Sentences with phrase «white cover image»

I never read Lowry's novel, turned off in part by its black and white cover image of a bearded old man, so I can't speak to how faithfully it has been translated to the big screen.

Not exact matches

Like patterned wrapping paper covering a plain white box, a texture map is a flat image applied to a 3D model, thereby adding detail, color and surface texture.

Scratchy black - and - white footage of the emergency workers shows graphic images of men in agony, with peeling sheets of skin and severe burns covering their bodies.

Alternate image 1 for Sweet Jojo Designs Mod Elephant Reversible Long Crib Rail Cover in Turquoise / White

Don't care about Anna's cover tho,» shared guimon, also approving of the black and white image.

The British - Australian actress is photographed by James White and wears head to toe Burberry on the cover image.

Heidi Klum takes to the front cover of Bazaar «s double issue, looking sensational wearing Christian Dior in a black - and - white image shot by Rankin.

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The Blu - ray's menu moves around the cover image and two more suggestive publicity photos while playing Kitty White's night club version of «Rather Have the Blues», an original tune Nat King Cole sings over the radio in the film's opening sequence.

Tutorials covered are Resizing an Image, Converting an image to Black and White, Using the Hues / Saturation option, Brightness / Contrast option, Using levels to create a sunset image, Sepia Toning an image, Inserting Text on a image, Cropping an Image and Cloning unwanted marks on an iImage, Converting an image to Black and White, Using the Hues / Saturation option, Brightness / Contrast option, Using levels to create a sunset image, Sepia Toning an image, Inserting Text on a image, Cropping an Image and Cloning unwanted marks on an iimage to Black and White, Using the Hues / Saturation option, Brightness / Contrast option, Using levels to create a sunset image, Sepia Toning an image, Inserting Text on a image, Cropping an Image and Cloning unwanted marks on an iimage, Sepia Toning an image, Inserting Text on a image, Cropping an Image and Cloning unwanted marks on an iimage, Inserting Text on a image, Cropping an Image and Cloning unwanted marks on an iimage, Cropping an Image and Cloning unwanted marks on an iImage and Cloning unwanted marks on an imageimage.

Still with the usual black and white camouflage covers on them, but the styling can be recognized very nicely on these images.

The aero parts — flush - mounted headlamps, front and rear air dams, rocket - panel extensions — sharpen Sprint's boxy image considerably, although some of the pieces feel frail under fingertip pressure and the white wheel covers might better have been painted body color or alloy silver.

It has several serious errors, including a requirement that all images on the cover of a black - and - white book be at 3,000 dpi.

It's not bad enough that the images are scarce as it is but those few that are available are 98 % of the time added to premade covers that are of a white man / woman sleeping with their «help or slaves», or are the POC is a gold digger of some sort.

The tentacle picture did a great job of this as the woman was on 2/3 of the cover leaving a white canvas on the right and side of the image.

Finally, «Stickleback,» written by Ian Edginton and illustrated by D'Israeli, is a strange story set in late 19th - century London and illustrated in a beautifully liquid white - on - black style that is totally unlike anything else in comics — the cover image of Prog 1824 is the title character.

In particular, I am thinking about your coloration of the image on the cover of As Good as Anybody, which is drawn from the original black - and - white photograph of MLK and Abraham Joshua Heschel marching in Selma.

Again, strangely enough, the white cover has a boring, unclear image and small fonts.

What you want, if you do a white cover, is a big, clean, obvious image, hopefully something interesting, or some big clear text that fills most of the space.

Printed in black and white, each print ad will include the title and subtitle of your book, your name, your book's format and price, an image of your book cover, and a 100 - word description.

That's too much white for me, so for the Amazon cover image, I replaced the white with an obnoxious bright yellow.

But the list also includes a breath - taking coffee table book, a print - only edition whose cover is a black - and - white photo showing sunshine on a snowfield, titled «The Lost Photographs of Captain Scott: Unseen Images from the Legendary Antarctic Expedition».

Each side shows an image of the eBook cover art and in the 1/2 ″ white space at the bottom — on one side is the opening hook of that novel and my website address, while the reverse side has genre and where the novels can be purchased.

Your book cover will be a tiny image at first either on a computer screen or a black and white ereader, you need to make them want to click on your book and explore further!

Printed in black and white, each slot will include the title and subtitle of your book, your name, your book's format and price, an image of your book cover, and a 100 - word description.

Also if your an indie author you'll most likely have 99 % of your sales through ebooks, so think of your cover as a thumbnail image — and make sure it stands out in black and white too.

I consulted a number of cover designers and people I respect in publishing and we finally decided to simplify the cover with just the White House image.

But if you use iTunes to add a cover to your EPUB, as described in this video by Terry White, and then upload that EPUB to iTunes Producer, that EPUB will not validate and thus will not be accepted into the iBookstore, because the cover image is not properly contained in the OPF file.

Notice how the colours of the text in the first cover are extracted from the image, and how in the second example the black and white compliments the bright bold colours.

If you spin through the carousel too fast, it fails to keep up and shows blank white boxes instead of the covers of your books, movies, music, app icons and other images.

In addition, the images can cover the screen as opposed to having a white border around them.

I read ebooks on a black - and - white Sony Reader, but I still like having a cover image unique to each book.

A broad strip of forest frames the beach of Santa Teresa and an absence of high - rise buildings maintains the pristine image of the coastline with its long sweep of white sand beach washed by the pacific surf and backed by jungle covered hills.

We have included an image of the Hard cover artwork below Featuring Zelda in her white dress.

Later prints before the Greatest Hits edition still had the black Playstation spine but the cover became a high contrast black and white image.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenImages (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenimages of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

Zarina, Dividing Line (2001), woodcut printed in black on Indian handmade paper mounted on Arches Cover white paper, image 40.6 x 33 cm, sheet 65.4 x 50.2 cm.

Image Credits: Untitled, 2010, Silkscreened acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 min.

This image of the work turned on its side, made from an archival slide, documents the drips of white paint that marked the work's surface until Rauschenberg covered it with a fresh coat of black paint.

above and cover image: Olafur Eliasson, Deep Mirror (yellow), 2016 Mirrors, monofrequency light, aluminium, steel, wood, paint (black, white), control unit, 445x180x90 cm.

I use Capture One as my image management software, where I apply initial corrections covering white balance, colour, density, and crops.

Lynn Hershman Leeson's black - and - white images from the 1980s and»90s, included here amongst a large and perhaps purposely slightly cluttered installation of other works on paper by fellow California artists like Bruce Conner, are yet another example of portraiture and the image of the figure, popping its head (pun intended) into the mass of shapes and images that cover the various booths at Untitled.

Why would a designer choose an all - white, image - free, textless cover for a book devoted to the luxuriant color of Stanley Whitney?

With its twisting and turning wood frame covered with lengths of white - centered black hose, «Black Hose Mountain» looks as if it were generated by some computer programmed to create images of advanced geometric concepts, but it's not.

The all - white cover of artist Glenn Ligon «s small - scale tome stands in stark contrast to the full - collor book cover images featured inside.

MAGAZINE An image by South African photographer Zanele Muholi covers the May issue of Black + White Photography magazine, Issue No. 173.

Alongside the series of A4 - size pages adorned with photographs and typewritten texts used by Kovanda to document his ephemeral actions, the walls of the gallery are covered with black - and - white photocopies of film stills, newspaper images, and artworks by Roman Signer, Marcel Duchamp, Chris Burden, and Vito Acconci, among many others.

The interior design of the Obama's White House home is enhanced by art, works by Joseph Albers (cover image), Sam Francis, Glenn Ligon, Robert Mangold, Robert Rauschenberg, Susan Rothenberg, Sam Scully, and Alma Thomas.

For Coleman's genre - establishing 1960 LP Free Jazz, he used as the cover image a reproduction of White Light by Jackson Pollock — an artist whose untethered abstraction mirrored Coleman's explorative work within modern jazz.

For Coleman's genre - establishing 1960 LP Free Jazz, he used as the cover image a reproduction of White Light by Jackson Pollock — an artist whose untethered abstraction... Read More