Sentences with phrase «white female nudes»

Whatever You Want features a black female protagonist in a pose referencing the portrayal of white female nudes in the Western painting tradition.

Another was Prudence Heward, whose painting of a white female nude, Girl Under a Tree (1931), which Lawren Harris argued was the best nude ever painted in Canada, was a stand - out for Clark.

Heward painted both white and black women, but she only produced one well - known white female nude, the Art Gallery of Hamilton's Girl Under a Tree (1931).

This was probably intentional, as Villalongo is seeking to reframe art history and Western art by using black women as the subject, instead of the pervading white female nude.

In her signature painted and photographic portraits of family, friends, lovers, and pop - culture icons, Thomas draws on and deconstructs 19th - and 20th - century traditions of portraiture, replacing the ubiquitous white female nude with voluptuous African American women.

This painting (another sort of thaw) was shocking at the time as it depicts, in Pearlstein's characteristically cool, objective manner, a black male nude and a white female nude.

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Modigliani's Reclining Nude holds the auction world record at # 113 million; the female record is # 28.8 million, for Georgia O'Keeffe's Jimson Weed, White Flower No. 1.

White Cube, Bermondsey The body screams in Emin's latest show, which moves from crumbling, fleshy paint to tortured bronzes, and shakes the tradition of the female nude to the core.

Judith Linhares» oil paintings of dreamy female nudes are also intensely colored, but they relate in an unexpected and intimate way to a pair of black and white photographs by Rory Mulligan showing a torso of a woman and the back of a man gazing at a night sky.

«I went there with the intention of studying writing and poetry, but the art teachers were totally electrifying,» she says, sitting in her high - ceilinged Gowanus cubicle amid black - and - white murals and colorful paintings of muscular female nudes, diving or in states of languorous repose.

Order at signilar.com PAINTING THE FEMALE NUDE, SANDRA «With masterful use of light and shadow, (chiaroscuro) he takes us from a blank, white canvas through the sketching and placement process to the completed work with all the nuances of mysterious shadow and areas of brilliant light.

Painstakingly hand - copying the photograph's gridded segments onto each corresponding cube of the canvas, Close built a larger - than - life, black and white copy of the female nude's image.

[9] After a period in which he experimented with figurative constructions, Close began a series of paintings derived from black - and - white photographs of a female nude, which he copied onto canvas and painted in color.

Working from black & white photographs, Close purged color from this large - scale painting of a reclining female nude.

Robert Mapplethorpe, born in New York in 1946, died in Boston 1989, was an acclaimed photographer, most noted for his black and white portraits of celebrities, flowers, as well as female and male nudes.

Wiley adapted the famously contorted torso of Clésinger's female nude to show both the rear and front of his model: the viewer is confronted with both the alluring expanse of the white underwear and, at the same time, the searching face with open eyes and mouth.

A compilation of raster dots act out a classical scene of nude, female bathers enveloped in swatches of white, yellow, red and blue paint.

In Thomas» own photograph, «Sidra Sitting,» the artist replaces the typically demure, white figure of the reclining female nude with a fully dressed black woman confident in her posture and looking at the camera head - on.

A vintage silver gelatin print, this work is of a nude female torso in black and white, lounging in front of a closed window with the striped shadows of the shades visible on the skin.

Recent paintings follow a group of white nude females in exotic landscapes, where they commingle with wild animals — riding alligators, hunting rabbits, draping snakes and octopi over their shoulders.

Although each work is an independent work of art, the various images relate to each other stylistically and the long wall seems to narrate a story: demure charcoal drawings of reclining nude female figures and black and white portraits of dogs are being juxtaposed with Shishkin's colourful and richly patterned paintings.

Mira Dancy's gorgeous, joyful mural of a reclining female nude, for instance, takes off across from the ecstasy of feminist artist Mary Beth Edelson's Woman Rising (1973), a black - and - white photograph in which a woman stands in an open desert, her arms stretched out toward the sky in a gesture of empowerment and freedom that is reinforced by a V - shaped line of contrails in the sky.