Sentences with phrase «white family photographs»

Black - and - white family photographs (throughout the house), Christine Hall Photography; 912/897 -9155 or christinehallphotography.com.

Black and white family photographs mirror the colours of the room.

A collection of black and white family photographs creates a chic monochrome display on one wall of this kitchen diner.

The poignant black - and - white family photographs bring home the personal stories.

Not exact matches

Although it wasn't the type of camera you'd take to document a family vacation — at eight pounds, the camera took 0.01 megapixel black and white photographs that were recorded onto a cassette tape.

During an October visit, the lobby was dominated by a display of black - and - white photographs of the bank's founding family.

Schalk is sitting in front of an oversize computer screen, surrounded by empty metal bookshelves and white cinder - block walls, bare except for a single photograph of his young family and a poster of the human brain.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

Filled with the beautiful black - and - white photographs that Paul loved to take when he was not battling bureaucrats, as well as family snapshots, this memoir is laced with wonderful stories about the French character, particularly in the world of food, and the way of life that Julia embraced so wholeheartedly.

Meade's friend and neighbor Hilma snipped Roger out of the peanut field with a pair of tiny scissors and transposed him onto two color photographs, so that he seemed to hover, artistically stark in Agrisearch black and white, between two lush springtimes — on the left, the bracken fern and longleaf pine woods on the hillside where his family house had once stood, and on the right, the «Old Blush» in full bloom in his backyard rose garden.

In April of this year, 2004, while shopping at our local Petsmart for food and general supplies for our already large animal family, we noticed while in the checkout line, a woman being photographed holding a large white rabbit, thinking that it was some sort of Easter promotion we wandered over to see that it was instead a rabbit rescue organization adopting out adult rabbits.

Individual collections include: examples of British vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Damien Hirst's skulls, taxidermy and medical models; Indian paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Hiroshi Sugimoto's 18th century French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the American designer Vera Neumann from Pae White; and a collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.

The mostly small - scale work, including many early black - and - white, hand - colored, and sepia - toned photographs, is culled primarily from the artist's family members» collections and her own, and includes the pieces that laid the groundwork for her first major success, the acclaimed Film Stills series.

Individual collections include: African art and samurai armour owned by Arman; examples of British vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Edmund de Waal's Japanese netsuke; Damien Hirst's skulls, taxidermy and medical models; Indian paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Jim Shaw's thrift store paintings; Hiroshi Sugimoto's 18th century French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the American designer Vera Neumann from Pae White; and a collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.

Her photographs, videos, sculptures, and installations feature images familiar to the north Florida and Tennessee landscapes that are home to her family: boiling swamps and tall pines, vespid wasps and green anoles, wild horses and white clapboard houses.

One of the first German painters to grapple with the country's National Socialist history, Richter's inspirations include black and white photographs taken during the 1960s and early 1970s, private snapshots of his family — many of whom were members of the Nazi party — images appropriated from newspapers and books, and aerial views of towns, mountains, and seascapes.

One of the first German painters to grapple with the country's National Socialist history, Richter's inspirations include black and white photographs taken during the 1960s and early 1970s, private snapshots of his family — many of whom were members of the Nazi party — images appropriated from newspapers and books, and aerial...

Important selected work from the past three decades will be shown alongside her latest two series — Other Voices, Other Cities, an international series of projects documented in photographs, and The Diaries of Lady Anne B. Also on view will be Last Supper at Manley Villa, a portfolio of black and white photographs taken in the home of one family in the final days of District Six in 1981.

White Elephant (1860 ---RRB- is a meditation on how family histories come to life and retain vitality through photographs and artifacts.

Based on a black and white photograph from the 1930s reproduced in the Sunday Express, a copy of which his mother found under the carpet of the house they moved to in 2006 when his family reluctantly left the farm following the death of his father and the subsequent financial hardship of farm trading, the image has poignant autobiographical association for the artist which he often revisits.

Photography, Sequence, and Time is curated by Russell Lord, Freeman Family Curator of Photographs and includes over 50 works, most from NOMA's permanent collection, by photographers such as Eadweard Muybridge, Edward Steichen, Walker Evans, Margaret Bourke - White, Clarence John Laughlin, Milton Rogovin, Malick Sidibé, Hiroshi Sugimoto, and Paul Graham.

RA Family Album, 2016, consists of over 160 black and white photographs and prints, showcasing the people who have made the RA an inclusive place for artists, creativity and learning since its foundation in 1768.

From her white father's family, Sonia inherited the rumination of kept objects, photographs, fabric patches which would come from factories, fragmented affections.

New York (catalogue) Original Gagosian Gallery, New York New Portraits Blum & Poe, Tokyo (catalogue) Fashion Nahmad Contemporary, New York (catalogue) 2014 New Figures Almine Rech Gallery, Paris (catalogue) New Portraits Gagosian Gallery, New York It's a Free Concert Kunsthaus Bregenz, Bregenz (catalogue) Canal Zone Gagosian Gallery, New York Richard Prince / Roe Ethridge Gagosian Gallery, New York (catalogue) 2013 Monochromatic Jokes Nahmad Contemporary, New York (catalogue) Protest Paintings Skarstedt Gallery, London (catalogue) Untitled (band) Le Case D'Arte, Milan Richard Prince: New Work Jürgen Becker, Hamburg (catalogue) Cowboys Gagosian Gallery, Beverly Hills (catalogue) Sadie Coles HQ, London 2012 White Paintings Skarstedt Gallery, New York (catalogue) Four Saturdays Gagosian Gallery, New York 14 Paintings 303 Gallery, New York (catalogue) Prince / Picasso Picasso Museum, Malaga (catalogue) 2011 The Fug Almine Rech Gallery, Brussels (catalogue) Covering Pollock Guild Hall, Easthampton The Magic Castle 1968 - 1969 Le Consortium, Contemporary Art Center, Dijon (catalogue) Gagosian Gallery, Hong Kong de Kooning Gagosian Gallery, Paris (catalogue) American Prayer Bibliothèque nationale de France, Paris (catalogue) Bel Air Gagosian Residence, Los Angeles 2010 Pre-Appropriation Works, 1971 — 1974 Specific Objects, New York T - Shirt Paintings: Hippie Punk Salon 94, New York (catalogue) Tiffany Paintings Gagosian Gallery, New York (catalogue) 2009 After Dark Gagosian Gallery, New York 2008 Canal Zone Gagosian Gallery, New York (catalogue) Galerie Patrick Seguin, Paris (catalogue) Continuation Serpentine Gallery, London Four Blue Cowboys Gagosian Gallery, Rome Gagosian Gallery, London Spiritual America Walker Art Center, Minneapolis 2007 Spiritual America Solomon R. Guggenheim Museum, New York (catalogue) Panama Pavilion 52nd Venice Biennale, Venice Fugitive Artist: The Early Work of Richard Prince, 1974 - 77 Neuberger Museum of Art, Purchase Canaries in the Coal Mine Astrup Fearnley Museum, Oslo (catalogue) 2006 Cowboys, Mountains, and Sunsets Sprüth & Magers, Cologne The Portfolios Jürgen Becker, Hamburg Cowboys & Nurses John McWhinnie at Glenn Horowitz, New York 2005 Hippie Drawings Sadie Coles HQ, London (catalogue) Whitechapel Gallery, London Barbara Gladstone Gallery, New York Check Paintings Gagosian Gallery, Beverly Hills (catalogue) 2004 American Dream, Collecting Richard Prince for 27 Years Rubell Family Collection, Miami (catalogue) Sammlung Goetz, Munich (catalogue) Galerie Eva Presenhuber, Zurich (catalogue) Women Regen Projects, Los Angeles (catalogue) 2003 Nurse Paintings Barbara Gladstone Gallery, New York (catalogue) Upstate Sabine Knust, Munich New Work Glenn Horowitz Bookseller, East Hampton Publicities Hydra Workshop, Hydra Island (catalogue) Nurse Paintings Sadie Coles HQ, London 2002 Barbara Gladstone Gallery, New York (catalogue) Principal Painting and Photographs Kunstmuseum Wolfsburg, Wolfsburg Painting Kunsthalle Zürich, Zurich Patrick Painter, Inc., Santa Monica 2001 Museum für Gegenwartskunst, Basel (catalogue) Publicities Sadie Coles, HQ, London (catalogue) Regen Projects, Los Angeles Photographs 1977 - 1979 Skarstedt Fine Art, New York (catalogue) Galerie Micheline Szwajcer, Antwerp Neue Galerie im Höhmann - Haus, Augsburg 2000 Princeville Partobject Gallery, Carrboro Barbara Gladstone Gallery, New York Photographs, Paintings Jablonka Galerie, Cologne 4x4 MAK, Vienna Up - state MAK Center for Art and Architecture, Schindler House, Los Angeles 1999 Paintings 1988 - 1998 Sadie Coles HQ, London 1998 Regen Projects, Los Angeles Joke Paintings Skarstedt Fine Art, New York Psychoarchitecture: Richard Prince, Martin Kippenberger Anton Kern Gallery, New York Barbara Gladstone Gallery, New York Sabine Knust - Maximilian Verlag, Munich Stills Ltd., Edinburgh 1997 The White Room Jürgen Becker, Hamburg; Parco, Tokyo White Cube, London Museum Haus Lange / Museum Haus Esters, Krefeld Cowboys and Cowgirls Espace d'Art Yvonamor Palix, Paris 1996 Sabine Knust - Maximilian Verlag, Munich Passion Play Haus der Kunst, Munich New Works Jablonka Galerie, Cologne 1995 Paintings Barbara Gladstone Gallery, New York Theoretical Events, Naples Regen Projects, Los Angeles 1994 Photographs 1977 - 1993 Kestner Gesellschaft, Hanover (catalogue) Offshore Gallery, East Hampton 1993 Galerie Micheline Szwajcer, Antwerp Fotos, Schilderijen, Objecten Museum Boijmans Van Beuningen, Rotterdam Girlfriends Jablonka Galerie, Cologne (catalogue) Barbara Gladstone Gallery, New York San Francisco Museum of Modern Art, San Francisco First House Stuart Regen Projects, Los Angeles 1992 Kunstverein and Kunsthalle, Dusseldorf Whitney Museum of American Art, New York (catalogue) Protest Paintings Sabine Knust - Maximilian Verlag, Munich Beaver College Art Gallery, Glenside Works on Paper Le Case d'Arte, Milan 1991 Barbara Gladstone Gallery, New York Galleri Nordanstad — Skarstedt, Stockholm Galerie Ghislaine Hussenot, Paris Stuart Regen Gallery, Los Angeles 1990 Jokes, Gangs, Hoods Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne Galerie Micheline Szwajcer, Antwerp Arthur Roger Gallery, New Orleans 1989 Spiritual America IVAM Center del Carme, Valencia (catalogue) Sculpture Barbara Gladstone Gallery, New York Paintings Jay Gorney Modern Art, New York Barn Gallery, Ogunquit Daniel Weinberg Gallery, Los Angeles 1988 Galerie Rafael Jablonka, Cologne Barbara Gladstone Gallery, New York (catalogue) Centre National d'Art Contemporain de Grenoble, Grenoble Le Case d'Arte, Milan Galerie Ghislaine Hussenot, Paris Messages to the Public: Tell Me Everything Public Art Fund, Times Square, New York 1987 Galerie Isabella Kacprzak, Stuttgart Daniel Weinberg Gallery, Los Angeles 1986 International with Monument, New York Feature Gallery, Chicago 1985 International with Monument, New York Richard Kuhlenschmidt Gallery, Los Angeles 1984 Riverside Studios, London Feature Gallery, Chicago Baskerville + Watson, New York 1983 Le Nouveau Musée, Lyon (catalogue) Le Consortium, Contemporary Art Center, Dijon Institute of Contemporary Art, London Richard Kuhlenschmidt Gallery, Los Angeles Baskerville + Watson, New York 1982 Metro Pictures, New York 1981 Metro Pictures, New York Richard Kuhlenschmidt Gallery, Los Angeles 1980 Artists Space, New York CEPA Gallery, Buffalo

Also on display are the video installation Ghost (2013), excerpted youtube footage of American soldiers returning home to surprise their families which repeatedly fades to white, and the photograph and after and after (2003/8).

The Notion of Family, a series of unflinching black - and - white photographs, shows her mother, grandmother, and the artist herself in a Braddock unmoored by disinvestment and demographic decline.

Viewing her beautifully executed black and white photographs is akin to travelling through time, across the fabrics of America that physically built America; it gives agency to the physiological and social damages wrought upon the citizens of its underprivileged classes throughout the process, and particularly upon the Frazier family.

For its Art Issue, published in the final weeks of the Obama Administration, Architectural Digest offers a White House tour via gorgeous photographs of the stylish private quarters of President Obama and his family, where their living spaces are filled with art.

Using a large - format 8 x 10 — inch camera and black - and - white film, he has photographed Boston's changing landscape, porch life in the rural South, sick or dying people, and his own family.

Family photographs make a feature of the expanse of wall in the hallway, and all being in black and white means the look is cohesive.

My favorite part of our home is the many original pieces of artwork — paintings, black and white photographs, and pottery by my husband, my mother, my son, and several other members of my family.

When I think if simple living, I envision white or off white slipcover s on furnishings, bare wood floors, some with Seagrass rugs... painted tables that are gently aging that feature beloved family photographs.

Bold pattern and colour in the sofa and cushions add warmth to this cosy seating area, and framed family photographs add character to white windows.