Sentences with phrase «white gallery space»

Large pieces of art are scattered around the big white gallery space, made up of thick earthy colours and rough textures.

I want to highlight the work of Bougatsos because the approach she has in her work and the humorous presence it has within the stark white gallery space.

Sprawling across 11,000 sq ft of crisp white gallery space, «Il Mistero delle Cattedrali» is the largest ever -LSB-...]

We reach the grand white gallery space where de Joode, who is Dutch - born and based in Berlin, is preparing the site of her first NY solo show, «The Hole and the Lump,» which opens tonight.

Also present were his son and daughter, both very attractive and in their thirties, along with a gathering of people of mixed ages — a little girl pushing the giant inflatable balloon - ball that marked the entrance, hip youngsters admiring the «trippy» patterns in the artist's work, elderly couples looking at prices or simply enjoying the bursts of colour inside the white gallery space — a testimony to the vitality of his work.

Nnena Kalu's «cocoons» at the Project Ability Gallery (Trongate 103) shares these material tastes and a concern with the performance of labour, using colourful packing tapes in the composition of her sculptures — attempts to make even disregarded everyday materials (or, read: bodies) assert presence in the white gallery space.

Jakob & Hammwoehners» installation can be seen as an attempt to celebrate the mystical origins of the white gallery space by transforming it into a circus - like imaginary world.

Both abstract shapes look like dark flowers sprouting from the white gallery space, and provide a moment of calm from the mythical madness.

Directed by Mark Romanek, the final video will be edited from the six hours Jay - Z spent that day performing «Picasso Baby» over and over again in the white gallery space.

While Dappled Light stands out in the open, braving the elements, the Victoria Miro sculptures (except for two bold pieces tolerating the terrace) remain closeted inside, their rough bronze at odds with the clean white gallery space.

However, within the wider context of this particular exhibition, such a judgement seems almost secondary because, as is so often the case, the principal issues and concerns arising out of exhibition work by Black artists in white gallery spaces revolve around the «politics» of these exhibitions, rather than the wok itself.

Not surprisingly, the Makonde exhibition is being toured to some of the worst offending white gallery spaces across the country.

Not exact matches

The cover story of today's The Australian Financial Review Magazine features Judith Neilson whose White Rabbit art gallery, Phoenix performance space, and Indigo Slam house, represents more $ 100 million in investment in culture.

Besides being an inspiring, experiential space in which to taste wine, the gallery includes an interactive multi-media wine library, maturation cellars for white and red wines, and a brandy tasting lounge.

A large gallery wall has different types of art in black and white, including a trio of framed butterfly prints to complement the space's color scheme.

As the last embers of daylight burn away on a warm April evening, a crowd bubbles around a large glass case commanding a prime spot on the National Mall — the Air and Space Museum on one side, the National Gallery of Art on the other, in the background the Capitol's dome gleaming marble - white under a wash of flood lamps.

The great room's fold - away glass walls and glossy white floors create a minimalist backdrop for whimsical furnishings like a striped lounge chair, beanbag - like cushions and colorful artwork, but a fireplace with a textured stone surround keeps the space from feeling like a gallery.

Slate floors and gallery - like white walls form a minimalist backdrop to the living spaces overlooking the pool, and landscape artwork adds color to match the scene outdoors.

Upstairs has more in common spiritually with smart, scruffy alternative spaces like Fireplace Project, the East Hampton gallery housed in a former garage, than it does with lavish white - tented to - dos with valet parking.

Her paintings are currently on display at the White House, the Brooklyn Museum, the Smithsonian American Art Museum, the Kennedy Space Center and at other international galleries.

Nearly a year after leaving its long - time Greene Street gallery because of concerns relating to development, New York's Artists Space has found a new home, at 80 White Street in TriBeCa.

So instead of hushed museum spaces or white gallery walls, visitors experience a multi-sensory journey into this sublime imaginary world; through Christopher Robin's bedroom, to the Hundred Aker Wood and beyond.

We wanted to keep some of these architectural features to provide some visually interesting points and it helps us not to stumble too far into the typical white walls / grey floor of the usual gallery and studio spaces.

On show at G.F Smith's White Space gallery until the end of June, the sculpture is made from Takeo paper and was put together by a team of envelope makers off - site, while more than 20 university design students helped to install the piece in London.

White Rainbow Gallery, London, 7 October — 22 November 2014 As in previous years, several contemporary galleries are launching their London spaces to coincide with Frieze London (15 — 18 October).

Recent exhibitions include a retrospective at the Victoria Art Gallery, Bath, to celebrate his 80th birthday in 2008; the Autumn exhibition at the RWA, and a solo show at the White Space gallery in LeamingtGallery, Bath, to celebrate his 80th birthday in 2008; the Autumn exhibition at the RWA, and a solo show at the White Space gallery in Leamingtgallery in Leamington Spa.

Viewed within the modern monastic space of the Paul Kasmin Gallery, with its cool white walls, polished floors, and concrete ceiling, the visceral earth tones and frantic forms of Lee Krasner's «Umber Paintings» emerge as fields of boundless energy.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

The crown moldings and wood floors and banisters that make the space familiar have become part of his narrative here, yet each gallery is made distinct, and the intimate effect of his works would result even working within a white - cube gallery space.

Chelsea became a refuge for galleries fleeing soaring real estate prices in Soho in the late»90s, and white box spaces run by Larry Gagosian, Pace Gallery and Paul Kasmin are holding fast there, and even expanding, today.

2007 Weather Report, Centro Atlantico de Arte Morderno, Las Palmas de Gran Canaria Absent Without Leave, Victoria Miro Gallery, London, UK Unholy Truths, Initial Access, Frank Cohen Collection, Manchester, UK Effigies, Stuart Shave / Modern Art, London, UK Fractured Figure, Curated by Jeffrey Deitch, Deste Foundation, Athens, Greece Beyond the Zero, Peres Projects, Athens, Greece Destroy Athens, The First Athens Biennale, Athens, Greece Get Lost: Artists Map Downtown New York, The New Museum, New York, NY How Much Longer, Belkin Staellite, Vancouver, B.C., Canada Out of Art, Centrepasquart, Kunsthaus Centre D'art, Biel Bienne, Switzerland Sweet Bird of Youth, Curated by Hedi Slimane, Arndt & Partner, Berlin, Germany Chi Peng's Journey to the West, White Space, in association with Alexander Ochs Gallery, Beijing, China New York — States of Mind, Haus der Kulturen der Welt, Berlin, Germany Terence Koh and AA Bronson, Galerie Fredric Giroux, Paris, France Between Two Deaths, Zentrum Für Kunst and Medietechnologie, Karlsruhe, Germany Time Difference, Initial Access, Frank Cohen Collection, Wolverhampton, UK Body Politix, Witte De with Center for Contemporary Art, Rotterdam, Netherlands

They seem to bar entrance, to disturb a gallery's proverbial white cube, and yet also to define the space more clearly.

Flying Cube, a white cube floating in the center of the exhibition space, challenges gravity and activates the traditional gallery space.

In the confusing serenity of the space, encircled by glossy white surfaces, viewers are challenged to distance their minds from the imagery of the other exhibition galleries.

The artist creates works as signifiers of the destruction of the natural world by «colonial powers», via a series of tabletops containing mineral fragments and photographs of equatorial scrublands.The minerals are representative of the original environment now re-contextualized within the white cube of the gallery space becoming «art», and forming a dialectic concerning «value».

2006 The Happy Lion Mutiny, curated by David Hunt, Los Angeles, CA The Small Sculpture Show, Sculpture Space, Utica, NY The Sanctuary and the Scrum, curated by David Hunt, Black and White Gallery, New York, NY AIM 26, Bronx Museum, Bronx, NY

Arlen Austin (b. 1981, Winooski VT), has worked on an uncompensated or below minimum wage basis for: Columbia University School of the Arts, Scaramouche Gallery, Chinese Staff and Workers» Association, Brooklyn is Burning, Public Art Fund Development Grant, Daniele Ugolini Contemporary, National Mobilization Against Sweatshops, Lower Manhattan Cultural Council, Mole Vanvitelliana, Ancona, Sweatshop Free Upper West Side, Volta NYC, Creative Time / Queens Museum, 6 - 9 Months Project Space, Fischer - Landau Center for Contemporary Art, Barefoot in the Head at Bruce High Quality Foundation, White Box and Frederich Petzel Galleries.

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

McQueen's films as an artist were typically projected onto one or more walls of an enclosed space in the gallery space, and often in black - and - white and minimalistic in nature.

SELECTED GROUP EXHIBITIONS 2008 for what you are about to receive, Gagosian Gallery c / o Red October, Moscow Oranges and Sardines: Conversations on Abstract Painting with Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool, curated by Gary Garrels, Hammer Museum, Los Angeles, CA Painting Now and Forever: Part II, Matthew Marks Gallery and Greene Naftali Gallery, New York Not So Subtle Subtitle, curated by Matthew Brannon, Casey Kaplan Gallery, New York That social space between speaking and meaning, by Fia Backstorm, White Columns, New York God is Design, curated by Neville Wakefiled, Galerie Fortes Vilaca, San Paulo A New High in Getting Low, John Connelly Presents, New York Nina In Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Bspace between speaking and meaning, by Fia Backstorm, White Columns, New York God is Design, curated by Neville Wakefiled, Galerie Fortes Vilaca, San Paulo A New High in Getting Low, John Connelly Presents, New York Nina In Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, BSpace, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Berlin

It's an interesting way to deal with the defined parameters of a white cube gallery space.

With One wall removed, 1980, Irwin replaces the outside wall of the Malinda Wyatt Gallery with an extensible, sheer screen in a delicate white canvas to reveal the infinite light variations cast two skylights in empty space.

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

The Geoffrey Young Gallery is pleased to present «The Place of Things,» a three - person show featuring the paintings and drawings of Joshua Marsh, the «longitude - location» paintings of Mike Glier, and new black and white photographs of complex spaces by James Welling.

But the works also pressure the standard white cube gallery, since Sánchez presented them in a dentist's office, a sanitary space which, as he points out, is another kind of white cube.

Although I have always had an interest in art outside of the gallery space, it was actually only after visiting a friend in a mental health unit a little while ago that we (the curator Niamh White and I) decided to start Hospital Rooms.

Over the course of the exhibition, the blank white space of the New Museum's Fourth Floor gallery will be transformed through the gradual accumulation of drawings and paintings by Museum visitors and a wide array of invited community organizations.

At ABMB, Pace showed (and sold, at prices ranging from $ 75,000 to $ 1m) 16 signature black Louise Nevelsons; Mitchell - Innes & Nash gave a wall to Jessica Stockholder's 14 - element assemblage; Rosalyn Drexler's canvas collages of magazine strips took over Garth Greenan's Survey booth; a Kiki Smith white car - painted bronze anchored Timothy Taylor's space; Noga, the sole Israeli gallery (why?)

Duchamp extended his provocations in the art world to exhibition - making, by designing installations that countered the white walls and rectilinear spaces of modernist galleries.

Sous la Lune at Institute of Contemporary Arts Singapore, Lasalle College of the Arts, by Adeline Chia Vandy Rattana at Sa Sa Bassac, Phnom Penh, by Vera Mey aaajiao at Gallery Yang, Beijing, by Edward Sanderson Peepshow at Long March Space, Beijing, by Li Bowen Yeh Wei - Li at Hanart TZ Gallery, Hong Kong, by Stephanie Bailey Thinking Tantra at Jhaveri Contemporary, Mumbai, by Niru Ratnam Discordant Harmony at Hiroshima City Museum of Contemporary Art, by Dean Kissick Ken Kagami at Misako & Rosen, Tokyo, by Dean Kissick Seoul Babel at Seoul Museum of Art, by Tiffany Chae Heri Dono at Mizuma Gallery, Singapore, by Sherman Sam A Fact Has No Appearance: Art Beyond the Object at National Gallery Singapore, by Mark Rappolt Ni Youyu at Museum of Contemporary Art, Taipei, by Aimee Lin White Cube... Literally at Gallery Isabelle van den Eynde, Dubai, by Kevin Jones Corruption: Everybody Knows... at e-flux, New York, by Ming Lin Tadanori Yokoo at Albertz Benda, New York, by Joshua Mack Song Yige at Marlborough Fine Art, London, by Matthew McLean Maria Taniguchi at Ibid, London, by Ming Lin