Lisa Allen Multiverse This series of black and
white film photography consists of modern day images of diverse locations with a vintage and otherworldly feeling.
An Introduction is a showcase of black and
white film photography by four artists still working with the bare necessities of the medium today.
With a penchant for black and
white film photography, he covers many areas of youth culture including skateboarding, surfing, photography and youth travel guides.
Not exact matches
Battinelli started his photo journey in 1995 when his father, an amateur hobbyist photographer, bought him a Pentax P30T 35 mm black and
white film camera for Christmas so that he could take
photography classes in high school at Peru Central School.
The
film looks and sounds amazing, and the black and
white photography really sparkles.
This
film may look like one of those annoyingly mannered independent
films, with its wacky young cast and arty - farty black and
white photography, but it's actually a fresh, smart and very funny comedy.
Although the inky black - and -
white photography recalls Gordon Willis's work in Manhattan, the
film is much more in line with the modest tragicomedies of the French New Wave, with Frances figured as a better educated but just as coarse American cousin to Truffaut's Antoine Doinel, apologizing at one point for not being much of a «real person» just yet.
In the Tyrone Power featurette included on Fox» Son of Fury DVD, Power apparently begged Zanuck to shoot the
film in Technicolor, but the black &
white photography definitely darkens the tone of the
film and steers it away from the more frothy costume romp Alfred Newman's score clearly conveys.
Haneke, with the help of director of
photography Darius Khondji (Se7en, Panic Room) and production designer Kevin Thompson (Michael Clayton, Igby Goes Down), makes excellent use of
white hues and natural lighting (everything in this film seems to be WH
white hues and natural lighting (everything in this
film seems to be
WHITEWHITE!)
Several critics have compared the character to Woody Allen, and in its content and black - and -
white photography, C.K.'s movie also consciously echoes Allen's 1979
film Manhattan, in which Allen's character dates a high - school student, played by Mariel Hemingway.
Payne
films this road trip dramedy in rich black - and -
white, perhaps echoing back to another great
film about someone from the Midwest on a quest, The Wizard of Oz, in which Dorothy's home life on a far in Kansas is in traditional B&W
photography, and her experience in the great land of Oz is in vibrant color.
John Frankenheimer (who replaced the
film's original helmer, Arthur Penn, at Lancaster's request) directs with a muscular style that puts the themes into action and the crisp black and
white photography captures the busy industrial detail of the train yard and the gritty war - torn atmosphere of France in the final days of the German occupation.
Sylvain
White doesn't bring anything to the
film, which has a weirdly bland glaze to it, a generic non-style that only livens up when comic book - style titles are shown and clichéd slow - motion
photography utilized.
The black and
white photography is strong, dappled lights and shadows giving it a very
film noir look.
It's not the most plot - heavy of
films, dancing from skit - like episode to episode, a structure reminiscent of the aforementioned «Frances Ha,» a parallel further underlined by the black - and -
white photography (if anything the 35 mm work here, by photographer Sara Mishara, is even better than in Noah Baumbach «s
film).
In this excerpt from a new interview on our special edition release of the
film, director of
photography Frederick Elmes discusses David Lynch's approach to lighting his high - contrast black - and -
white breakthr...
With its mesmerizing black - and -
white photography by Frederick Elmes and Herbert Cardwell, evocative sound design, and unforgettably enigmatic performance by Jack Nance, this visionary nocturnal odyssey continues to haunt American cinema like no other
film.
Deakins uses the overtly stylish surroundings to sheer perfection using every possible smoke -
filmed frame to recall the good old days when black and
white photography in Hollywood
films was an art in itself.
In a breathtaking location for learning the craft of
photography, students learn techniques among natural surroundings with both digital and
film SLR cameras and both color and black - and -
white photography.
Renowned for her black and
white photography, shot quickly and unobtrusively with the light available, her ideal shoot was one one where she exposed no more than a roll and a half of
film, often in less than fifteen minutes.
His use of color
film in the early 1980s, at a time when British
photography was dominated by traditional black - and -
white social documentary, had a revolutionizing effect on the genre.
MR: As this exhibition at
White Cube demonstrates, throughout your career you have worked with a wide range of media, including
photography,
film, drawing, printmaking and painting.
For this project, Art League instructor Allison Duvall gave the 11 SOHO girls a basic
photography workshop, and then each girl was given a point and shoot camera, a roll of black and
white film, and tasked with taking photos of the people, places, and things most significant to them.
While his teacher is noted for his black - and -
white images, Epstein is a master of color
photography, capturing on
film the American experience as well as images from countries throughout the world — he has traveled extensively and realized series on locales including Vietnam, India, Berlin, and his hometown of Holyoke, Massachusetts, among others.
A MacArthur genius grant winner and professor of
photography at the School of the Art Institute of Chicago, LaToya Ruby Frazier is known for her incisive black - and -
white photo and
film work that documents structural inequalities of small towns across the U.S., including Braddock, Pennsylvania, an industrial steel town ravaged by industrial decline.
Screening: Larry Clark's The Smell of Us at the
Film Society of Lincoln Center Following his show of gritty, uncomfortable black - and -
white photography last summer at Luhring Augustine, Clark is coming out with a new
film called The Smell of Us.
Through the majority of the twentieth century the
film - based, black - and -
white print served as the standard format for modern
photography.
Gilpin, hailed during her lifetime as the «grand dame of American
photography,» was one of the first women to capture the landscape and peoples of the American West on black - and -
white film.
Furthermore, Cruz - Diez's analysis of the transformative possibilities of color is deeply rooted in his particular interest in mechanical reproduction, as is evident in his study of the technical processes of the Polaroid photograph,
film, and black - and -
white photography.
The exhibition also includes Pindell's exploration into
photography,
film, and performance, including her 1981 work Free,
White, and 21, which depicts the artist cover her face by wrapping white paper around her
White, and 21, which depicts the artist cover her face by wrapping
white paper around her
white paper around her head.
His use of color
film in the late 1970s and early 1980s, at a time when British
photography was dominated by traditional black - and -
white social documentary, had a revolutionizing effect on the genre.
Fran Lebowitz 1996 LITERATURE JT LeRoy 2001 LITERATURE Sylvère Lotringer 2003 POLITICS Sondre Lerche 2003 MUSIC Diego Luna 2002
FILM Lutz 2004 FASHION Monica Lynch 1999 MUSIC Greg Lynn 2005 ARCHITECTURE MacDermott and MacGough 2002 ART Mad Professor 1999 MUSIC India Mahdavi 2002 DESIGN Stephen Malkmus 2005 MUSIC Jena Malone 2003
FILM Princess Marianne 2001POLITICS Chan Marshall 1998 MUSIC Catherine Martin 2002
FILM Emer Martin 1999 LITERATURE Joe McKenna 1999 FASHION Alexander McQueen 2003 FASION Syd Mead 2004
FILM Isaac Mizrahi 1998 FASHION The Melvins 1998 MUSIC Stephin Merritt 2000 MUSIC Richard Metzger 2003 POLITICS Jacqui Millar 1999 FASHION Slava Mogutin 2002 LITERATURE Momus 2001 MUSIC Morrissey 2004 MUSIC Walter Mosley 1998 LITERATURE Ebon Moss - Bachrach 2003
FILM Mark Mothersbaugh 2002
FILM Harryette Mullen 1999 LITERATURE Múm 2002 MUSIC Takashi Murakami 1998 ART Eileen Myles 1998 LITERATURE Mira Nair 2002
FILM Yoshitomo Nara 2001 ART Helmut Newton 2001
PHOTOGRAPHY Oscar Niemeyer 1999 ARCHITECTURE Will Oldham 1996 MUSIC Catherine Opie 1996 ART Genesis P. Orridge 1999 MUSIC Jimmy Paul 1997 FASHION Prince Paul 1998 MUSIC John Peel 2003 MUSIC Kimberly Peirce 2001
FILM Gaetano Pesce 2001 DESIGN Elizabeth Peyton 2000 ART Bijou Phillips 2000
FILM Phoenix 2004 MUSIC Elizabeth Plater - Zyberk 2003 DESIGN Parker Posey 1996
FILM Richard Prince 2005 ART Rick Prelinger 1996
FILM Yvonne Rainer 2002 ART Charlotte Rampling 2002
FILM Lynne Ramsay 2004
FILM Charles Ray 1998 ART Patrizia Sandretto Re Rebaudengo 2004 Jamie Reid 1998 DESIGN Terry Richardson 1998 PHOTO Jackie Rogers 1997 FASHION Ruth Rogers 1999 FOOD Isabella Rossellini 1999
FILM Royal Trux 1997 MUSIC David O. Russell 2002
FILM Lisa Ruyter 1999 ART Claude Sabbah 2000 FASHION Amy Sacco 1999 ENTERTAINMENT Tom Sachs 2001 ART Luc Sante 1998 LITERATURE Rodrigo Santoro 2003
FILM Susan Sarandon 2003
FILM Amy Sedaris 2001 THEATER Amy Sedaris 2004 THEATER David Sedaris 1997 LITERATURE Amy and David Sedaris 2001 Brendan Sexton III 1999
FILM Stephanie Seymour 2002 FASHION Aiden Shaw 2004
FILM Shane 1999
FILM Howard Shore2001 MUSIC Dana Schutz 2004 ART Will Shortz 1998 LITERATURE Malick Sidibe 1999
PHOTOGRAPHY Russell Simmons 2003 MUSIC Hedi Slimane 2002 FASHION Kate and Andy Spade 1998 FASHION DJ Spooky1996 MUSIC Sturtevant2005 ART Lili Taylor 1998
FILM Lou Taylor - Pucci 2003
FILM Juergen Teller 2000
PHOTOGRAPHY Thievery Corporation 1999 MUSIC Wolfgang Tillmans 1997
PHOTOGRAPHY Linda Thompson 2003 MUSIC Jean Todt 2003 SPORTS Isabel Toledo 1996 FASHION Jean Touitou 1996 ASHION Allen Toussant 1997 MUSIC Guinevere Turner 1997
FILM Christine Vachon 1998
FILM Gus Van Sant 1996
FILM Chai Vasarhelyi 2003
FILM Paul Verhoeven 2003
FILM Viktor & Rolf 2005 FASHION Daisy von Furth 1996 FASHION Kara Walker 1996 ART Jim Walrod 1999 DESIGN John Waters 1997
FILM Sharon Wauchob 2004 FASHION Rachel Weisz 2001
FILM Wendy & Jim 2004 Alannah Weston 2003 OTHER Constance
White 1998 FASHION Brian Wilson 1999 MUSIC Kate Winslet 2004
FILM Yoshimi 2005 MUSIC Zaldy 2004 FASHION Howard Zinn 2002 LITERATURE Slavoj Zizek 2005 PHILOSOPHY
Emmanuel employs various media, including
photography and
film, to reveal layered visions concerned with his identity as a young
white male living in post-apartheid South Africa.
Some 400 works spanning painting, drawing,
photography,
film, architectural models, installations and publications, by over 160 artists including Camille Pissarro, Robert Delaunay, Kasimir Malevitch, László Moholy - Nagy, Paul Klee, Margaret Bourke -
White, Sam Francis, Robert Smithson, Harun Farocki and Zoe Leonard offer a new perspective on modern and contemporary art.
Welling's body of work includes representational and abstract
photography; black and
white and color;
film - based and digital photos and camera-less
photography.
Photographic portfolios and interviews, how - tos and tips for digital and
film photography, and the latest news from the Black &
White World.