Sentences with phrase «white faced modern»

Not exact matches

The watch is a classic yet modern piece with a clean white face and pretty little crystals while the cuff is bold and eye - catching and looks great with casual and dressy outfits alike.

Two Arteriors Jarrod Small Pendants hang over three modern gray counter stools placed in front of a marble waterfall island located facing a white center island fitted with a prep sink paired with a satin nickel faucet and flanked by a recessed fridge and a white kitchen hood with a wood trim fixed on white grid wall tiles above a Wolf range and beside open white shelves.

Elegant master bathroom features a tiered crystal chandelier hung from a white tray ceiling and flanked by facing gray footed washstands accented with antiqued mirrored cabinet doors and a gray and white marble countertop fitted with a rectangular undermount sink with a modern polished nickel gooseneck faucet.

The Modern Friction Cleansing Stick with Exfoliating White & Purple Rice is the perfect if you are looking for a gentler option when it comes to cleansing and exfoliating your face.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Post No Bills, White Columns, New York, NY Faces in the Crowd — Picturing Modern Life from Manet to Today, Museo d'Arte Contemporanea - Castello di Rivoli, Turin, Italy Echo / Anti Echo, Galerie Barbara Thumm, Berlin, Germany Getting Emotional, ICA Boston, Boston, MA (exh.

«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003

AS THE LAWRENCE WEINER RETROSPECTIVE at the Whitney Museum fades to white under multiple coats of Kilz and latex paint, and his various exuberant ephemera take up residence at LA MoCA before wending their way back to their rightful property owners; as Tate Modern and the ICA London emerge from momentary spells of whispered headlines, random sketching, streams of consciousness, and face slapping; as New York's New Museum concludes its vestigial assault on the Work of Art, not to mention the etiquette of proper spacing, and as visitors to the new building experience the worst case of buyer's remorse since the reopening of the Museum of Contemporary Art, Chicago; as the Metropolitan Museum's Dutch paintings readjust to the staid organizing principles of artist's name, date, and genre rather than hanging according to who bought what from whom (on whose advice) and resold it to so - and - so, who then donated it to the Met; and as the scent of modesty - prosaic, charcoal filtered, crystalline - emanates from the 2008 Whitney Biennial, now is as good a time as any to talk about money.

With its friendly round face and modern white exterior, the Circle 2 from Logitech is one of the better looking smart home cameras we've tested.

The Gonzales Group and RISMedia are excited to introduce a ground - breaking White Paper that takes a realistic and practical in - depth look at the changing face of modern - day real estate.

Floral Fantasy Wallpaper for the Bed Wall by Hapi Art / Heavenly Palette Pillow by Hapi Art / Aiden Acrylic Canopy Upholstered Bed by Bernhardt / Soho Luxe Mirror Dresser by Bernhardt / Elka Chairs from Bernhardt / Ceiling Paint Nancy's Blushes by Farrow & Ball / Savanna Scenes Snow Leopard by Karastan / Elegent Étegere from Wisteria / Marbelized Bunny Williams Table Lamp from The Mine / Thalia End Tables from Doorman Designs / Tailored Pleat Drapes in Linen with Contrast 4 ″ Band from The Shade Store / Confetti Sheets & Duvet Cover in Fuchsia / Coral from Annie Selke's Pine Cone Hill / Diamond White Mattelassé Coverlet & Shams from Annie Selke's Pine Cone Hill / Selke Fleece Blanket in White via Annie Selke's Pine Cone Hill / Euro Pillow Inserts / King Pillows / Down Alternative Comforter / Breathable Mattress Pad / Beachwood Gold Leaf Tree Branch Tray Table Floor Lamp / Leesa Mattress / Drake Acrylic Fixture from Crystorama / Cordonne Ikeya - seki Rosa wallpaper from NewWall / Modern Chest from All Modern / «PALE POPPY» — PHOTOGRAPHY LIMITED EDITION ART PRINT BY HAFNHAFSTUDIO / «FLAMINGO» — PHOTOGRAPHY LIMITED EDITION ART PRINT BY KAMALA NAHAS / «TINY WINGS» — PHOTOGRAPHY LIMITED EDITION ART PRINT BY ANDREW MCCLINTOCK / «PINK AGAVE» — PHOTOGRAPHY LIMITED EDITION ART PRINT BY WILDER CALIFORNIA / «LA PLAGE EN BLEU» — PHOTOGRAPHY LIMITED EDITION ART PRINT BY FLORENTINE RODENHUIS / «INNER LIGHT» — MIXED MEDIA LIMITED EDITION ART PRINT BY KRISTI KOHUT — HAPI ART AND PATTERN / «WATERCOLOR INKBLOT 1» — PAINTING LIMITED EDITION ART PRINT BY KRISTEN SMITH / Gold Bamboo Framed Abstract Notecards by Lesley Grainger / Gold Bamboo Frames by Framebridge / Pair of Faces Large by Hayley Mitchell Art / Nude Painting by Gee Gee Collins / Varaluz Banana Leaf sconces / Candelabra baskets / Face Mirrors from Candelabra / Gold Hand Vase from Candelabra / Wink Eye Pillow from Candelabra / Face Planters