Keyser's Sad
White Music, 2007, an orb of house paint on a sawdust - encrusted canvas support, and Smithson, 2007, a collage of
enamel and paillettes on a blown - up 1970s copy of Smithsonian Magazine with a rope - harnessed rain - forest biologist swinging above a verdant canopy on its cover that
becomes the painting's ground, exemplify both operations.