Sentences with phrase «white enamel works»

Not exact matches

Alongside some superb clas - sical modern works by Magdalena Abakanowicz (Marlborough Fine Art), Sir Anthony Caro (Annely Juda Fine Art), Sir Eduardo Paolozzi (Pangolin), Sir Michael Craig - Martin (New Art Centre), and Tony Cragg (Holtermann Fine Art) are wonderful visceral, textural sculptures by Urs Fischer (Gago - sian), Tuakuro Kuwata (Alison Jacques Gallery) and an extraordinary white - enameled bronze tree by Ugo Rondinone (Sadie Coles HQ).

Other thematically unrelated but visually cohesive works include a trio of Early Modernist knockoffs from the mid-1980s by Sherrie Levine, which remain conceptually irritating but here look refreshingly, crisply graphic; a 45 - minute video from 1994 by Gary Hill; a 2009 color photograph of a child in a white Levi's t - shirt by Josephine Pryde; some bundled pseudo-newspapers by Robert Gober (1992) and, in a collaboration between Gober and Christopher Wool, a photograph of a girl's dress hanging in a tree (the dress presumably Gober's handiwork; the photograph, Wool's), near one of the latter's enamel - on - aluminum pattern paintings.

He had his first solo exhibition at the Charles Egan Gallery in New York in 1948, with a body of work in black - and - white enamel paint.

Candid Magazine's works to look out for include Ugo Rondinone's stunning white - enameled bronze tree from Sadie Coles HQ, John Chamberlain's bright pink rope knot work shown by Gagosian, Bernar Venet's powerful 17 Unequal Acute Angles presented by Blain Southern, Alicia Kwade work composed of rocks and mirrors from Kamel Mennour Gallery, and Miguel Barceló's gravity - defying elephant from Acquavella Galleries.

This is clearest in an untitled 1973 work, in which five 8 - inch squares of copper, each with a white square of enamel baked onto the upper right corner, reveal fat L's of oxidized metal.

This is, in part, thanks to the lurid pink and purple slashes of paint on those white walls, the by - products of her recent paintings, enormous enamel - on - metal works which feature steamy, sexy, dripping images of women, often behind glass — in effect trapped, in reality free.

Rudolf Stingel, Untitled (# 4), 1989 Oil and enamel on black and white photograph Image size: 7 5/8 x 9 5/8 inches Frame size: 18 1/2 x 14 1/4 inches February 20 — March 21, 2009 Paula Cooper Gallery presents an exhibition of new work by internationally acclaimed artist Rudolf Stingel.

Barlow frequently covers her work with thick, drippy, Twombly - like layers of paint — never a tasteful white, but cartoon - bright coloured enamel.

Alongside some superb classical modern works by Magdalena Abakanowicz (Marlborough Fine Art), Sir Anthony Caro (Annely Juda Fine Art), Sir Eduardo Paolozzi (Pangolin), Sir Michael Craig - Martin (New Art Centre), and Tony Cragg (Holtermann Fine Art) are wonderful visceral, textural sculptures by Urs Fischer (Gagosian), Tuakuro Kuwata (Alison Jacques Gallery) and an extraordinary white enameled bronze tree by Ugo Rondinone (Sadie Coles HQ).