In the images of the works by Fontana and Flavin, Lambri employs static, artificial lighting, making the Fontana photos —
white fields divided vertically by black lines — almost indistinguishable from one another.
Not exact matches
Set deep in the Mississippi Delta, it's the epic story of two families, one
white, the other black, who've each sown hope among
fields too sodden to be much use — and though the sheer scope of the material overwhelms «Pariah» director Dee Rees at times, she finds shoots of optimism among the mire that couldn't be more welcome at a moment when the country seems more
divided than ever.
Once in his last year, a
white line
divides a
field, to see how that alters perception above and below.
Divided vertically, there's a neutral
white field and one with a rich, almost glowing, earth hue like terre verte, raw sienna, or Italian brown pink — transparent fresco colors that give the series its name.
The square pictorial
field is
divided into fourteen horizontal bands of equal width, alternating in colour between
white and peach, with pale blue used for the top one and bottom two bands.
The square pictorial
field is
divided into eleven horizontal bands of
white, blue and peach acrylic paint.