Sentences with phrase «white film inspired»

Video artist Sam Cannon displayed «The Glacier is the Center of the Universe,» a black - and - white film inspired by visual artist Joan Jonas.»

His vibrant, impressionistic style now gets its first solo presentation in New York, including a new black and white film inspired by the Harlem photographer Roy DeCarava, shown alongside his 2014 work m.A.A.d.

Not exact matches

He followed that up with a major part in the Snow White - inspired family film Mirror Mirror.

You credited four artists for the artwork you attribute in the film to Charles Swan: Charles White III, who did the original STAR WARS roadshow poster, Peter Palombi, who did the AMERICAN GRAFFITI poster, Alex Tavoularis, who did original storyboards and designs for STAR WARS, and David Willardson, who is famous for doing Disney inspired illustrations.

- The opening of the film is partially inspired by the opening of Halloween (1978), which Jordan Peele describes as a subversion of «the perfect white neighborhood.»

Inspired by the black and white film «Nebraska,» join us as we count down our favorite black and white movies made since 1980.

A world premiere at the recent Los Angeles Film Festival in its L.A. MUSE section, for films by up - and - coming filmmakers that either take place, were filmed in or inspired by the city of Los Angeles, «Supremacy» unfolds in 1992, and centers on Tully (Joe Anderson), a member of the Aryan Brotherhood who gets out of prison after 15 years on a robbery charge and is picked up by Doreen (Dawn Olivieri), a fellow white supremacist.

This universal rite of passage inspired her screenplay for Lady Bird, which she started crafting in 2011, soon after shooting scenes for her title role in the film Frances Ha at the Sacramento airport, at her childhood home in River Park, where her parents still live, and at Burr's Fountain, a frequent haunt in Gerwig's youth for its hot dog sandwiches on white bread and ice cream frosts.

White Shadow, Noaz Deshe, Italy / Germany / Tanzania Inspired by news reports of the ongoing perils faced by albinos in Tanzania, Noaz Deshe's film depicts a fractured and uneasy world, where superstition and the rule of law collide.

Made in 1992 and shown at the Sundance Film Festival in 1993, this black & white 16 mm short plays out similarly to the first third of the film it inspires, with the bookstore heist described but not seen.

The idea is that box office success for a movie centered on a nonwhite superhero and cast could inspire Marvel to produce and create more movies like Black Panther in the future (the studio's previous 17 films have all featured white men as the superhero leads).

Inspired by Larry Clark's controversial 1995 film «Kids» and by Wood's own college experience, «White Girl» vividly charts what is at times a violent culture clash.

The color footage used in the film is primarily of Auschwitz in 1955, coming off as a ghost town of ghastliness; the older, black - and - white scenes are the ones inspiring anger and revulsion, showing in rapid succession the rise of the Third Reich, the building of the camps, and the atrocities committed therein.

GET OUT Fri, May 5, 9:35 p.m.; Sat, May 6, 9:35 p.m. Can an impeccably crafted horror film tackle issues of racism and white privilege in America while also inspiring sold - out audiences to laugh and clap in unison?

Perhaps Roth intends the film to be a cautionary tale against the white savior, as the students» cannibal ordeal only inspires the martyrdom of Justine (Lorenza Izzo), the privileged Ivy League daughter of a U.N. lawyer.

Lee Daniels» film The Butler is inspired by the true story of Eugene Allen, an African American who from 1952 served as a butler in the White House for seven different presidents for thirty - four years.

The efforts of The Washington Post to publish the Pentagon Papers despite legal challenges from the president should make an inspiring film... or maybe a depressing reminder of how much the current relationship between the White House and the fourth estate harkens back to the Nixon age.

Combining words and black - and - white pictures inspired by silent films, Selznick reveals the connections between a Parisian orphan and an elderly toymaker.

Inspired by classic group portraits throughout art history, she has taken black - and - white film photographs of the artistic crowd inhabiting Bushwick today, which will be exhibited alongside her photos of early Bushwick and Panero's writings on the neighborhood.

Accompanying the critically acclaimed documentary, «I Am Not Your Negro» includes James Baldwin's notes for the project that inspired the film, published for the first time, and more than 40 black - and - white images from the film.

The recipient of the 2011 Bard Center for Curatorial Studies Award for Curatorial Excellence, she is currently at work on an exhibition inspired by the American painter and film critic Manny Farber and his 1962 essay «White Elephant vs. Termite Art.»

In 2007, film critic Jonathan Romney described Starr's new silent film Theda: «In a 40 - minute black - and - white film Theda British artist Georgina Starr, best known for her series of works inspired by the 1965 thriller Bunny Lake is Missing, pays tribute to this stormiest of divas and undertakes an archeology of gestural art of the silent - era actress (Theda Bara), drawing on the styles of several other now forgotten grande - dames, such as Barbara La Marr and Maud Allan... the film is divided into three parts «prelude», «act» and «epilogue»... but «prelude» is the real coup: in a long single take, Starr runs through the codified expressive repertoire of the Theda - era performer with such precision that any ironic distance evaporate.

In The Flesh is a 5 - min black - and - white artist film by Adeline de Monseignat inspired by Alison Leitch's text «Visualizing the Mountain» (2007) about the marble quarry as being «alive», «weeping at night» and having a «soul».

Curated by Matthew Higgs, Director of White Columns, New York and author and film - maker Jon Savage with archivist Johan Kugelberg, True Faith is centred on four decades» worth of extraordinary contemporary works from artists including Julian Schnabel, Jeremy Deller, Liam Gillick, Mark Leckey, Glenn Brown and Slater Bradley, all directly inspired by the two groups.

Inspired by the work of Chris Marker, who directed the radical 1962 film «La Jetée,» which consisted of a cinematic sequence of still images, Opie's 22 - minute film is composed of more than 800 black - and - white images and stars Stosh, a friend who has appeared in many of her photographs.

Inspired by the powerfully spontaneous drawings by Luciano Castelli on view this last November at the special exhibition «From White to White» at the Kaufhaus Jandorf, as well as in the gallery show «Revolving Paintings», we will further explore the theme of black & white with a group show: works by various artists represented by the gallery will introduce different approaches to monochromatic representation in contemporary art, and simultaneously draw a link to the very present medium of film during the Berlinale Film FestWhite to White» at the Kaufhaus Jandorf, as well as in the gallery show «Revolving Paintings», we will further explore the theme of black & white with a group show: works by various artists represented by the gallery will introduce different approaches to monochromatic representation in contemporary art, and simultaneously draw a link to the very present medium of film during the Berlinale Film FestWhite» at the Kaufhaus Jandorf, as well as in the gallery show «Revolving Paintings», we will further explore the theme of black & white with a group show: works by various artists represented by the gallery will introduce different approaches to monochromatic representation in contemporary art, and simultaneously draw a link to the very present medium of film during the Berlinale Film Festwhite with a group show: works by various artists represented by the gallery will introduce different approaches to monochromatic representation in contemporary art, and simultaneously draw a link to the very present medium of film during the Berlinale Film Festival.

At FM Center, the group show «Il Cacciatore Bianco» (The White Hunter, a title inspired by the 2013 Yervant Gianikian and Angiola Ricci Lucchi film Pays Barbare, on Fascist colonialism), retraces the collecting of African art in Italy.