Sentences with phrase «white enamel on»
from «Wheelbarrows of Progress» with William Shefferine 1990 Toy stuffed animals, white enamel on red steel, wood and rubber wheelbarrow Wheelbarrow: 25 x 27 x 55 1/2 inches, overall: 42x57x43 inches
http://www.tanyabonakdargallery.com/ Not exact matches
While the coconut oil may be the cause of whiter teeth, the health and appearance of your teeth are also influenced by genetics, smoking habits, and consumption patterns — like drinking wine or coffee, or eating high - calcium foods or highly acidic foods - which can damage the enamel on your teeth.
3) Lay keys and lobster clasp on silicone mat and apply white enamel with a toothpick (less is more).
9kt gold 1,75 gr «Lips piercing» earring from Delfina Delettrez featuring a lips motif with pink enamel and a screw on white pearl.
Enamel on Steel Tea Kettle in White, KitchenAid ® 2 - Quart Porcelain Enamel Tea Kettle with Stainless Steel Handle in White
From kate spade new york: A stylish addition to the home bar, this set is crafted of stainless steel and accented with black enamel dots on the corkscrew and a black - and - white barber pole stripe on the bottle opener.
A platinum rim and delicate flourish of vine - like, white - on - white imprints with raised, iridescent enamel dots decorate these timeless shapes.
This Vanquish is loaded with: Navigation, Neiman Marcus Christmas Book exclusive edition (Seychelles Blue Exterior Paint, 20 - spoke lightweight alloy wheels with Liquid Silver finish, bright finish front grille, Magnum Silver meshes, bright finish tailpipes, Blue brake calipers, Multi-layer fabric convertible hood in Atlantic Blue, Sterling Silver and Flux Enamel wing badges, Black and White Onyx «Q by Aston Martin» badges, handcrafted interior, Obsidian Black deep soft semi-aniline leather, soft semi-aniline leather seats with Aurora Blue welt, Aurora Blue contrast stitching, hourglass quilted seat accent matched to leather thread, quilted door insert with Aurora Blue welt, Obsidian Black carpet with Aurora Blue binding, Ivory Roekona headlining with Ivory Alcantara, Obsidian Black One - 77 style steering wheel with Aurora Blue contrast stitch, Black gearshift paddles with Aurora Blue leather tips, «Vanquish» embroidered on headrests, Satin Chrome instrument dials and controls, Walnut veneer fascia trim, more), umbrella in trunk, first aid kit and more.
Custom features include white detailing in the front bumper and grille, blue highlights on the side skirts, white «smoke trails» on the side strakes, «Union Jack» enamel wing badges, and «Union Jack» side winglets on the bumper.
Nevertheless, he seized the wooden chair from beside her desk, took it through the bathroom door, and dumped it in the bathtub, to stand on it and shove aside the square of white, enameled plywood covering the opening to the attic.
Two Line Spray Portrait with Painted Eye and Four White Stripes / 2012 / Oil enamel and spray paint on canvas / 96» x 60» / PLS INQ
Acrylic liner, enamel and rhinestones on birchwood, 177 x 161.8 cm © Courtesy Raqib Shaw and White Cube.
Spurred on by a 1960's enamel on paper drawing by sculptor David Smith (1906 - 1965), Wendy White presented a new painting featuring multiple canvases with spray - painted gestures and hints of language.
It may mean something that almost all the abstract painting in the show is by women, from Ulrike Müller's small geometric enamel - on - steel pictures, as precious as antique cameos, to Nancy Brooks Brody's black - and - white grids radiant with half - hidden color.
Some of those I'd been most drawn to appeared reduced, hardened and flattened, a little too obvious: the 1973 expanse of white Enamelac on an aluminium base that shows in a thin line down the left - hand side and along the bottom; a row of square pieces from the same year, their fat L - shapes of black (oxidised copper, apparently) set off by smaller white baked - enamel squares; and 1985's Catalyst III, with its steel bolts and thin, intermittent lines of black enamel seeming to divide the aluminium base and contain it in a pointedly incomplete frame.
Each Colour Chart presents multiple uniquely coloured but uniformly sized rectangles or squares of glossy enamel arranged on a white background.
Chris Oatey, Center: at rest, 2012, paper, rope, acrylic, enamel, 108» x 26» x 24» Upper Right: mirage painting (black / white), 2012, enamel on canvas, 34» x 30»
Other thematically unrelated but visually cohesive works include a trio of Early Modernist knockoffs from the mid-1980s by Sherrie Levine, which remain conceptually irritating but here look refreshingly, crisply graphic; a 45 - minute video from 1994 by Gary Hill; a 2009 color photograph of a child in a white Levi's t - shirt by Josephine Pryde; some bundled pseudo-newspapers by Robert Gober (1992) and, in a collaboration between Gober and Christopher Wool, a photograph of a girl's dress hanging in a tree (the dress presumably Gober's handiwork; the photograph, Wool's), near one of the latter's enamel - on - aluminum pattern paintings.
In Parrino's Untitled (1992), the anarchist symbol is sprayed in black engine enamel on white vellum.
Images: Jackson Pollock, Echo: Number 25, 1951, 1951, enamel paint on canvas, Acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rokefeller Fund, Museum of Modern Art, New York © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 7, 1951, 1951, enamel on canvas, The National Gallery of Art, Washington, D.C., Gift of the Collectors Committee (1983.77.1) © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Untitled, c. 1949 - 50, painted terracotta, Collection Gail and Tony Ganz, Los Angeles © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Portrait and a Dream, 1953, oil and enamel on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York
ROBERT RYMAN Manual 1993 and 2004 Oil and enamel on lumasite 48 x 48 inches (121.9 x 121.9 cm) Signed, titled and dated RYMAN 93 RYMAN 93 - 04 «MANUAL» (on the reverse) © 2017 Robert Ryman Image courtesy Stephen White
MICKALENE THOMAS Still life with black and white panther, 2009 rhinestone, acrylic and enamel on panel 48 x 60 inches 1...
Photo: Joshua White, 2013; Donald Judd, untitled, 1962, Cadmium red oil, wax, and sand on canvas and wood, and black enamel on asphalt pipe, 50 1/2 x 45 x 9 5/8 in.
MICKALENE THOMAS Still life with black and white panther, 2009 rhinestone, acrylic and enamel on panel 48 x 60 inches 121.9 x 152.4 cm LM12075
Black and white, enamel on linen, a bit of turpentine or solvent, and no recognizable imagery allowed.
Jettisoning the so - called abstract paintings she had been producing up to that point — large and literal territories of soiled oil paint peppered with holes punched through the canvas — Pensato took on bucketloads of black - and - white enamel and doubled down on her canvases.
Plant, Book, Navy Blue and White, 2009 water based enamel, collage and graphite on paper paper: 26 x 20 inches (66 x 51 cm) JS - 2083
Painting in 1950, this 18 - by -24-inch Sapolin enamel on paper reflects the artist's decision in the late 1940s to eliminate «color from his palette in order to focus on line, form and imagery» resulting in «the birth of a confident and energetic synthesis of abstraction, biomorphic forms and gestural «action painting»... The black and white abstractions also demonstrate the crucial relationship between drawing and painting in de Kooning's oeuvre.
Keyser's Sad White Music, 2007, an orb of house paint on a sawdust - encrusted canvas support, and Smithson, 2007, a collage of enamel and paillettes on a blown - up 1970s copy of Smithsonian Magazine with a rope - harnessed rain - forest biologist swinging above a verdant canopy on its cover that becomes the painting's ground, exemplify both operations.
Every surface is redolent of some other painted surface in the real world, from the uninflected white of the gallery walls to old frescos, peeling doors and the chipped enamel on playground railings.
4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iwhite fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iWhite Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iwhite color 32 1/4 x 32 1/4 x 2 3/4 inches
Her black - and - white Frank Stella-esque enamel on canvas, Stella Tomlinson Court Park (First Version)(Study), 1990, went for $ 550,000, soaring past a $ 150,000 high estimate.
1998 - Jenny Holzer «Black & White», Enamel paint on metal, 1980 - 82Patty Chang «Come with Me, Swim with you», DVD.
This is, in part, thanks to the lurid pink and purple slashes of paint on those white walls, the by - products of her recent paintings, enormous enamel - on - metal works which feature steamy, sexy, dripping images of women, often behind glass — in effect trapped, in reality free.
For the MACBA, Meyer designed a building shaped as a large box, clad in white enamel - painted steel panels, flanked by a circular pavilion on its west end, which accommodates the visitors» entrance and service spaces, and a semi-detached wing on the east end, housing additional gallery spaces and staff offices.
Rudolf Stingel, Untitled (# 4), 1989 Oil and enamel on black and white photograph Image size: 7 5/8 x 9 5/8 inches Frame size: 18 1/2 x 14 1/4 inches February 20 — March 21, 2009 Paula Cooper Gallery presents an exhibition of new work by internationally acclaimed artist Rudolf Stingel.
Wendy White, «Green Brigade,» acrylic on canvas, wood and enamel, 74» x 70.5», 2013.
The big, swirling abstract black - and - white enamel - on - linen sold for $ 5.5 million.
Part A: PVC (plastic plaque), wood, aluminum, metal, glass, enamel painted on reverse of glass, black and white photographs (vintage prints), color photographs, felt
Four enamel paintings on metal, titled Lipservice, Fun House Mirror (White Series One), Cherrys, and Glory Hole, by Marilyn Minter.
T01944 FLAXMAN: UNDERSTUDY [from](SANDSEND SERIES FROM BEYOND THE WORLD»S END) 1972 [T01941 - T01944; complete] Inscribed «FLAXMAN understudy Sandsend Series from beyond The World's End» b.l., «Scale 1 = 4» b.c. and «optional orientation - preferred position Ian Stephenson 1972» b.r. Oil and enamel with ballpoint on paper treated with white polish, 30 × 40 (76.2 × 101.6) Purchased from the artist (Grant - in - Aid) 1975 Exh: 11 englische Zeichner, Kunsthalle, Baden - Baden, May — June 1973, and Kunsthalle, Bremen, July — August 1973 (Stephenson 16); Recente Britse Tekenkunst, Koninklijk Museum, Antwerp, September — October 1973 (Stephenson 16); Art as Thought Process, Serpentine Gallery, December 1974 — January 1975 (no numbers); Ian Stephenson: Paintings 1955 — 66 and 1966 — 77, Hayward Gallery, March — April 1977, also Arnolfini Gallery, Bristol, May — June 1977, and Turnpike Gallery, Leigh, August — September 1977 (72) All four studies [T01941 - T01944] were first shown at an informal British Council preview, Drawings by 11 British Artists, at the Hayward Gallery in London on 16 March 1973, immediately prior to their despatch for tour in Europe.
Wendy White La Cabeza de Maradona, 2013, Acrylic on canvas, wood, enamel, 98 1/2 x 76 1/2 in.
Wendy White Clavado, 2013, 2013, Acrylic on canvas, wood, enamel, 74 1/2 x 74 1/2 in.
Wendy White El Azteca, 2013, Acrylic on canvas, wood, enamel, 101 x 79 in.
Each station will have its own unique Labyrinth design, emblazoned in black and white on a single 600 mm ² vitreous enamel panel, located in a prominent position, representing the journey through the network taken by millions of individuals each year from that place.
A vintage dual light table lamp, produced circa 1950s - 1960s, with two lamp heads, each with round black enamel shades (white enamel interiors), on adjustable necks and a single circu...
It is an old white «Stanley» stove and I have a white enamel tea kettle sitting on top.
We have the original white enamel door knobs on all our interior doors.
3 For hassle - free hanging outdoors, opt for an over-the-door hook in clear plastic, brass or white enamelled metal (available at department or hardware stores), and you won't be left with the ghost holes of Christmas past on your front door.
I used to have one in the last house and and a whole craft room in the garage... that was the days I was totally a scrapper any ways... I was at my Ikea on Wed and we don't have those green enamel buckets only white..