Sentences with phrase «white film over»

Side effects include redness, white film over the injury, and pain.

However, the relentless aerosol spraying from airplanes has created a filthy, grey - white film over our city day after day.

It's the kind of addled farce that lies at the heart of so much of Roth's fiction, and Perry's formal chops — he and cinematographer Sean Price Williams use 16 mm black - and - white film over cheap DV, and they favor piercing deep - focus shots over hazy, foregrounded compositions — visually approximate the careful construction of the author's language.

Not exact matches

The White House's disclosure about the case helped keep allegations about the president and the adult film actress in the national spotlight for a second day and marked the latest twist in the ongoing legal drama over Daniels» efforts to abandon a confidentiality agreement.

We've all puzzled, after following someone's can't - fail advice, over less - than - perfect hard - cooked eggs — the eggs with rubbery whites, chalky yolks, and that tell - tale green - gray film between yolk and white.

If you haven't tried one yourself, you've surely seen them all over Instagram: those white or animal - printed masks that make the wearer look like the villain in a horror film.

What was disturbing is at the beginning of the movie the Chanel jacket, a white jacket with a black trim, ends up looking, at the end of the film, over worn, dirty, and even unrecognizable as a label.

An invaluable film that documents the flat - out lies and public deceits that the Bush regime (military, White House, and CIA) has used to subvert the fundamentals of the American institution of democracy and over 700 years of English law in its monomaniacal pursuit of «the bad guys.»

The basics have been well - publicized: The film, shot in black and white, is about a German Nazi who took over a factory in Poland during World War II and talked his powerful acquaintances into allowing him to use cheap labor, in the form of Jewish workers.

It was a risky venture, with Spielberg waiving his fees entirely, shooting a film that was over three hours long, in black and white, with relative no name stars save Neeson and Kingsley (Searching for Bobby Fischer, Sneakers).

It's basically a Western chase film that openly serves liberal messages over the Indian - white conflict.

Additional highlights of his previous film credits include HERCULES, CUBAN FURY, JACK AND THE GIANT SLAYER, SNOW WHITE AND THE HUNTSMAN, starring in, and co-producing, the motion picture 44 INCH CHEST, Woody Allen's SCOOP, and voice over acting in the highly - acclaimed animated features, CORALINE, SHREK THE THIRD, KUNG FU PANDA, and THE GOLDEN COMPASS.

Far too often, Douglas indulges his preference for the superficial over the substantive: The plentiful performance footage — shot in overproduced, music - video fashion — overwhelms the film, as do White's purplish, faux - poetic musings.

When we hear Nixon (the film used his actual recordings) railing against the Post and telling an aide their reporters are to be banned from the White House, it's impossible not to imagine a president flailing about over «fake news» and demanding that reporters be fired for disagreeing with him.

Dzundza has worked in some interesting and / or popular films over the course of his career including Michael Cimino's «The Deer Hunter» (1978), Robert Altman's «Streamers» (1983), «No Way Out» (1987), Clint Eastwood's «White Hunter, Black Heart» (1990), and «Basic Instinct» (1992).

Screenwriter Ray Bradbury masterfully captures the allegorical elements in the Herman Melville original without sacrificing any of the film's entertainment value (Bradbury suffered his own «great white whale» in the form of director Huston, who sadistically ran roughshod over the sensitive author throughout the film).

Last year we saw duelling «Snow White» films, the lighter «Mirror Mirror» in March followed by the darker fantasy «Snow White and the Huntsman» in June.Same situation this year, but the story this time is terrorists taking over the...

Even while spending quality time with John, Emily, President Sawyer, Finnerty, and the head of White House security, Martin Walker (James Woods), you still know what's coming, but Emmerich doesn't just hand over the action as quickly as most films, giving «White House Down» an impressively effective build before unleashing the ultimate display of DC destruction.

Although there's the usual selection of premieres, at least half of the screenings this year are retrospectives: a look at 1928, the last great year of silent film; personal selections from the festival's guest programmers over the years, and a salute to black - and - white cinematography.

While film historians have rightly called foul over the colourisation of black - and - white classics, they surely will have less cause to complain about the decision to remaster Oz digitally and to present it as if it's a new James Cameron movie.

Jermaine has scored over 20 feature films, many of which have been released theatrically, and digitally worldwide including the theatrical release of Jamesy Boy (2014) directed by Trevor White, and the teen comedy Mono (2016) directed by Jarrett Lee Conaway.

White Nights / Le notti bianche Luchino Visconti, Italy / France, 1957, 35 mm, 101m Italian with English subtitles Visconti's adaptation of a Dostoevsky story (filmed many times over, including by Robert Bresson) is a ravishing romantic reverie composed in incandescent black and wWhite Nights / Le notti bianche Luchino Visconti, Italy / France, 1957, 35 mm, 101m Italian with English subtitles Visconti's adaptation of a Dostoevsky story (filmed many times over, including by Robert Bresson) is a ravishing romantic reverie composed in incandescent black and whitewhite.

Part of the film seems to be about the white man's guilt over the destruction of the aboriginal culture.

When challenged over casting a white Australian and a white Brit as the leads in his Biblical epic Exodus: Gods and Kings, director Ridley Scott responded brusquely, «I can't mount a film of this budget... and say that my lead actor is Mohammad so - and - so from such - and - such... I'm just not going to get it financed.

The film leaves us with the hope inherent to openness; that exposure to the irreducible complexity of human experience will win out over the isolation and black - and - white thinking that fosters belief in an evil «other».

Remarkably, the film's most compelling, conflicted figure is Brolin's White, whose frustrations and mounting psychosis over the changing times is somehow more accessible than any of Milk's legions of followers.

One of the films that didn't blow us away at Sundance, but offered a solid film full of jokes made just for cinephiles, was In a World... The film directed by actress Lake Bell follows a young female voice coach (Bell) as she joins the all - male race to land the white - hot new trailer of a blockbuster trilogy, and with it lay claim to the legendary trailer catchphrase «In a world...» She faces stuffy, douchebag competition in Ken Marino and even her own father (Fred Melamed), a legendary voice - over artist who can't bring himself to recognize his daughter's talent.

I feel like this race is between that film and James White so if I predict James White then Diary gets First Screenplay over Room.

An extensive selection of work from across the world is presented including the World Premieres of William English's HEATED GLOVES and THE HOST, in which director Miranda Pennell delves deeper into her past and her late parents» involvement with the Anglo Iranian Oil Company (BP); Ben Rivers» THE SKY TREMBLES AND THE EARTH IS AFRAID AND THE TWO EYES ARE NOT BROTHERS, the feature element of Ben's current Artangel installation at BBC White City; EVENT FOR A STAGE by Tacita Dean, a filmed presentation of her live theatrical happening in collaboration with actor Stephen Dillane at the 2014 Sydney Biennial; the European Premiere of Omer Fast's REMAINDER, a London - set thriller adapted from Tom McCarthy's acclaimed novel of the same name; the European Premiere of INVENTION which highlights the possibilities of camera movement and the development of artistic apparatus and Kevin Jerome Everson's PARK LANES, set in an American bowling alley over the course of a day.

The film stars Gerard Butler as a disgraced Secret Service agent called back to duty when terrorists take over the White House and capture the President...

The film stars Gerard Butler as a disgraced Secret Service agent called back to duty when terrorists take over the White House and capture the President (Aaron Eckhart).

From director Ron Shelton (of Bull Durham, White Men Can't Jump, Tin Cup) the film is about an ex-FBI agent and an ex-mob lawyer in the witness protection program who have to get over their petty old folks» home rivalry in order to save themselves from a mob hit.

Finally, «Sing - Along with the Movie» simply applies plain, white song lyric subtitles over the entire film.

The Blu - ray's menu moves around the cover image and two more suggestive publicity photos while playing Kitty White's night club version of «Rather Have the Blues», an original tune Nat King Cole sings over the radio in the film's opening sequence.

Here's the full list of 142 films that featured on our contributors» ballots: (Disclaimer: Luc Besson's Lucy didn't get a single vote - I just like this image of Scarlett sorting through stuff) 71 1001 Grams 12 Years a Slave 20,000 Days on Earth 22 Jump Street 52 Tuesdays A Girl at my Door A Most Violent Year A Most Wanted Man A Touch of Sin Aberdeen Alleluia American Sniper Birdman Black Coal, Thin Ice Blind Blue Ruin Boyhood Calvary Captain America: The Winter Soldier Casa Grande Chef Citizenfour Climbing to Spring Cold in July Danger 5 Dawn of the Planet of the Apes Der Samurai Duke of Burgundy Edge of Tomorrow Electric Boogaloo Enemy Fandry Force Majeure Frank Free Fall From What is Before Giovanni's Island Gone Girl Goodbye to Language Guardians of the Galaxy Haemoo Han Gong - ju Hard to be a God Horse Money Housebound Ida Inherent Vice Interstellar It Follows Jauja Jigarthanda Jodorowsky's Dune John Wick Killers Lady Maiko Les Combattants Leviathan Li'l Quinquin Life Itself Like Father Like Son Locke Love and Terror on the Howling Plains of Nowhere Magical Girl Maidan Man From Reno Melbourne Memphis Mommy National Gallery New World Nightcrawler Norte, The End of History Nymphomaniac Of Good Report Only Lovers Left Alive Over Your Dead Body Pale Moon Peaky Blinders Pride R100 Red Army Seven Weeks Sils Maria Snowpiercer Song of the Sea Sorrow and Joy Spring Stand By Me Doraemon Starred Up Starry Eyes Stray Dogs Texas Chain Saw Massacre The Act of Killing The Babadook The Dam Keeper The Double The Editor The Grand Budapest Hotel The Great Beauty The Great Passage The Guest The Hobbit The Internet's Own Boy The Kingdom of Dreams and Madness The Lego Movie The Missing Picture The One I Love The Overnighters The Penguins of Madagascar The Raid 2 The Sacrament The Second Game The Secret Life of Walter Mitty The Snow White Murder Case The Tale of the Princess Kaguya The Terror Live The Tribe The Wind Rises The Wolf of Wall Street The Wonders The World of Kanako These Final Hours They Came Together Tokyo Tribe Tusk Two Days, One Night Under the Skin Wadjda We Are The Best!

To counter the common rap that he makes the same film over and over, The Day After, which competed for the Palme d'Or, is one of his most melancholic works, filmed in moody black and white, while Claire's Camera, shown out of competition, is its tonal opposite, a light and sunny divertissement shot on the fly during last year's Cannes.

The one aspect with a chance of setting the film apart — racial differences, as Lance takes over the body of a rich, white guy — shows up only in lame, surface laughs.

It's black and white and red all over (movie blood and SS uniforms both contrast nicely against the snowy landscape), with a sharp professionalism to the filmmaking and more unraveled intestines than you've ever seen in a single film.

Co-written, co-directed, produced by, and starring Peter Sellers, this quickly and cheaply produced black & white 1960 short (made for # 70 over two Sundays) wound up with an Oscar nomination and was a favorite of The Beatles, who sought out Lester for their film as a result.

Worst - case scenario: Viewers don't pick up on or appreciate the film's darker themes, and merely enjoy it as a magnificent exercise in sustained white - knuckle tension, featuring top - notch work from its three leads (especially Blunt, who's terrific in a tricky role that's intentionally diminished over the course of the film).

Similar moments all over the film skewer America's centuries - long fetishization and commodification of black creativity and black bodies, as critic Greg Tate wrote about in Everything But the Burden: What White People Are Taking From Black Culture.

Spielberg leans into that aspect of her story by having Streep spend the entire film surrounded by powerful white men who constantly lord over her and invade her space so they can override her position.

Released to simultaneous acclaim and disdain in both the Black and White communities, Sweet Sweetback's Baadasssss Song temporarily took over the top box office position from the year's number one grossing film, the $ 50 million earning Love Story (Arthur Hiller, 1970).

Matt Damon became the center of controversy over the summer with the debut of the first U.S. trailer for «The Great Wall,» the action - fantasy epic from Legendary Pictures, which was criticized for focusing on the white American star over the film's Chinese talent, including ingénue Jing Tian, boy band breakout Junkai Wang and renowned director Zhang Yimou («House of Flying Daggers»).

The horror components of the film are not particularly noteworthy, though the use of the animal masks is visually striking, especially in the way the red blood splatters over their harsh white as the arteries begin to open.

In its mediocre way, it reminds of last year's homosexuality sitcom All Over the Guy, proving that true equality, sadly, lies in the democratization of all niche films into the same sort of pre-digested pabulum white males have been making for decades.

He begins the film pursued and eventually captured by the War Boys, a band of hairless psychopaths with powder - bleached white skin, fleshy skeletons under the thrall of Immortan Joe (Hugh Keays - Byrne), a warlord who has seized control over his corner of the wasteland through tyrannical control of the water supply.

Irony and satire roam unchecked in film that follows four black students at an Ivy League college where a riot breaks out over a popular «African American'themed party thrown by white students.

Leading actor Christian Bale has defended director Ridley Scott following controversy over the casting of white actors in roles despite the film being set in the Middle East and Africa.

The director Patricia Cardoso — who's best known for her 2002 film Real Women Have Curves (which won a Sundance Audience Award)-- recalls how she was passed over to direct seven different feature films, and each time, the job went instead to a white male director.