Sentences with phrase «white gesso»
"White gesso" refers to a type of paint primer that is white in color. It is used to prepare surfaces, like canvas or wood, before painting to create a smooth and even base for the paint to adhere to. Full definition
Don't Quit Your Day Job: Jeff Koons 2017, Old Holland Ivory Black oil paint on white gesso on wood panel 22 x 36 in / 56 x 91 cm
lyonswiergallery.com
De Crignis would begin with a smooth white gesso ground, then over weeks add as many as forty layers of semitransparent paint in glazes.
Next she added colour, mixing and modulating her own shades of acrylic paint, skilfully diluting and mixing them with chalky white gesso to create luminous, light infused colour.
Lyle begins his process by priming a panel with white gesso.
Meppayil begins her work by creating heavily layered fields of white gesso.
This gives the painting a visual sparseness and vibrant luminosity; the thick white gesso sealing and emphasising the slightly toothy texture of the linen canvas support.
This gives the painting an all - over visual sparseness and vibrant luminosity; the thick white gesso sealing and emphasising the slightly toothy texture of the linen canvas support.
In this latest body of work, Aschheim adds tonal washes of ink to her repertoire of graphite, ink and black and white gesso lines and brush strokes.
A trace of past decisions shows up, things not visible in the finished drawing: pencil lines under white gesso for example.
Velvety matte black gouache contrasts with pristine white gesso.
I used white Gesso over the entire front of the sign and then painted everything with white craft paint.
Made from MDF with a soft chalky white gesso finish, this distressed finish dolls house shelf makes the perfect display for your little ones childhood treasures.
A Memory of Death, 2015 ink on white gesso and aluminum painting: 92 x 90 1/2 inches (233.7 x 229.9 cm) framed: 93 1/4 x 91 1/4 x 2 1/2 inches (236.9 x 231.8 x 6.4 cm) unique IK - 53
He painted mostly on Masonite, using a palette knife to prime the surface with layers of white gesso, then applying each color minimally for maximum effect — one coat of pure color, straight from a tube.
Taking humble materials and found objects, he coated them in chalky white gesso, producing totemic sculptures possessed of an almost archeological beauty, and with a refined play between fragility and obduracy, ancient and modern, epic and everyday.
I covered the board with white gesso, then added neat um blue to the top of the sky and blended part way down.
Materials needed: Mini pumpkins, white gesso, acrylic paint (in shades of pink; we included neon pink and coral in ours), paint brush
Like Shawcross's sculptures, Idris Khan's paintings employ a radial pattern comprised of lines of stamped philosophical texts in luminous white on a white gesso ground.
The finished paintings coalesce as radiant veils of color interwoven with light reflecting back from the white gesso ground through the sequenced hues and tones.
Furthermore, he began working exclusively with colors straight from the tube — smoothed out with a palette knife to the rough side of Masonite, sometimes exploiting the effects of the white gesso ground and canvas - like texture.
Generating her most delicate tones by diluting acrylic and combining it with the chalky white gesso, Martin's canvases produce a surface that both reflects and absorbs light.
Everything Turns to Grey, 2015 ink on white gesso and aluminum painting: 92 1/2 x 90 1/2 inches (235 x 229.9 cm) framed: 93 1/4 x 91 1/4 x 2 1/2 inches (236.9 x 231.8 x 6.4 cm) IK - 35
Rooms Are Never Finished, 2015 ink on white gesso and aluminum painting: 92 x 90 1/2 inches (233.7 x 229.9 cm) framed: 93 1/4 x 91 1/4 x 2 1/2 inches (236.9 x 231.8 x 6.4 cm) unique IK - 52
Rooms Are Never Finished, 2015 ink on white gesso and aluminum painting: 92 x 90 1/2 inches (233.7 x 229.9 cm) framed: 93 1/4 x 91 1/4 x 2 1/2 inches (236.9 x 231.8 x 6.4 cm) IK - 52
Idris Khan Everything Turns to Grey, 2015 ink on white gesso and aluminum painting: 92 1/2 x 90 1/2 inches (235 x 229.9 cm) framed: 93 1/4 x 91 1/4 x 2 1/2 inches (236.9 x 231.8 x 6.4 cm) IK - 35
Idris Khan Rooms Are Never Finished, 2015 ink on white gesso and aluminum painting: 92 x 90 1/2 inches (233.7 x 229.9 cm) framed: 93 1/4 x 91 1/4 x 2 1/2 inches (236.9 x 231.8 x 6.4 cm) unique IK - 52
Each of the three paintings featured a stenciled thicket of black lines crisscrossing a field of bright orange brushwork and white gesso, with a pitch - black area taking over the right third of the support.
silver -, tin -, goldpoint, aluminum wool pad, graphite, carmine, blue and white gesso on wood panel SS163
Eve Aschheim's intimate black - and - white gesso and ink - on - Mylar drawings at Lori Bookstein Fine Art form an extremely concise body of work done over the past two years.
This irregularity reinforces the white gesso's role as a blank background onto which colours and pencil marks have been inscribed.
Of the fourteen bands, only the top one and bottom two are filled with the light blue paint, while the other bands alternate between the peachy wash and the white gesso which originally primed the canvas surface.
I made the art using only 1x2s and 1/4 ″ plywood painted with white gesso and it was surprisingly easy to make if you have a router!