Sentences with phrase «white film process»

Highly skilled in the black and white film process, and darkroom maintenance.

Not exact matches

I have shot in actual black and white film in the past, but I don't generally process my current pictures in black and white.

From pre-production to final cut, Jarecki follows the existential - minded director through the entire process of making a movie as Toback opens up to the camera to discuss a variety of deeply personal matters and explore just how they have manifested themselves in such films as Love and Money, The Big Bang, and Black and White.

By placing at the centre of the narrative a white woman who believes she belongs to the land, against a set of people who see her presence as oppressive and who want to brutalise her, yet who also carry out acts of violence against one another, Denis returns to the core themes of her earlier films (such as Chocolat, 1988)-- the highly problematic issues inherent in the processes of colonisation and decolonisation (2).

What's left is this appreciation of a film that is delighted with cinema and experimental without being a jerk about it (very much like Lars Von Trier's Zentropa, specifically in a black - and - white rear - process cab ride with none of that feeling that Tarantino's trying to make a point as opposed to recognizing something that looks cool and feels right)-- a film that is Tarantino in all his gawky, hyperactive, movie - geeking, idioglossic splendour, fully - formed and trying only a bit too hard.

He also spoke eloquently on how the image of the tragic black hero, or the flawless black hero, reflects the culture's problem with processing a marginal community as just a group of human beings, and why he didn't want the characters, white and black, in his film to be easily categorized or glibly understood.

David Bordwell contends that Tarantino deliberately signals his sources to his audience, «in order to tease pop connoisseurs into a new level of engagement,» while Aaron C. Anderson writes that by using framing markers and calculatingly phony distancing devices (like, for example, the black - and - white process shots in Pulp Fiction), «Tarantino draws attention to his film's status as a film, as a constructed work of fiction, and as a «simulation.

In the process of showing us this transformation, Majidi takes us into a world that most of us will never see except on film — an Iranian industrial city, its white skyscrapers dwarfed by mountains in the background.

«Creating the Red Planet» explains the creation of the opening sequence on Nibiru, from the staggering six - month process to create the red vegetation to painting extras white to filming inside a «volcano.»

Back in the mid-1950s some enterprising American film distributors saw potential in a Black & White Japanese monster flick named Gojira about a giant fire - breathing reptile that goes on rampage destroying much of Tokyo in the process.

The most viable solution on the market has proven to be electronic paper displays that show color by combining a black and white screen with a color filter, not unlike early film's Technicolor process.

The most widely - used solution, however, has proven to be electronic paper displays that show color by combining traditional black and white screens with different types of color filters; this is not unlike early film's Technicolor process, which simultaneously exposed two frames of a single strip of black and white film, one behind a green filter and one behind a red filter, to show a movie in color.

The Brooklyn - based artist's process for making her black - and - white films involves shooting imagery on Super-8 and 16 mm film — as well as digital and mobile phone platforms — which she then manipulates and projects onto paintings before finally screening and reshooting works to abstract ends.

His black and white videos, which capture mysterious swirling patterns that emulate outer space, are grounded in an everyday occurrence: Fridge filmed rising steam and melting ice crystals in a state of transformation during his freezer's defrosting process.

Shot in 16 mm in colours or black and white, the films are a visual diary of the artist's private life, travels, views on politics as well as his creative process — in particular his experimentation on colours.

Furthermore, Cruz - Diez's analysis of the transformative possibilities of color is deeply rooted in his particular interest in mechanical reproduction, as is evident in his study of the technical processes of the Polaroid photograph, film, and black - and - white photography.

This reinterpretation of the classic image has involved Murdoch in a painstaking process of finding props, clothes and black and white stage make - up in order to produce a monochrome image on a colour film.

His works successively depict the doctor in the darkened interior with the partially illuminated artworks, which in original screenings of the black - and - white film were dramatically rendered in Technicolor, a now obsolete process that was widely used in Hollywood until the early 1950s.

In his Film Paintings Zilm strips the emulsion from 8 mm, 16 mm, and 35 mm black and white films using a process he developed.