-LSB-...] you saw yesterday's Bathroom update post and were loving the clean, crisp and
white feel of the space, well then get ready for a full - on -LSB-...]
If you saw yesterday's Bathroom update post and were loving the clean, crisp and
white feel of the space, well then get ready for a full - on color explosion today!
Not exact matches
While the
white walls help reflect light and make the
space feel larger, the pops
of color are a way to add some personality and mood - boosting elements to the room.
Choose fresh crisp
white furnishings for the bedroom to create the
feeling of extra
space.
By playing
white noise in your regular living
spaces you can promote a great state
of mind while also helping an guests and visitors to
feel more at home in your house.
«Prior to the founding
of POC Yoga, all yoga studios in the Seattle metropolitan area were overwhelmingly
white spaces where people
of color frequently
felt uncomfortable.
The addition
of a bouquet
of daisies or a simple
white orchid can change the entire
feel of a
space.
Multiple levels
of hanging rods add height to the
space, and
white storage bins bring a crisp, clean
feel.
She sent me this photo
of the kitchen in their 100 - year old farmhouse: She wanted to see butcher block counters and
white subway tiles, and she wanted the
space to
feel a little more -LSB-...]
Wendy from Birds
of a Feather Events tells us more, We were inspired by the deep tones
of Marsala, black, and plum but wanted to make sure it still
felt like wedding inspiration, so we added in some soft blush tones and decided to set it in a
white, industrial
space.
Different shades
of white and blue make the living room light and serene, with a smart floor plan that makes the minimalist
space feel comfortable and inviting.
An all -
white space feels fresh and is the perfect canvas for hits
of nautical texture — or an ever - changing seasonal color scheme.
The continuity
of white helps the small
space feel larger.
10/10
SPACE in Causeway Bay MINXified me with a set
of designer nails — we went for a black and silver print that made me
feel like a psychedelic zebra — but perfectly matched my apparel (which is generally ALWAYS black or
white — so these were a perfect match even pre-apparel choice!)
We love that the homeowner chose to paint this room
white, except for the treads
of the stairs — which helps the narrow
space feel bigger and brighter.
To finish the look, I hung a pom pom garland and strand
of twinkle lights over my antique
white buffet, which made the
space feel even more whimsical and special.
The system adjusts the layout for easier navigation on touchscreens, and they also got rid
of the annoying
white spaces from the normal website, thus the profiles
feel more compressed and informative, which is also helped by the fact that the profile pictures are now taking up more
space for clearer visibility.
The latest in a recent string
of directorial debuts about young people grappling with the imminent or recent loss
of a parent, Demetri Martin's «Dean» may not land with the sheer force
of «James
White» or offer the exacting detail
of Sundance opener «Other People,» but this winsome low - key comedy lucidly conveys how grief can
feel like being shot into uncharted stretches
of outer
space.
Even pinch - to - zoom
feels brisk, although you will notice some
white spaces, along with a loss in the integrity
of the text.
I love the cinematic
feel, and artist Matt Battaglia uses
white space to really let a lot
of his work breathe (sort
of the opposite
of this week's «Detective Comics»).
The villa has more than 2,000 square feet
of living
space - and
feels even larger, thanks to airy
white walls and floor - to - ceiling doors to the terrace in the great room.
Embracing the spirit
of tropical living, Villa West is a two - bedroom abode whose open
spaces, breezy
white drapes and lagoon swimming pool evoke
feelings of a summer holiday the whole year round.
The
white leather sofas are still doing well... to be honest I wouldn't buy them again... they were a rushed purchase when we first moved in here and really they
feel too modern for me... in terms
of care they are ok... it's pretty easy to wipe these babies down if anything is spilled, but I du n no I just prefer slip - covered sofas and I actually like being able to throw them in the wash and then line dry them out in the Aussie sun... a sectional too would be nice here to make good use
of the
space....
This getaway's name, Maluhia, translates into «Peace» in Hawaiian, and it's not hard to see why — nestled in the region
of Kailua, known for its turquoise waters, and
white sandy beaches, you'll
feel relaxed in this tranquil
space, it's one
of our top Oahu vacation rentals.
Likewise inside Taum Resort Bali are well
spaced offering an intimate
feel where one can really unwind.Petitenget beach is a quiet peaceful stretch
of white sands with a rocky out crop sheltering this clear flat water from the large swells that Bali is famous for.
Not just for lack
of space, this seems to be a conscious choice on the part
of the designers, resulting in a gamepad that
feels very Wii - like in terms
of both its simplicity and its blue and
white color scheme.
Robin spoke about how «puzzles allow you to use your mind while
feeling with your heart» and «how any game that has
white space makes games more broadly appealing and engages a different type
of player.»
While I mentioned that you have to head home at the end
of each day, there is no limit on the number
of times you can visit a given landing
space so you can
feel free to explore the areas many times or return to certain areas to transform your standard red Pikmin into powerhouse purple ones or invulnerable
white ones.
Lammert
feels that this organization played an important role in
White Whale's growth, stating that Juegos Rancheros provided «a supportive, kindhearted
space, a place where you can throw out an early build
of a game to other indie game friends and get very constructive feedback.»
The
white, pristine walls
of the Sunroom interior contrast starkly with the battered and sullied model in the center
of the
space, giving the eerie
feeling that something has gone awry.
But inside, the differently - sized
spaces open to embrace works
of art that often
felt lost in the high
white chasms
of the old main building, the Boiler House.
Enrique's poetic works transformed the
white cube into a meditative
space that morphed a
feeling of isolation into a sense
of hope.
The
white pew facing Bridget Riley's Cascando (2015) in David Zwirner's rear gallery for the current exhibition
of her recent paintings at Zwirner's London
space, by contrast,
feels more like a dare — a challenge to the sensorium.
An abstract giclee print with pinks and yellows combined with refreshing greens, blues and
white bringing the
feeling of springtime florals into your
space and surroundings.
The old opposition between the «
white cube» and the «black box»
feels obsolete, even as the exhibition
space's importance as a subject
of artistic and critical investigation continues to grow.
The strangest
feeling, as I remember it, was to locate the
white shapes locked safely into the colour grid, but to see them also as free and ready to enter our
space, our world... The conundrum
of these masterpieces is that they are decorative without being designs, pictorial without being paintings, heart - stopping in their directness, their economy, their inventiveness.»
With a grand use
of white space dominating the work, one can't help but
feel the push and pull —
of the artist's intention and
of the suggested action beyond the physical edge
of the painting.
«The parts [where] the nail is pushing [the] canvas very taught almost
feels like a different
white, like it's lighter than the deeper part
of the
white — so that's dealing with
space and light,» says Steinberger.
But, I
feel, Bronstein's interrogations
of institutional power and
space — ever present in his ink - and - dip - pen drawings and choreographed performances — have evaporated away, and this (madly) pretty folly in bridal
white leaves you speculating about the commissioning intent.
While Pollock's work
of the preceding years had been characterized by a dense tangle
of paint or the subconscious meanderings
of an automatic response, the 1951 drawings display an airiness and lightness
of feeling that is conveyed by the empty
space of the
white sheet
of paper that Pollock employed.
In an adjoining
space, Naama Tsabar installed Closer, a
white monolith with an embedded microphone and cello that is played by reaching one's arm inside
of the wall cavity, and the black and bordeaux variations
of her Robert Morris-esque
felt / carbon paintings, which are fitted with guitar strings (and hooked to amps).
Selected group exhibitions include It Is What it Is, National Gallery
of Canada, Ottawa (2010); Following a Line, Contemporary Art Gallery, Vancouver (2010); 17th Sydney Biennial, Sydney (2010); Cubes, Blocks and Other Spaces, Musée d'art contemporain, Montréal (2009); GETTING EVEN: Oppositions & Dialogues in Contemporary Art, Kunstverein Hannover (2009); eXponential Future, Morris and Helen Belkin Art Gallery, Vancouver (2008); Modelle für Morgen, European Kunsthalle, Cologne (2007); Canada Dreaming (Desires And Ideas For The Future By Artists Of The Biggest Country In America), Kunstverein Wolfsburg (2006); Die Jugend von heute / Youth of Today, Schirn Kunsthalle, Frankfurt - am - Main (2006); Post No Bills, White Columns, New York (2005); I feel mysterious today, Palm Beach Institute of Contemporary Art (2004); Making Space, Platform Garanti, Contemporary Art Center, Istanbul (2003); Das Spyder Män, Los Angeles Contemporary Exhibitions (2002); Belvedere, Henry Moore Institute, Leeds (2000
of Canada, Ottawa (2010); Following a Line, Contemporary Art Gallery, Vancouver (2010); 17th Sydney Biennial, Sydney (2010); Cubes, Blocks and Other
Spaces, Musée d'art contemporain, Montréal (2009); GETTING EVEN: Oppositions & Dialogues in Contemporary Art, Kunstverein Hannover (2009); eXponential Future, Morris and Helen Belkin Art Gallery, Vancouver (2008); Modelle für Morgen, European Kunsthalle, Cologne (2007); Canada Dreaming (Desires And Ideas For The Future By Artists
Of The Biggest Country In America), Kunstverein Wolfsburg (2006); Die Jugend von heute / Youth of Today, Schirn Kunsthalle, Frankfurt - am - Main (2006); Post No Bills, White Columns, New York (2005); I feel mysterious today, Palm Beach Institute of Contemporary Art (2004); Making Space, Platform Garanti, Contemporary Art Center, Istanbul (2003); Das Spyder Män, Los Angeles Contemporary Exhibitions (2002); Belvedere, Henry Moore Institute, Leeds (2000
Of The Biggest Country In America), Kunstverein Wolfsburg (2006); Die Jugend von heute / Youth
of Today, Schirn Kunsthalle, Frankfurt - am - Main (2006); Post No Bills, White Columns, New York (2005); I feel mysterious today, Palm Beach Institute of Contemporary Art (2004); Making Space, Platform Garanti, Contemporary Art Center, Istanbul (2003); Das Spyder Män, Los Angeles Contemporary Exhibitions (2002); Belvedere, Henry Moore Institute, Leeds (2000
of Today, Schirn Kunsthalle, Frankfurt - am - Main (2006); Post No Bills,
White Columns, New York (2005); I
feel mysterious today, Palm Beach Institute
of Contemporary Art (2004); Making Space, Platform Garanti, Contemporary Art Center, Istanbul (2003); Das Spyder Män, Los Angeles Contemporary Exhibitions (2002); Belvedere, Henry Moore Institute, Leeds (2000
of Contemporary Art (2004); Making
Space, Platform Garanti, Contemporary Art Center, Istanbul (2003); Das Spyder Män, Los Angeles Contemporary Exhibitions (2002); Belvedere, Henry Moore Institute, Leeds (2000).
Within the controlled
white environment
of the gallery
space, the sheer volume and mammoth proportions
of the sculptures are more keenly
felt.
Printed as a diptych toward the center
of the novel, Glenn Ligon's 1991 painting reads, «I
Feel Most Colored When I Am Thrown Against A Sharp White Background,» unequivocally communicating the frustrations Black men and women are made to feel in predominantly white spa
Feel Most Colored When I Am Thrown Against A Sharp
White Background,» unequivocally communicating the frustrations Black men and women are made to feel in predominantly white sp
White Background,» unequivocally communicating the frustrations Black men and women are made to
feel in predominantly white spa
feel in predominantly
white sp
white spaces.
In my mini-review
of the Huawei Honor 8 Pro (which does look a whole lot like an iPhone anyway), for example, I made mention
of how closely Huawei mimics Apple's design principles in their extensive use
of overlays and blur (something increasingly popular in the Android
space at large),
white and blue color palette, and emulates the light
feel of the OS.
The whole program
feels sparse, with a lot
of white backgrounds and
space between options.
Some, such as the Files app, waste large portions
of the screen with unnecessary
white space, but others
feel more considered and restrained.
«All in all, the cryptocurrency
space increasingly
feels like a bunch
of white libertarian bros sitting around hoping to get rich and coming up with half - baked, buzzword - filled business ideas which often fail in an effort to try and do so.»
It should be noted that the proportion
of «
white space» is a constant measurement
of a resumes shape, as too much
white space (blank
space) on the page makes a resume seem lacking and appear barren, while too little
white space makes a resume
feel cramped and too busy.
These styles
of resume make efficient use
of white space and framing to give an upscale
feel.