xippas Gallery, Athens Sometimestill Galerie Max Hetzler, Berlin 2008 Nail to Nail David Patton, Los Angeles SCAI The Bathhouse, Tokyo In The Between Eye of Gyre, Omotesando Substitute Galleri K, Oslo Fire under snow Parasol unit, London (catalogue) Moons of the Iapetus Ocean White Cube, London (catalogue) 2007 Galleria Alfonso Artiaco, Naples Day Return Castle Ujazdowski — Center for Contemporary Art, Warsaw (catalogue) Night + Fog Galerie Max Hetzler, Berlin (catalogue) In the Between Musée d'art contemporain, Montreal SITE Santa Fe, Santa Fe Matthew Marks Gallery, New York 2006 Day Return Museum Folkwang, Essen (catalogue) Darren Almond and Janice Kerbel: Impossible Landscapes The Horticultural Society of New York, New York If I had you Domus Artium 2002 — Center for Contemporary Art, Salamanca Darren Almond / Albert Oehlen: Time 2 Kill Galerie Max Hetzler, Berlin 2005 Take Me Home Matthew Marks Gallery, New York Alfonso Artiaco, Naples Isolation K21 - Kunstsammmlung Nordrhein - Westfalen, Düsseldorf Only Sound Needs Echo and Dreads its Lack Galerie Chantal Crousel, Paris 2004 Live Sentence Lentos Kunstmuseum Linz, Linz (catalogue) If I Had You Galerie Max Hetzler, St. Johannes Evangelist Church, Berlin 2003 11 miles... from Safety White Cube, London (catalogue) If I Had You Fondazione Nicola Trussardi, Palazzo della Ragione, Milan Mine, A Galleri K, Oslo A Galerie Max Hetzler, Berlin Full Moon Sommer Contemporary Art, Tel - Aviv 2002 A National Theatre, London; Yorkshire Sculpture Park, commissioned by Public Art Development Trust, London at speed (with Sarah Morris) Galerie Max Hetzler, Berlin 2001 Coming up for air Matthew Marks Gallery, New York Kunsthalle Zürich, Zurich (catalogue) Night as Day Tate Britain, London (catalogue) De Appel Foundation - Center for Contemporary Art, Amsterdam Galerie Max Hetzler, E-Werk, Abspannwerk Buchhändlerhof, Berlin 2000 Mean Time Matthew Marks Gallery, New York Geisterbahn The Approach, London Traction Chisenhale Gallery, London 1999 Galerie Max Hetzler, Berlin The Renaissance Society, University of Chicago, Chicago 1997 ICA - Institute of Contemporary Arts, comissioned by Toshiba Art & Innovation, London Fan White Cube, London 1995 KN120 Great Western Studios, London 1991 Crawford Art College, Cork

You really need to look at multi-decadal time periods to determine trends, as in Church and White 2011 who found «1900 to 2009 is 1.7 ± 0.2 mm / year and since 1961 is 1.9 ± 0.4 mm / year» and «For 1993 — 2009 and after correcting for glacial isostatic adjustment, the estimated rate of rise is 3.2 ± 0.4 mm / year from the satellite data and 2.8 ± 0.8 mm / year from the in situ data».