Sentences with phrase «white color scale»

Not exact matches

The move, first reported by Bloomberg Law, would scale back a 2013 Obama - era policy, known as Directive 307, which had expanded the DOL's ability to investigate and sanction federal contractors that showed a pattern of paying female workers and employees of color less than their white male colleagues.

Extra large 31mm / 1.2 LCD weight readout 20 kg x 10g 44 lb x 1/2 oz Color: white Battery: 9V alkaline (not included) 10 year Guarantee through manufacturer (This scale is available for rent locally at $ 15.00 per month: Please phone [phone] for rental information) If you are not local and wish to rent, you will be responsible for the complete charge upfront plus actual shipping & insurance fees and return shipping.

In fact, there are currently 12 colors available: blue, pink, gray, purple, orange, mint, rainbow - pink, scale - blue, scale - light blue, white rainbow, elephant, and scale - dark pink.

Here, colors approaching white on the scale indicate higher ECL levels and more damage, while colors closer to black indicate lower levels and less damage.

The results reveal the miniature scales that produce colors in the hairlike scales that adorn the spider: white (left), red or yellow (middle) and blue (right; whole structure at right, detail at left).

I love that you worked in a different color scale, rather than just the classic black / white / grey.

She did however bring a nice fashion game with a gorgeous color scale of blue and classic combo of black and white.

The color scale of red / white / navy goes well with one another too, so don't be scared to match them with each other.

The collection embraced the fall / winter season ahead with a classic color scale of black, white, some pastels and a few looks of burgundy and yellow.

The core color scale of the collection is black, white, orange and turquoise.

The color scale touched black / white / gold / beige and some pale dove blue.

Color and black and white printing options are available with instructions on how to TILE print these charts on a large scale.

Just adjust the color settings of your printer to black & white or gray scale.

But these days, the connections between low - income enrollment and lower achievement are being enacted at scale in predominantly white communities with the same depressing regularity as they have been for years in low - income communities of color.

Out of ten possible colors, five are on the gray scale between Shadow Black and Oxford White.

We used one of our proprietary DisplayMate Ambient Light Test Patterns with 10 scales in 8 colors (including gray / white) each with 25 intensity steps.

In order to produce high Absolute Color Accuracy a display also needs an accurate (pure logarithmic power - law) Intensity Scale, and an accurate White Point.

The Measurements section below has details of all of the lab measurements and tests with lots of additional background information and explanations including the display's Maximum Brightness and Peak Luminance, Black Brightness, Contrast Ratio, Screen Reflectance, Bright Ambient Light Contrast Rating, Dynamic Color and Contrast, Color Temperature and White Chromaticity, Color Gamut, Intensity Scale and Gamma, the variation of Brightness, Contrast Ratio and Color Shift with Viewing Angle, Backlight Power Consumption, and Light Spectrum of the display.

The new iPhones both have very accurate Intensity Scales with a Gamma of 2.22, however, they both have a Slightly Bluish White Point, with a Color Temperature of about 7,300 K, which is still (marginally) Very Good, and also somewhat better than the iPhone 5.

The accuracy of the white point and color and gray - scale tracking are all very good, which means that the Red, Green and Blue primaries have been carefully calibrated and balanced.

The accuracy of the white point and color and gray - scale tracking are good.

A question you hear a lot these days is, why purchase a dedicated reader at all, especially a black - and - white or gray - scale model, when you can immerse yourself in a color tablet with souped - up multimedia capabilities?

If you have ever wondered why some colors are way off on a display, there are many contributing factors and causes, including the color gamut, the calibrated white point, the intensity scale, and possibly poorly implemented dynamic picture processing and color management.

The new iPads have fairly accurate intensity scales with gammas fairly close to the 2.2 standard, however, they all have slightly bluish white points, with color temperatures of 7,109 K to 7,355 K, which is still (marginally) very good but reduces their overall color accuracy somewhat because the white point also affects all of the low saturation colors in the color gamut.

The Color Gamut, Intensity Scale, and White Point determine the quality and accuracy of all displayed images and all

Remember, when viewing on the Kindle (in black and white), a color design turns into gray scale.

The Color Gamut, Intensity Scale, and White Point determine the quality and accuracy of all displayed images and all the image colors.

bags of dry dog or cat food Baby wipes Large paper shredder Ammonia detector / sensor 3 Respirator Box of 20 disposable respirator Other Equipment & Supplies Small Scale (that measures in grams) Sweeping brooms Dust pans «Wet Floor» caution signs All - Terrain Vehicle Black - and - white laser printers (not color printers or inkjet printers, please) in good working condition Desktop computers (please, three years old at the most).

The Contemporary guest rooms and suites also include a number of black and white photographs, but focus on a collection of large - scale color photography.

The PS Vita Wi - Fi model (PCH - 2000 series) included with the starter pack comes in the color white and the handheld console's rear design includes an explanation on gunpla most notably the 1/60 scale PG or Perfect Grade, the 1/100 scale MG or Master Grade and the 1/144 scale HG or High Grade.

It takes a bit of time to see that the central white bands are of slightly varying dimensions; the play between color and scale, and then the contrast with white, bombard the eye, but slowly the bands individuate out of the series to differentiate themselves from one another.

Her photographs include series of portraits and American urban landscapes, ranging in format from large - scale color works to smaller black - and - white prints.

Curated in collaboration with Mark Sealy and Renée Mussai of Autograph ABP, whose co-founder and first Chair was Rotimi Fani - Kayode, the exhibition features a selection of his most important photographic works produced between 1985 - 1989, including large - scale color works and arresting black and white images.

New York — Pace and Pace / MacGill Gallery are pleased to inaugurate their representation of British artist Richard Learoyd with an exhibition of his large - scale color and black - and - white photographs made over the last decade.

That field of varnish is a slim diamond, the white wood frame a sculptural element on roughly the same scale as the stroke of color, and the lacquer shimmers.

The mostly small - scale work, including many early black - and - white, hand - colored, and sepia - toned photographs, is culled primarily from the artist's family members» collections and her own, and includes the pieces that laid the groundwork for her first major success, the acclaimed Film Stills series.

In particular he seems to have sought specific settings for exhibitions of his early wall - mounted sculptures, which, seen together, gave the impression of amply spaced pops of primary color in otherwise white rooms.6 Following the precisely scaled galleries he created for his 1984 exhibition at MoCA's Temporary Contemporary, he made a rotating exhibition of such works at Leo Castelli's New York gallery in 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basement.7

Beginning with black and white drawings of biomorphic shapes and gestural marks on gridded, solid or patterned grounds, the artist makes color studies that become maquettes for his large - scale canvases.

Ryman reduces his paintings to the bare minimum: the square format and white color (he uses an extremely reduced vocabulary) but his work is varied because he changes the scale and the texture.

His two large paintings, Yesterday, of colored moundlike shapes atop one another and receding in scale, and Carrying, ultramarine squares divided by a white grid accentuated with red squares (sound familiar?)

His black - and - white paintings would, perhaps, benefit from a full - scale retrospective, one including the early realist work and later color abstractions.

Curated in collaboration with Mark Sealy and Renée Mussai of Autograph ABP, whose co-founder and first Chair was Rotimi Fani - Kayode, the exhibition features a selection of his most important photographic works produced between 1985 - 1989, including large - scale color works and arresting black and white images.

Trey Egan's second solo exhibition at Cris Worley Fine Arts includes eight large - scale abstract oil paintings on canvas that animate and transform the white walls of the gallery into a torrential color storm.

His paintings are predominantly large - scale, freely - scribbled, calligraphic and graffiti - like works on solid fields of mostly gray, tan, or off - white colors.

Working from black & white photographs, Close purged color from this large - scale painting of a reclining female nude.

Since the artist's last exhibition at PaceWildenstein in 2002, Ryman has embarked on a new series of work that focuses on the color white as subject matter and sheds new light on his continuous investigation into composition, scale, and support.

Front Room: An - My Lê, on view October 9 — February 23, 2014, investigates ideas of war and the military through 21 large - scale black - and - white and color photographs.

In addition to the black and white photographs, the exhibition will also include four large - scale images in color, which locate the other works within the continuity of McGinley's oeuvre.

The first exhibit of 56 large - scale color landscapes from Canadian photographer Edward Burtynsky chronicling the impact of oil made its debut Saturday at Washington's Corcoran Gallery of Art — less than a block from the White House.

Some of his most celebrated work includes the formative piece An Oak Tree (1973), sensationally colored paintings of mass produced objects, and large - scale black and white wall drawings.