RR was made around the time that Kos was making early multimedia installations like Sound Of Ice Melting (1970), as well as doing private endurance pieces, which were documented by a Super 8 mm black and
white film camera.
Battinelli started his photo journey in 1995 when his father, an amateur hobbyist photographer, bought him a Pentax P30T 35 mm black and
white film camera for Christmas so that he could take photography classes in high school at Peru Central School.
Not exact matches
I had a clunky Canon 35 mm
camera loaded with black and
white film that I took around the country and the world alike, and I had the time of my life shooting everything from European cathedrals to iconic East Coast skylines.
Highlights from MediSeal will include the
White - Line packaging and logistics concept, which instead of a country specific packaging materials and pack inserts is based on «white» (blank or unprinted) materials, where lidding films, boxes and inserts are not printed with the country specific information until they are in the packaging line and inspection and camera systems provide a 100 % check, guaranteeing pharmaceutical sa
White - Line packaging and logistics concept, which instead of a country specific packaging materials and pack inserts is based on «
white» (blank or unprinted) materials, where lidding films, boxes and inserts are not printed with the country specific information until they are in the packaging line and inspection and camera systems provide a 100 % check, guaranteeing pharmaceutical sa
white» (blank or unprinted) materials, where lidding
films, boxes and inserts are not printed with the country specific information until they are in the packaging line and inspection and
camera systems provide a 100 % check, guaranteeing pharmaceutical safety.
Director Sylvain
White, whose last
film was the equally unnecessary I'll Always Know What You Did Last Summer, manages to take the joy out of a dance movie by jerking the
camera around and speeding up the dance moves so much.
From pre-production to final cut, Jarecki follows the existential - minded director through the entire process of making a movie as Toback opens up to the
camera to discuss a variety of deeply personal matters and explore just how they have manifested themselves in such
films as Love and Money, The Big Bang, and Black and
White.
As before, Bujalski's preference for nonprofessional actors, his ear for the rhythms of conversation among bright young 20 - somethings and his adept use of a roving, hand - held
camera (this time shooting in fuzzy black and
white) lend the
film an invigorating energy.
But though Kassovitz sticks to black - and -
white in the body of the
film - black - and -
white still says verite to us, even though news footage is now invariably in colour - he doesn't restrict the
camera's role to passively registering events.
Not long after, Marvel announced
films like Black Panther and Captain Marvel and directors like Ryan Coogler (Creed) and Taika Waititi (What We Do in the Shadows) after only having had
white men be the major focus on either side of the
camera.
As we've already stated, the
film was shot in black - and -
white, and the master behind the
camera was the Edward Scissorhands and Batman Returns maestro Stefan Czapsky.
An extensive selection of work from across the world is presented including the World Premieres of William English's HEATED GLOVES and THE HOST, in which director Miranda Pennell delves deeper into her past and her late parents» involvement with the Anglo Iranian Oil Company (BP); Ben Rivers» THE SKY TREMBLES AND THE EARTH IS AFRAID AND THE TWO EYES ARE NOT BROTHERS, the feature element of Ben's current Artangel installation at BBC
White City; EVENT FOR A STAGE by Tacita Dean, a
filmed presentation of her live theatrical happening in collaboration with actor Stephen Dillane at the 2014 Sydney Biennial; the European Premiere of Omer Fast's REMAINDER, a London - set thriller adapted from Tom McCarthy's acclaimed novel of the same name; the European Premiere of INVENTION which highlights the possibilities of
camera movement and the development of artistic apparatus and Kevin Jerome Everson's PARK LANES, set in an American bowling alley over the course of a day.
You know, I'd trained, the first things I'd ever made in my
film class were in black - and -
white 16 mm, so there's echoes of that training to expose
film, print
film — I'd studied all of Ansel Adams's technical manuals, The
Camera, The Negative, The Print.
The story is interspersed with truly bizarre flashback sequences shot in black - in -
white that look like they were
filmed with hand - held Super-8
cameras.
To counter the common rap that he makes the same
film over and over, The Day After, which competed for the Palme d'Or, is one of his most melancholic works,
filmed in moody black and
white, while Claire's
Camera, shown out of competition, is its tonal opposite, a light and sunny divertissement shot on the fly during last year's Cannes.
Cocote (Nelson Carlo de Los Santos Arias, 2017) A creative blend of fiction and documentary which effortlessly mixes different
film stocks (colour, black and
white) and contains different
camera styles, including an immersive 360 - degree pan.
In an interesting decision, director Alex Keshishian elects to shoot the half - dozen concert numbers (including «Express Yourself,» «Vogue» and «Live to Tell») in color while
filming the backstage material in black - and -
white — these behind - the - scenes vignettes include Madonna hanging out with her back - up singers and dancers, impatiently putting up with then - boyfriend Warren Beatty (who pretty much nails the movie's inadvertent theme when, after someone asks Madonna if she'd like to talk off -
camera, he comments, «She doesn't want to live off -
camera, much less talk.
As we settled into a multiple flashback structured
film where only the blood splattered pink suit gives the audience context, the visual include many extreme close ups and a clear difference between Portman's in
camera TV intro to the
White House and her everyday voice.
In a breathtaking location for learning the craft of photography, students learn techniques among natural surroundings with both digital and
film SLR
cameras and both color and black - and -
white photography.
For added authenticity, he's even driving with the same car (a
white Mitsubishi Lancer Evolution), in the same color,
filming it all from the same roof - mounted
camera position!
Sadie Benning's debut at the 1993 Whitney Biennial, a smoky DIY video shot with a toy black - and -
white camera, announced her as a precociously talented teenager with a sophisticated understanding of
film and a stake in the gender politics of the era.
For this project, Art League instructor Allison Duvall gave the 11 SOHO girls a basic photography workshop, and then each girl was given a point and shoot
camera, a roll of black and
white film, and tasked with taking photos of the people, places, and things most significant to them.
Lifted from Irvin Kershner's
film Eyes of Laura Mars (1978), the work's black - and -
white print on the left depicts a 35 - mm
camera pressed against
film star Faye Dunaway's eye.
Two additional sequences followed: a choreographed cast of 500 performing in darkness
filmed with infrared
cameras and projected onto
white screens; and Rauschenberg carrying a girl in a cloth sack while she sang a Tuscan folk song.
, I am making paintings of antique
cameras and
film equipment set against stark black and
white backgrounds.
The second video, entitled The
white ghosts sailed in, is a fictional
film documentary allegedly made in 1788 by Australian Indigenous people depicting Sydney Harbor with a
film camera prototype discarded by Captain Cook.
Fascinated by cinematography,
film stills, edits and
camera angles since childhood, Duffin recalls a love for black and
white films on his parent's television set and the growing appeal of
Film Noir: «It seemed to take all of the elements of image - making and stretch them further.
In quiet, contemplative tones and shot in black and
white, My Education: A Portrait of David Hilliard uses multiple
camera angles to reveal different, contrasting views of the same subjects, and the
film raises questions and invites discussion about a fraught moment in American history that continues to ripple through society.
He experimented with
cameras in a range of sizes, from 35 mm to 8 x 10 inch formats; and made multiple exposures, high - contrast prints and used both black and
white and color
film.
The 1989 series Studio Lite takes the opposite approach, using a
film calibrated for artificial light which, used on the neon lights in his studio, captures extremely pure
white waves underscoring the movement of the
camera.
Talk: «Marin Hopper & Mark Rozzo Discuss Dennis Hopper: Drugstore
Camera» at Strand Bookstore Shortly after completing the film Easy Rider in the late 1960s, Dennis Hopper settled in Taos, New Mexico, where he started taking pictures with a disposable camera that shot black and white film to be developed at drugs
Camera» at Strand Bookstore Shortly after completing the
film Easy Rider in the late 1960s, Dennis Hopper settled in Taos, New Mexico, where he started taking pictures with a disposable
camera that shot black and white film to be developed at drugs
camera that shot black and
white film to be developed at drugstores.
With his first movie
camera — a silent 16 mm black - and -
white Bolex — Warhol
filmed from early 1964 to November 1966, Warhol experimented with the
filmed portrait in an extensive series of nearly 500 works — the — Screen Tests.
Bathed in mysterious lights of black - and -
white like a
film noir, the silent short
film is recorded with a single
camera movement from the interior of one apartment, through an idyllic city park, into the opposite apartment and back.
A version of his cinematic portrait of Zidane — a black and
white film in which the
camera follows just the footballer in the space of a 90 - minute game and which was shown to great acclaim at the Cannes
Film Festival — has also been bought by Scottish National Gallery of Modern Art.
Using a large - format 8 x 10 — inch
camera and black - and -
white film, he has photographed Boston's changing landscape, porch life in the rural South, sick or dying people, and his own family.
The entire series was made with black and
white film in a large format view
camera.
The Pro cam app allows a greater degree of control over the
camera settings than the standard Windows Phone
camera app, providing settings to manually control exposure level,
white balance, shutter speed and
film ISO «on - the - fly».
Google says it attempted to address privacy concerns by placing
white lights on Clips to alert subjects when the
camera is
filming.