The gallery recently located from a small
white cube space in the trendy The Pijp area to a piano nobile just by one of Amsterdam's iconic grand canal houses.
Founder Olivier Babin came to Brussels just a year after the opening in Brooklyn and created a townhouse, opposed to
the white cube space in the United States.
Installed within gallery's
white cube space in chic neighborhood of Châtelain, the works show her wide sources of influences, but also, her meticulous paintings skills.
Spread across both of
the White Cube spaces in London, Jake & -LSB-.....]
Not exact matches
Flying
Cube, a white cube floating in the center of the exhibition space, challenges gravity and activates the traditional gallery sp
Cube, a
white cube floating in the center of the exhibition space, challenges gravity and activates the traditional gallery sp
cube floating
in the center of the exhibition
space, challenges gravity and activates the traditional gallery
space.
But the works also pressure the standard
white cube gallery, since Sánchez presented them
in a dentist's office, a sanitary
space which, as he points out, is another kind of
white cube.
Within that tradition, the
space was conceived not as a typical
white cube gallery, but as a new public
space for the entire community — and this is reflected
in a new approach to programming.
White Cube's exhibition programme extends across its four gallery
spaces, two of which are
in London; Mason's Yard
in St. James's and Bermondsey Street
in South London, and two further galleries recently opened
in Hong Kong and São Paulo.
A shanty made of dark pieces of plywood is installed diagonally
in the exhibition
space, recalling, yet also denying, the notion of a pristine «
white cube,» as a video tracing a journey caused by hallucinogenic mushrooms alternately illuminates and goes dark
in the
space.
According to them, the work was too directly political and social
in its content, and too ephemeral
in its composition — leaving no room for the privileged
space of neutral aesthetic contemplation that the modernist
white cube had always provided critics
in the past.
White Cube's exhibition program now extends across its four gallery
spaces: Mason's Yard
in St. James», Bermondsey Street
in South London, Hong Kong and the recently opened gallery
in São Paulo, the second location outside of the UK.
The cubic gallery
space in White Cube's Bermondsey gallery measures 9 x 9 x 9 metres.
This series of Special Projects brings together an international roster of artists reflecting on the «
white cube» exhibition
space in different ways.
Highlights include: Gavin Brown's Enterprise, Marian Goodman, Hauser & Wirth, Anton Kern, Massimo de Carlo, Gagosian, Karma International, kurimanzutto, Matthew Marks, kamel mennour, Regen Projects, Esther Schipper, Sprüth Magers, Luisa Strina, The Box,
White Cube and David Zwirner; and
in Focus: VI, VII, 47 Canal, Antenna
Space, Galeria Jacqueline Martins and Carlos / Ishikawa; among many others.
In its Bermondsey space in London, the gallery White Cube presents Ibrahim Mahama's first solo exhibition in the U
In its Bermondsey
space in London, the gallery White Cube presents Ibrahim Mahama's first solo exhibition in the U
in London, the gallery
White Cube presents Ibrahim Mahama's first solo exhibition
in the U
in the UK.
Similarly, The Underground Museum, a non-profit
space in South Central Los Angeles launched by sculptor Karon Davis and her late husband, the painter Noah Davis, was launched as a place to encourage black artists «to experiment and make the kinds of work they have always wanted to, but never had the chance
in «
white cubes,»» Davis said.
White Cube, which has an outpost
in Hong Kong, sold one of Damien Hirst's Black Scalpel Blade cityscapes of Shanghai for about $ 1.2 million, while
White Space of Beijing reported that 70 percent of its works sold within the first two days, including several works by the young Chinese conceptual artist He Xiangyu.
Usually what project
spaces share
in common is what they are not — not a
white cube, not institutional, usually not commercial.
Close to Lambeth Bridge, Newport Street's sleek,
White Cube style
space stands midway between the galleries founded by Hirst's dealer Jay Jopling
in Bermondset
in 2011 and his former patron Charles Saatchi
in Chelsea
in 2008.
25) David Hammons: The artist's first major London gallery show (at
White Cube) will certainly help the artist open his own planned art
space in Yonkers, New York.
Tuttle also manipulates the
space in which his objects exist, placing them unnaturally high or oddly low on a wall — forcing viewers to reconsider and renegotiate the
white -
cube gallery
space in relation to their own bodies.
The abruptly intimate accounts of subjective experience
in a museum found on Yelp defy the
white cube's bloodlessness — even if all they do is address mundane concerns about a body's movement
in space.
In the summer of 2013, Raymond Pettibon took over one of David Zwirner's gallery spaces in New York, transforming the high - ceilinged, garage - like white cube into his studio in order to prepare a show of drawings and collages within — and sometimes directly on — its wall
In the summer of 2013, Raymond Pettibon took over one of David Zwirner's gallery
spaces in New York, transforming the high - ceilinged, garage - like white cube into his studio in order to prepare a show of drawings and collages within — and sometimes directly on — its wall
in New York, transforming the high - ceilinged, garage - like
white cube into his studio
in order to prepare a show of drawings and collages within — and sometimes directly on — its wall
in order to prepare a show of drawings and collages within — and sometimes directly on — its walls.
But the artist and critic Brian O'Doherty did something of the sort
in the 1970s, when he wrote of how far both the creation and canonisation of modern art had been informed by the dominant «
white cube» model of gallery
space, which had conferred a monumental aura on much large - scale abstract painting.
These qualities are underpinned and stabilised by the architectural accuracy of his miniature interiors, which draw from broad influences, from classical Palladian or a
White Cube gallery
space, to the contemporary commercial kitsch of fast - food joints, or even a depiction of his childhood home as
in the 18 Fortis Green series.
For Beyond The
White Cube four curators associated with Center for Curatorial Studies, Bard College (CCS Bard) organize projects outside of the museum's galleries
in order to encourage endeavors that apply the curatorial beyond exhibition
space - proper.
A study of place,
space and time executed primarily
in a spectrum of grays, «Julie Mehretu: Liminal Squared» accompanied her exhibition at
White Cube in London last summer.
To foster an ambience akin to the artist's own bedroom
in Detroit, the normal
white cube aesthetic of the gallery
space has been transformed: its walls have been painted a pink similar to that of Soda's bedroom and its
space decorated with pink - hued furniture pieces which have the dual function of both providing gallery visitors with a physically comfortable environment
in which to view the work, while also replicating the «girly - pink - warm» atmosphere associated with the artist's work.
That boom was driven by a commercial gallery scene and auction - houses less interested
in practices drawn from the neo-avant-garde, but instead
in the type of works that grace
white cube spaces —
in particular, large paintings that were shifted profitably at auction.
Two of the plates here representing the origins of the Earth could be mistaken for pop art if you plonked them
in a
white cube space.
The new walls radically alter the experience of the pristine
white cube gallery
space,
in which Esra Ersen, originally from Istanbul, is showing an engaging documentary video with street children
in her hometown.
«14 Rooms» takes place
in Basel's oldest trade fair hall, one transformed by Swiss architectural heroes Herzog & de Meuron into a wide corridor
space with 14 small,
white cubes leading off it, each behind closed doors with wooden handles.
Despite O'Doherty's debunking of this context, the
white cube mode of exhibiting continues to underpin much exhibition - making
in the West, from commercial galleries that are designed to look like modern art museums (think of David Zwirner's minimalist 30,000 square foot
space on 20th Street
in New York) to websites such as Contemporary Art Daily that tend to privilege the flattened picture surfaces of post-minimalist paintings, which look good filtered through the even light of a laptop screen.
Despite O'Doherty's debunking of this context, the
white cube mode of exhibiting continues to underpin much exhibition - making
in the West, from commercial galleries that are designed to look like modern art museums (think of David Zwirner's minimalist 30,000 square foot
space on 20th Street
in New York) to
In this case, Consuegra reproduces a
space within another
space, expanding the limits of the pictorial plane and making the
white cube the work itself.
White Cube's new
space breaks the records for the largest commercial gallery
in the UK, even Europe
He called his small premises there
White Cube in reference to the influential collection of essays by Brian O'Doherty, Inside the
White Cube: Ideologies of the Gallery
Space,
in which the author argued that the blank, box
spaces of modern galleries had themselves become «the archetypal image of 20th - century art».
In 2016 expect to see Ferg's art gracing sleeves, sneakers, and
white -
cube spaces alike.
One of the world's leading contemporary art galleries,
White Cube has
spaces in London (Mason's Yard and Bermondsey Street) and Hong Kong.
You can see some of Haim Steinbach's shelf works upstairs
in his exhibition jaws at
White Cube in Masons yard and downstairs you can see Display # 15 — Design for a Yogurt Bar on until 20 January 2018 whitecube.com & Opening on the same day his London show closes is Haim Steinbach's first solo exhibition
in Israel
in Jaffa at Magasin III Museum & Foundation for Contemporary Art's new satellite
space.
Not yet a widely acknowledged post-digital subgenre, but seemingly the organizing principle behind Frances Stark's disappointing greengrassi solo show: a neatly ordered exhibition of seven paintings, a collage, and four videos (Sony
cubes placed on
white plinths
in a
white cube) that offer a glimpse into culture clashes that take place
in the eclectic world of Stark's cloud -
space.
This evening seeks not only to draw out parallels and overlaps between the
spaces of performance
in the visual and performing arts — the somewhat outdated concepts of the
white cube and the black box — but also to question the increasing role of performance art
in museums today and how architecture frames and determines it.
Berlin - based Austrian artist Gerwald Rockenschaub's unique take on minimalism has resulted
in a complex sculptural oeuvre that challenges the so - called
white cube and calls the relationship between the artwork, viewer, and exhibition
space into question.
In 2008, kurimanzutto opened a permanent gallery space in Mexico City, yet the gallery continues to search for places outside the white - cube to carry forward its original visio
In 2008, kurimanzutto opened a permanent gallery
space in Mexico City, yet the gallery continues to search for places outside the white - cube to carry forward its original visio
in Mexico City, yet the gallery continues to search for places outside the
white -
cube to carry forward its original vision.
Does it have a special appeal for you to present your work not
in the
White Cube but
in contextually different
spaces?
Made
in Commmons at Stedelijk Museum Bureau Amsterdam; Liu Wei at
White Cube Mason's Yard, London; Subodh Gupta: Everything Is Inside at National Gallery of Modern Art, New Dehli; Naiza Khan: The Weight of Things at Koel Gallery, Karachi; Liang Yue: The Quiet Rooms at Shanghart H -
Space, Shanghai; Liu Ding: Lake Washington at Antenna
Space, Shanghai; Marrakech Biennale 5; Florian Pumhösl at Miguel Abreu Gallery, Eldrige and Orchard streets, New York; 3rd Colombo Art Biennale: Making History; Bienal Internacional de Arte Contemporáneo de Cartagena de Indias \ n
In gallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillega
In gallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year
in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillega
in the gallery's New York
space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge
in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillega
in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of
spaces — often designated as feminine, particularly domestic environments and objects — is very much
in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillega
in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's
White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a
space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillega
in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegas.
Rhode's upcoming exhibition at North Carolina Museum of Art opens September 26, 2015, adding to an impressive list of solo shows
in the last decade that includes Artists
Space in New York, Haus der Kunst
in Munich, Hayward Gallery
in London, Kulturhuset
in Stockholm, Los Angeles County Museum of Art, Museum of Art Lucerne, National Gallery of Victoria
in Melbourne, Neuberger Museum of Art at SUNY - Purchase, Rose Art Museum at Brandeis University, and
White Cube in London.
His solo show at
White Cube this summer, Breathing Room III, will consist of a «self - illuminating nest of 15
space frames» each identical
in volume and together occupying one fifteenth of the total volume of the gallery.
It's a really interesting approach to see Land art entering the
white cube gallery
space in such a way.