Sentences with phrase «white cops who»

The white cops who control police departments all across this country (including the NYPD) want to go back to business as usual.

It was a white cop who saved Lil Wayne's life when he was 12 - years - old that made the rapper say there was «no such thing as racism».

Not exact matches

But Comey's invective will now feed the crackpot conspiracy theory of Trump partisans who are convinced that an organization made up primarily of conservative, white, middle - aged male cops is out to get a Republican president.

Assemblyman Ronald Castorina (R - Staten Island), a no doubt white Catholic nitwit who thinks the cops are always right, has a rather short - term view of history.

Based on the same novel that led to Elie Chouraqui's Man on Fire (1987, starring Scott Glenn as the burnout agent), Brian Helgeland's script takes a distinctly gringo view of this foreign land, where the fragile but courageous white girl is victimized by scary locals who range from the odious kidnappers (organized by someone known only as «The Voice» [Gustavo Sánchez Parra], aided by his weasely brother Aurelio [Gero Camilo]-RRB- to the corrupt cops, primarily, the visibly seamy Fuentes (Jesús Ochoa).

Kathleen Hepburn's Never Steady, Never Still, a meditative portrait of a mother's battle with Parkinson's while her son comes to terms with his identity, is nominated for Best Canadian Film along with two other exceptional first features: Cory Bowles» Black Cop, a timely satire about an African - Canadian police officer who fights back against entitled white citizens, and Antoine Bourges» Fail to Appear, a quiet and precise study of institutional systems of support available for those on parole.

Perhaps most vexing to Max and Annie is that they are forced to go to their cop neighbor Gary (Jesse Plemons) for help; Gary's ex-wife was their game - night friend, but now she's gone and they're stuck with this pill who plays terribly, speaks in a creepy monotone, and seems obsessed with his fluffy white dog, who becomes part of one of the film's many hysterical sight gags.

Bald and angry white - guy Bruce Willis effectively channels the rigid, one - note screen presence of Charles Bronson as vigilante Paul Kersey, the well - to - do middle class professional who comes to accept that lone - wolf justice is better than anything the cops or courts can offer.

To cite only one example — which includes a spoiler — how likely is it that the racist white cop (Matt Dillon) who gropes a well - to - do black woman (Thandie Newton) while pretending to search her for weapons one night will be the officer who rescues her from a potentially fatal car accident less than 24 hours later, or that during the same time frame his partner will save her husband from being shot by another policeman?

In «Crash,» which opened in May, he played a TV producer who finds himself in an impossible situation when his wife is assaulted by a white cop; he knows that if he protests, he'll be charged with resisting arrest, or worse.

Led by a bigoted cop named Krauss (Will Poulter), who evidently consider his badge a license to kill, law enforcement officers swarm the motel and round up all the guests — several young black men and two young white women who've taken up residence there to dodge the violence on the streets.

Writer - director Ryan Coogler opens the narrative on videos presumably taken by several passersby indicating that a huge, burly, cop manhandled a number of Black passengers on the BART while ignoring the White guy who started the brawl.

Rules of Engagement) is a green, but very ambitious police officer who desires strongly to follow in his father's footsepts by becoming a detective lieutenant, which he attains by taking partial credit for the infamous Nite Owl murders, where three men barge into a diner and kill all of the inhabitants inside, including a former police officer named Stensland (Beckel, Blue Streak) Stensland's former partner is Bud White (Crowe, The Quick and the Dead), a rough - and - tumble cop as loyal as they come, but also willing to do the things that Exley is not, namely, to cross over the line of the law to see that justice is served.

Missy and her husband Dean (Bradley Whitford), who are white, have already copped to the unfortunate optics of being waited on by black employees in their fancy country estate, while insisting the pair are part of the family.

In Trade, a Texas border cop (Kevin Kline) buddies up with a Mexican teenager to find the latter's 13 - year - old sister, who has been kidnapped by Russian - mafia white - slave traffickers.