Sentences with phrase «white cube walls»

Lim's art penetrates a living space, merging art and architecture, beyond the traditional white cube walls.

Beautifully arranged in glass vitrines or on a White Cube wall, Agematsu's trash becomes treasure and thus the context feeds the metamorphosis.

Not exact matches

They built the front desk out of plywood and Ikea furniture and modeled the studio's dark tile and gleaming white walls after London's White Cube art gallery, honing the look as «inviting but still sexy, cool but still tribal,» Rice rememwhite walls after London's White Cube art gallery, honing the look as «inviting but still sexy, cool but still tribal,» Rice rememWhite Cube art gallery, honing the look as «inviting but still sexy, cool but still tribal,» Rice remembers.

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Featured images: White Cube Hong Kong, via mymagicattic.blogspot.com; White Cube Hong Kong, Installation view of Jeff Wall's solo exhibition, via artasiapacific.com

Matthew Rudman: 6 out of 5 at the White Cube contains two wall installations made especially for this exhibition.

Bulgarian artist Nedko Solakov presents A (not so) White Cube (2001), a site - specific installation of tiny wall drawings only visible when the viewer moves close to the white walls of the gallery sWhite Cube (2001), a site - specific installation of tiny wall drawings only visible when the viewer moves close to the white walls of the gallery swhite walls of the gallery space.

White Walls also describes the white cube of a gallery, at once empty and increasingly White Walls also describes the white cube of a gallery, at once empty and increasingly white cube of a gallery, at once empty and increasingly full.

Tuttle also manipulates the space in which his objects exist, placing them unnaturally high or oddly low on a wall — forcing viewers to reconsider and renegotiate the white - cube gallery space in relation to their own bodies.

In the summer of 2013, Raymond Pettibon took over one of David Zwirner's gallery spaces in New York, transforming the high - ceilinged, garage - like white cube into his studio in order to prepare a show of drawings and collages within — and sometimes directly on — its walls.

With the now established practice of projecting hugely onto several walls at once, the white cube itself is made into a sculpture, subject to spatial manipulations.

To foster an ambience akin to the artist's own bedroom in Detroit, the normal white cube aesthetic of the gallery space has been transformed: its walls have been painted a pink similar to that of Soda's bedroom and its space decorated with pink - hued furniture pieces which have the dual function of both providing gallery visitors with a physically comfortable environment in which to view the work, while also replicating the «girly - pink - warm» atmosphere associated with the artist's work.

The new walls radically alter the experience of the pristine white cube gallery space, in which Esra Ersen, originally from Istanbul, is showing an engaging documentary video with street children in her hometown.

Contemporary architecture for art has come to be defined by what critic Brian O'Doherty in a 1976 essay christened «The White Cube»: the minimal, white - walled, timber - floored, top - lit room that submits itself to art by stripping itself of almost all architectural expresWhite Cube»: the minimal, white - walled, timber - floored, top - lit room that submits itself to art by stripping itself of almost all architectural expreswhite - walled, timber - floored, top - lit room that submits itself to art by stripping itself of almost all architectural expression.

Meanwhile, across the street at Tanya Bonakdar Gallery, ghostly shadows doubled and tripled against the walls of chapel - like, white - cube rooms as guests passed before projected lights chiseled by Olafur Eliasson, who appeared a bit more grizzled than usual and slightly dazed by the commotion around him.

In this exhibition Jongeleen brings the street within the walls of the «White Cube».

Nor has he given up geometry: the glass enclosure runs parallel to the gallery's white cube, and one can take its measure by circulating the narrow space between walls.

Featured image: Jeff Wall — portrait — photo credits Linda Nylind, image via theguardian.com All other images courtesy of White Cube

Featured high up on the external wall of White Cube Gallery's booth at this year's Frieze Art Fair in London, it seemed to function as a clever and subconscious reflection on the key question for collectors at Frieze and the world's many other art fairs.

She's known for making wooden cubes with laser - cut mashrabiya - like patterns that cast lacy shadows on the wall — instantly transforming a white cube gallery into a dreamscape that wouldn't look out of place in the Alhambra.

Lehmann Maupin sold Teresita Fernández's ceramic wall work Fire (America) 2 (2016) for between $ 400,000 — 500,0000, Tracey Emin's Feeling Sexy and Beautiful (2015) embroidery for # 150,000 — 200,000 (and the artist's installation in Unlimited, co-presented with White Cube and Xavier Hufkens, for an undisclosed price), and Nicholas Hlobo's Idabi (2016) for $ 80,000 — 120,000, among others.

Instead, by exhibiting his work on the wall of a hut that is in no way a white cube, Nara has revived a form of narrative in art and heightened the relationship between art and its environment - elements that have been slowly eroded by modernism over the years.

You find everything here from white cube galleries to gritty cellar like spaces with bare brick walls; cliche hipster bars, small boutiques, a shop that only sells chocolate, a weekly flower market, juice places, parks, the bike shed, design hotels such as the Ace Hotel and Shoreditch House, fantastic restaurants, tiny cafes, record stores, even the canal is just a quick walk away.

With its stone walls and clerestory windows, the converted anchovy factory is hardly a typical white cube, yet it became one of Europe's premier artists» book and multiple publishers, organizing the debuts in Spain of John Cage, Duchamp, Richard Hamilton, David Hockney, Jasper Johns, and Dieter Roth, as well as Beuys.

Acrylic bands of blue and white curving out from the wall represent water in motion; glass beads covering a dune - shaped form create the shimmering effect of light on sand; hundreds of acrylic cubes in varying hues of violet are points of color that capture the light or atmospheric condition of a particular moment.

For Emin in particular, it's been an especially illuminating time: Since arriving at Art Basel Hong Kong, the British artist has revealed that, as of last summer, she's been married to a rock — a metaphorical message that puts her trademark love - themed texts on the walls of the White Cube and Lehmann Maupin galleries in a whole new light.

By cladding the floor and walls in coloured tiles, he transformed the white - cube space, forcing the viewer to consider whether it was still a gallery space.

«Exemplary of [The Chicago Effect: Redefining the Middle's] strengths is a brief interlude in the middle of the main gallery marked by a stripe of grey paint that hangs on the walls and floor between two halves of the white cube... Isolated Fictions: A Reenactment, as the sub-show is titled, presents a provocative case study in the generative possibilities between art schools, small galleries, art centers, and other «middle men» of the art economy.»

Artist: Marguerite Humeau Exhibition title: Echoes Venue: DUVE Berlin, Berlin, Germany Date: May 1 — June 6, 2015 Photography: images courtesy of the artist and DUVE Berlin When Marguerite Humeau's exhibition * Echoes * closes on June 6, the hypnotic yellow pigment that dresses the walls of the gallery for her work Black Mamba will presumably be repainted in a casual White Cube wWhite Cube whitewhite.

Composed of a white - walled cube, each side is interrupted by an impassable opening that offers a tantalizing view into the interior.

Similarly, notions of institutional critique are prefigured in earlier sculptural works such as «Falling Wall» (1993 — ongoing), in which proletarian beams of wood prop up a precariously tilting side of the pristine white cube.

The distressing Neither, from 2004 and now at the Brazilian art institution Inhotim, is a room that at first appears to be an empty white cube, but on closer inspection the white plaster walls are revealed to contain steel mesh fencing.

The Wall brings together a group of works that acknowledge and contend directly with the conventions of gallery architecture by breaching, puncturing, picturing, mapping and sculpting from the uprights of the near - sacred and truly ubiquitous white cube.

As New York became the centre of the 1960s and 70s art world with abstract expressionism and pop, artists on the east coast had different adventures, represented here by Larry Bell's Cube # 15 (Amber)-- a translucent plastic box full of thin air — and Robert Irwin, whose white disc nearly disappears into the gallery wall.

There are two large video projections covering the surfaces of opposite walls in the white cube.

Born: Vancouver, British Columbia, 1946 Lives and works in Vancouver RECENT SOLO SHOWS 2015 Jeff Wall: Tableaux, Pictures, Photographs 1996 - 2013, Louisiana Museum, Humlebaek, Denmark Jeff Wall, Fondation Henri Cartier - Bresson, Paris, France Jeff Wall, Marian Goodman Gallery, New York Jeff Wall, Marian Goodman Gallery, London Jeff Wall, Pérez Museum, Miami, US Figure on Display: Jeff Wall and Stephan Balkenhol, Leopold - Hoesch - Museum, Duren, Germany Jeff Wall, White Cube, London 2014 Jeff Wall: Tableaux, Pictures, Photographs 1996 - 2013, Stedelijk Museum, Amsterdam; Kunsthaus Bregenz, Bregenz, Austria 2013 Jeff Wall Photographs, National Gallery of Victoria, Melbourne, Australia; Museum of Contemporary Art Australia, Sydney, Australia Jeff Wall: Actuality, PAC Padiglione d'Arte Contemporanea, Milan, Italy 2012 Jeff Wall: In light, black, colour, white, and dark, Pinchuk Art Centre, Kyiv, Ukraine 2011 Jeff Wall, Marian Goodman Gallery, New York, New York Curated by Jeff Wall: Jeff Wall: The Crooked Path» The Centre for Fine Arts, Brussels, Belgium Jeff Wall, Centro Galego de Arte Contemporanea, Santiago de Compostella, Spain 2010 Jeff Wall, Galerie Marian Goodman, Paris, France Jeff White Cube, London 2014 Jeff Wall: Tableaux, Pictures, Photographs 1996 - 2013, Stedelijk Museum, Amsterdam; Kunsthaus Bregenz, Bregenz, Austria 2013 Jeff Wall Photographs, National Gallery of Victoria, Melbourne, Australia; Museum of Contemporary Art Australia, Sydney, Australia Jeff Wall: Actuality, PAC Padiglione d'Arte Contemporanea, Milan, Italy 2012 Jeff Wall: In light, black, colour, white, and dark, Pinchuk Art Centre, Kyiv, Ukraine 2011 Jeff Wall, Marian Goodman Gallery, New York, New York Curated by Jeff Wall: Jeff Wall: The Crooked Path» The Centre for Fine Arts, Brussels, Belgium Jeff Wall, Centro Galego de Arte Contemporanea, Santiago de Compostella, Spain 2010 Jeff Wall, Galerie Marian Goodman, Paris, France Jeff white, and dark, Pinchuk Art Centre, Kyiv, Ukraine 2011 Jeff Wall, Marian Goodman Gallery, New York, New York Curated by Jeff Wall: Jeff Wall: The Crooked Path» The Centre for Fine Arts, Brussels, Belgium Jeff Wall, Centro Galego de Arte Contemporanea, Santiago de Compostella, Spain 2010 Jeff Wall, Galerie Marian Goodman, Paris, France Jeff Wall.

«THE WHITE CUBE» By Thomas Marquet # 42: The problem with tacking art to the wall is that it doesn't generate any new jobs.

Back in 2013, I was blown away by his massive draped jute sacks wall installation at Saatchi Gallery, so it is little saying that I'm very excited by his upcoming exhibition at White Cube:» Mahama is known for large - scale installations incorporating jute sacks, previously used to transport cocoa beans and charcoal, which are stitched together and draped over architectural structures.

Christian Marclay @ White Cube, Bermondsey This diverse and sprawling exhibition closes soon and it has everything, wall based art, video, performances and even a printing press on site.

The mainstay of this vocabulary was taken from the white cube in which the work was exhibited — including its doors, which opened and closed; its sounds, which became louder or quieter; its walls, which grew strange protrusions; its lights, which went on and off; and even its air, which was captured by balloons.

Broad windows in the walls of the white cube - style galleries will side light the spaces, giving curators working with Piano's top - lit galleries more options to display light - sensitive or demanding works.

His book Inside the White Cube, first published in 1976 as a series of essays in this magazine, is a foundational critical text, an analysis not so much of art as of its physical environment — the white - walled modern gallery — and of the sociological and ideological networks invisibly embedded tWhite Cube, first published in 1976 as a series of essays in this magazine, is a foundational critical text, an analysis not so much of art as of its physical environment — the white - walled modern gallery — and of the sociological and ideological networks invisibly embedded twhite - walled modern gallery — and of the sociological and ideological networks invisibly embedded there.

From within the context of Minimal and Conceptual Art, artists examined the «White Cube» in a museum or gallery space, and the wall, as part of the exhibition display, was taken up as a central theme.

Hit the right optical biting point, and the squiggles coalesce into portraits, like the one on this wall at White Cube Bermondsey.

In the late 1950s, Smith and Newman helped to remodel Parsons» gallery, creating an almost cube - shaped main space framed by white walls with subtly curved corners and a concrete floor whose proportions fitted their ordered works.

While the first floor is much more white cube - like, the Beuys and the Merz [gallery] walls are very decorative and have incredible texture and color.

Ho's installation attempts to achieve these same results by transforming Pro Arts» white - cube screening room into a complex polyhedron with glowing blue and yellow walls.

There were also some environments that seemed to dissent from or parody such overkill, namely Klara Liden's sardonic show, which crammed the space at Reena Spaulings Fine Art with discarded Christmas trees in January, and, in the fall Sarah Oppenheimer's eye - cleansing torquing of the white cube at P.P.O.W. and Andra Ursuta's show of sculpture and smashed walls and windows (the gallery's) at Ramiken Crucible.

The installation, complete with shopping trolley and red walls, discards the white cube nature of the London gallery, creating a contemporary response to the artist that reminds the viewer of Warhol's enduring relevance in our «all - consuming» culture.