Sentences with phrase «white feel of the space»

-LSB-...] you saw yesterday's Bathroom update post and were loving the clean, crisp and white feel of the space, well then get ready for a full - on -LSB-...]
If you saw yesterday's Bathroom update post and were loving the clean, crisp and white feel of the space, well then get ready for a full - on color explosion today!

Not exact matches

While the white walls help reflect light and make the space feel larger, the pops of color are a way to add some personality and mood - boosting elements to the room.
Choose fresh crisp white furnishings for the bedroom to create the feeling of extra space.
By playing white noise in your regular living spaces you can promote a great state of mind while also helping an guests and visitors to feel more at home in your house.
«Prior to the founding of POC Yoga, all yoga studios in the Seattle metropolitan area were overwhelmingly white spaces where people of color frequently felt uncomfortable.
The addition of a bouquet of daisies or a simple white orchid can change the entire feel of a space.
Multiple levels of hanging rods add height to the space, and white storage bins bring a crisp, clean feel.
She sent me this photo of the kitchen in their 100 - year old farmhouse: She wanted to see butcher block counters and white subway tiles, and she wanted the space to feel a little more -LSB-...]
Wendy from Birds of a Feather Events tells us more, We were inspired by the deep tones of Marsala, black, and plum but wanted to make sure it still felt like wedding inspiration, so we added in some soft blush tones and decided to set it in a white, industrial space.
Different shades of white and blue make the living room light and serene, with a smart floor plan that makes the minimalist space feel comfortable and inviting.
An all - white space feels fresh and is the perfect canvas for hits of nautical texture — or an ever - changing seasonal color scheme.
The continuity of white helps the small space feel larger.
10/10 SPACE in Causeway Bay MINXified me with a set of designer nails — we went for a black and silver print that made me feel like a psychedelic zebra — but perfectly matched my apparel (which is generally ALWAYS black or white — so these were a perfect match even pre-apparel choice!)
We love that the homeowner chose to paint this room white, except for the treads of the stairs — which helps the narrow space feel bigger and brighter.
To finish the look, I hung a pom pom garland and strand of twinkle lights over my antique white buffet, which made the space feel even more whimsical and special.
The system adjusts the layout for easier navigation on touchscreens, and they also got rid of the annoying white spaces from the normal website, thus the profiles feel more compressed and informative, which is also helped by the fact that the profile pictures are now taking up more space for clearer visibility.
The latest in a recent string of directorial debuts about young people grappling with the imminent or recent loss of a parent, Demetri Martin's «Dean» may not land with the sheer force of «James White» or offer the exacting detail of Sundance opener «Other People,» but this winsome low - key comedy lucidly conveys how grief can feel like being shot into uncharted stretches of outer space.
Even pinch - to - zoom feels brisk, although you will notice some white spaces, along with a loss in the integrity of the text.
I love the cinematic feel, and artist Matt Battaglia uses white space to really let a lot of his work breathe (sort of the opposite of this week's «Detective Comics»).
The villa has more than 2,000 square feet of living space - and feels even larger, thanks to airy white walls and floor - to - ceiling doors to the terrace in the great room.
Embracing the spirit of tropical living, Villa West is a two - bedroom abode whose open spaces, breezy white drapes and lagoon swimming pool evoke feelings of a summer holiday the whole year round.
The white leather sofas are still doing well... to be honest I wouldn't buy them again... they were a rushed purchase when we first moved in here and really they feel too modern for me... in terms of care they are ok... it's pretty easy to wipe these babies down if anything is spilled, but I du n no I just prefer slip - covered sofas and I actually like being able to throw them in the wash and then line dry them out in the Aussie sun... a sectional too would be nice here to make good use of the space....
This getaway's name, Maluhia, translates into «Peace» in Hawaiian, and it's not hard to see why — nestled in the region of Kailua, known for its turquoise waters, and white sandy beaches, you'll feel relaxed in this tranquil space, it's one of our top Oahu vacation rentals.
Likewise inside Taum Resort Bali are well spaced offering an intimate feel where one can really unwind.Petitenget beach is a quiet peaceful stretch of white sands with a rocky out crop sheltering this clear flat water from the large swells that Bali is famous for.
Not just for lack of space, this seems to be a conscious choice on the part of the designers, resulting in a gamepad that feels very Wii - like in terms of both its simplicity and its blue and white color scheme.
Robin spoke about how «puzzles allow you to use your mind while feeling with your heart» and «how any game that has white space makes games more broadly appealing and engages a different type of player.»
While I mentioned that you have to head home at the end of each day, there is no limit on the number of times you can visit a given landing space so you can feel free to explore the areas many times or return to certain areas to transform your standard red Pikmin into powerhouse purple ones or invulnerable white ones.
Lammert feels that this organization played an important role in White Whale's growth, stating that Juegos Rancheros provided «a supportive, kindhearted space, a place where you can throw out an early build of a game to other indie game friends and get very constructive feedback.»
The white, pristine walls of the Sunroom interior contrast starkly with the battered and sullied model in the center of the space, giving the eerie feeling that something has gone awry.
But inside, the differently - sized spaces open to embrace works of art that often felt lost in the high white chasms of the old main building, the Boiler House.
Enrique's poetic works transformed the white cube into a meditative space that morphed a feeling of isolation into a sense of hope.
The white pew facing Bridget Riley's Cascando (2015) in David Zwirner's rear gallery for the current exhibition of her recent paintings at Zwirner's London space, by contrast, feels more like a dare — a challenge to the sensorium.
An abstract giclee print with pinks and yellows combined with refreshing greens, blues and white bringing the feeling of springtime florals into your space and surroundings.
The old opposition between the «white cube» and the «black box» feels obsolete, even as the exhibition space's importance as a subject of artistic and critical investigation continues to grow.
The strangest feeling, as I remember it, was to locate the white shapes locked safely into the colour grid, but to see them also as free and ready to enter our space, our world... The conundrum of these masterpieces is that they are decorative without being designs, pictorial without being paintings, heart - stopping in their directness, their economy, their inventiveness.»
With a grand use of white space dominating the work, one can't help but feel the push and pull — of the artist's intention and of the suggested action beyond the physical edge of the painting.
«The parts [where] the nail is pushing [the] canvas very taught almost feels like a different white, like it's lighter than the deeper part of the white — so that's dealing with space and light,» says Steinberger.
But, I feel, Bronstein's interrogations of institutional power and space — ever present in his ink - and - dip - pen drawings and choreographed performances — have evaporated away, and this (madly) pretty folly in bridal white leaves you speculating about the commissioning intent.
While Pollock's work of the preceding years had been characterized by a dense tangle of paint or the subconscious meanderings of an automatic response, the 1951 drawings display an airiness and lightness of feeling that is conveyed by the empty space of the white sheet of paper that Pollock employed.
In an adjoining space, Naama Tsabar installed Closer, a white monolith with an embedded microphone and cello that is played by reaching one's arm inside of the wall cavity, and the black and bordeaux variations of her Robert Morris-esque felt / carbon paintings, which are fitted with guitar strings (and hooked to amps).
Selected group exhibitions include It Is What it Is, National Gallery of Canada, Ottawa (2010); Following a Line, Contemporary Art Gallery, Vancouver (2010); 17th Sydney Biennial, Sydney (2010); Cubes, Blocks and Other Spaces, Musée d'art contemporain, Montréal (2009); GETTING EVEN: Oppositions & Dialogues in Contemporary Art, Kunstverein Hannover (2009); eXponential Future, Morris and Helen Belkin Art Gallery, Vancouver (2008); Modelle für Morgen, European Kunsthalle, Cologne (2007); Canada Dreaming (Desires And Ideas For The Future By Artists Of The Biggest Country In America), Kunstverein Wolfsburg (2006); Die Jugend von heute / Youth of Today, Schirn Kunsthalle, Frankfurt - am - Main (2006); Post No Bills, White Columns, New York (2005); I feel mysterious today, Palm Beach Institute of Contemporary Art (2004); Making Space, Platform Garanti, Contemporary Art Center, Istanbul (2003); Das Spyder Män, Los Angeles Contemporary Exhibitions (2002); Belvedere, Henry Moore Institute, Leeds (2000of Canada, Ottawa (2010); Following a Line, Contemporary Art Gallery, Vancouver (2010); 17th Sydney Biennial, Sydney (2010); Cubes, Blocks and Other Spaces, Musée d'art contemporain, Montréal (2009); GETTING EVEN: Oppositions & Dialogues in Contemporary Art, Kunstverein Hannover (2009); eXponential Future, Morris and Helen Belkin Art Gallery, Vancouver (2008); Modelle für Morgen, European Kunsthalle, Cologne (2007); Canada Dreaming (Desires And Ideas For The Future By Artists Of The Biggest Country In America), Kunstverein Wolfsburg (2006); Die Jugend von heute / Youth of Today, Schirn Kunsthalle, Frankfurt - am - Main (2006); Post No Bills, White Columns, New York (2005); I feel mysterious today, Palm Beach Institute of Contemporary Art (2004); Making Space, Platform Garanti, Contemporary Art Center, Istanbul (2003); Das Spyder Män, Los Angeles Contemporary Exhibitions (2002); Belvedere, Henry Moore Institute, Leeds (2000Of The Biggest Country In America), Kunstverein Wolfsburg (2006); Die Jugend von heute / Youth of Today, Schirn Kunsthalle, Frankfurt - am - Main (2006); Post No Bills, White Columns, New York (2005); I feel mysterious today, Palm Beach Institute of Contemporary Art (2004); Making Space, Platform Garanti, Contemporary Art Center, Istanbul (2003); Das Spyder Män, Los Angeles Contemporary Exhibitions (2002); Belvedere, Henry Moore Institute, Leeds (2000of Today, Schirn Kunsthalle, Frankfurt - am - Main (2006); Post No Bills, White Columns, New York (2005); I feel mysterious today, Palm Beach Institute of Contemporary Art (2004); Making Space, Platform Garanti, Contemporary Art Center, Istanbul (2003); Das Spyder Män, Los Angeles Contemporary Exhibitions (2002); Belvedere, Henry Moore Institute, Leeds (2000of Contemporary Art (2004); Making Space, Platform Garanti, Contemporary Art Center, Istanbul (2003); Das Spyder Män, Los Angeles Contemporary Exhibitions (2002); Belvedere, Henry Moore Institute, Leeds (2000).
Within the controlled white environment of the gallery space, the sheer volume and mammoth proportions of the sculptures are more keenly felt.
Printed as a diptych toward the center of the novel, Glenn Ligon's 1991 painting reads, «I Feel Most Colored When I Am Thrown Against A Sharp White Background,» unequivocally communicating the frustrations Black men and women are made to feel in predominantly white spaFeel Most Colored When I Am Thrown Against A Sharp White Background,» unequivocally communicating the frustrations Black men and women are made to feel in predominantly white spWhite Background,» unequivocally communicating the frustrations Black men and women are made to feel in predominantly white spafeel in predominantly white spwhite spaces.
In my mini-review of the Huawei Honor 8 Pro (which does look a whole lot like an iPhone anyway), for example, I made mention of how closely Huawei mimics Apple's design principles in their extensive use of overlays and blur (something increasingly popular in the Android space at large), white and blue color palette, and emulates the light feel of the OS.
The whole program feels sparse, with a lot of white backgrounds and space between options.
Some, such as the Files app, waste large portions of the screen with unnecessary white space, but others feel more considered and restrained.
«All in all, the cryptocurrency space increasingly feels like a bunch of white libertarian bros sitting around hoping to get rich and coming up with half - baked, buzzword - filled business ideas which often fail in an effort to try and do so.»
It should be noted that the proportion of «white space» is a constant measurement of a resumes shape, as too much white space (blank space) on the page makes a resume seem lacking and appear barren, while too little white space makes a resume feel cramped and too busy.
These styles of resume make efficient use of white space and framing to give an upscale feel.
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