Sentences with phrase «white girls showed»

Neither black nor white girls showed a change in math scores as the black composition of a school increased.

Not exact matches

From radio dramas in the 1940s, TV variety shows in the»50s and»60s, a stint on The Mary Tyler Moore Show and, of course, her series - stealing turn as Rose Nylund on The Golden Girls, White has been a staple of popular entertainment since the cathode ray's beginning.

John Collier's picture shows a traditional Gabriel with wings and flowing robes and includes a pot of lilies signifying purity and a dove symbolising the Holy Spirit but is set on the doorstep of a modern house with a fourteen - year - old school girl Mary in blue and white pinafore and unlaced shoes.

The show's premise is that «trapped inside every White girl is a strong Black woman ready to bust out.»

During the national contest, each of the 81 Twin Peaks Girls showed her support for the new partnership by wearing one of two costumes — an Armed Forces salute featuring camo outdoor flare or a patriotic red, white and blue outfit.

The recreation program consisted only of summer activities including swim lessons, little league, softball, tennis lessons, handicrafts, the Lions Olympics, trips to Cubs and White Sox games, volleyball leagues, a Girls Athletic Club, and the annual water show.

Investigators found that one percent of all girls now show signs of puberty, such as breast development or pubic hair, before the age of three; by age eight, 14.7 percent of white girls and a whopping 48.3 percent of African - American girls had one or both of these characteristics.

The Breast Cancer Fund funded a study by Sandra Steingraber titled «The Falling Age of Puberty in U.S. Girls,» that showed that 50 % of white girls begin to develop breasts before they are ten, and 14 % before they are eGirls,» that showed that 50 % of white girls begin to develop breasts before they are ten, and 14 % before they are egirls begin to develop breasts before they are ten, and 14 % before they are eight.

According to a recent study reported in the journal Pediatrics, 1 one percent of all American girls now show signs of puberty, such as breast development or pubic hair, before the age of three; by age eight, 14.7 percent of white girls and almost 50 percent of African - American girls had one or both of these characteristics.

consisting of camel culottes, a navy fitted blazer and a simple white shirt topped off with mid-heel strappy shoes (also in navy) is almost something a Parisian girl would wear, and it goes to show that culottes make everything more interesting, even a blazer / white shirt combo.

The charm of black and white dress has never been fades away so the designer of this dress has shown the creativity of the brilliant mind by merging both colors in one dress which is actually made for a evening party and looking stunning as it can be seen that the dress is especially designed for the plus size girls and women.

It reminds me of the White Party on Gossip Girl (it's sad that I still compare everything back to that show).

do not be that girl that shows up to one (any) of those ^ ^ occasions wearing white).

Style guru Summer Bellessa and music maker Brooke White join forces to bring you The Girls with Glasses Show more about us

Girls who love to skate and show their skills but also are not comfortable with their clothes this sleeveless tank top with white logo is good with skin tight leather pants.

Turquoise jewelry widely shows in white kimono with that sneaker shoes wear the youngest girl.

Perennially beloved actress Betty White as Rose Nylund in the»80s and»90s classic TV show «Golden Girls» had a challenge... (read more)

Show your low income to rich men — Men always love to be white knights and rescue a girl, and he will probably want to impress you with his cash.

I remember another pop culture example, in the show Degrassi, there are who Indian kids at the school that are brother and sister, and they always did story lines about how the boy in particular always dated white girls.

Yes, white men have admitted to being open to dating a black girl, but one look at their profile will show that they have mostly dated white women and yes, most of them are definitely thin.

Dating white girls that will show you their undivided attentions even easier if you are a sugar daddy.

Perennially beloved actress Betty White as Rose Nylund in the»80s and»90s classic TV show «Golden Girls» had a...

Dating site stats show that the number of black girls that want white men, in any age group, is much higher.

In introducing a reality - show element, which is partly used to document the eyebrow - raising bash where countless white girls get their Julianne Hough on, the director unleashes a skewering of media and capitalism that feels like its own can of worms.

From left, Cinderella, Snow White, Princess Fiona, Rapunzel and Sleeping Beauty show some girl power in «Shrek the Third.»

I don't know how they roped someone with marketable talent like she showed in Caprica into such a cesspool, but her scene with the other pledges in their underwear under bright sunlight reveals who is the whitest girl in America with a SAG card.

White Girl doesn't shy away from showing explicit scenes involving sex and drugs, often both at the same time.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

Until Atlanta, Donald Glover received a television outlet in comedies that never really seemed to fit him creatively from his breakout role on Community to his short stint on Girls to offset the show's white Brooklyn problem.

White House LGBT Artists Champions of Change is intended to shore up the White House's support for LGBT awareness, and The Danish Girl will show alongside episodes of award - winning TV series Transparent, featuring Jeffrey Tambor as a transgender father.

By 1985, Madonna was not only a chart - topping global force, she was a show - stopping performer, revealing her cinematic potential in the video for «Material Girl,» with its nod to Marilyn Monroe's «Diamonds Are a Girl's Best Friend» sequence from Gentlemen Prefer Blondes, as well as her controversial performance of «Like A Virgin» at the 1984 VMAs, in which a white wedding dress - clad, «BOY TOY» belt - bearing Madge writhed around the stage floor like the future Queen of All Media everyone (primarily she) thought she might become.

This «Golden Girls» rehearsal clip shows what a naturally gifted comic White was, thinking on her feet even during a rehearsal when the cameras weren't supposed to be on.

The Truth About Youth briefly flickers to life when Loy comes on slinky nightclub singer «The Firefly,» seducing Young's betrothed, and she steals the show in The Naughty Flirt (1931), another tale of high - society bad behavior, this one starring Alice White as a brazen socialite who sets her sights on a young lawyer's in papa's firm and Loy as a party girl working with a gigolo to grab her fortune.

A Melody of Life, Bárbara Wagner and Benjamin de Burca, 2017) Call Me By Your Name (Luca Guadagnino, 2017) Caniba (Véréna Paravel and Lucien Castaing - Taylor, 2017) Commensal (Véréna Paravel and Lucien Castaing - Taylor, 2017) Cosmic Generator (Mika Rottenberg, 2017) El Auge del Humano (The Human Surge, Eduardo Williams, 2016) Eldorado XXI (Salomé Lamas, 2016) Engram of Returning (Daïchi Saïto, 2015) Estiu 1993 (Summer 1993, Carla Simón, 2017) The Florida Project (Sean Baker, 2017) For Example, the Philippines: Wake (Subic)(John Gianvito, 2015) Girls Trip (Malcolm D. Lee, 2017) I Had Nowhere to Go (Douglas Gordon, 2016) Jia Nian Hua (Angels Wear White, Vivian Qu, 2017) Mon Rot Fai (Railway Sleepers, Sompot Chidgasornpongse, 2016) Ostatnia Rodzina (The Last Family, Jan P. Matuszyński, 2016) Personal Shopper (Olivier Assayas, 2016) The Pure Necessity (David Claerbout, 2016) Silence (Martin Scorsese, 2016) The War Show (Andreas Dalsgaard and Obaidah Zytoon, 2016) Zama (Lucrecia Martel, 2017)

Many scenes in Innocence depict these young girls playing in nothing more than their knickers or dancing in white leotards, and one scene shows a number of girls frolicking naked in a lake.

Included in the pack: A game board A feelings mat in colour and black and white worksheets covering all the emotions shown in boy version and girl version Each child throws a die and moves that number of places.

Results of examining the differential effects of peers from troubled families by race and gender show relatively large negative and statistically significant test - score effects on white boys and statistically insignificant effects on black boys, black girls, and white girls.

A game board A feelings mat in colour and black and white worksheets covering all the emotions shown in boy version and girl version Each child throws a die and moves that number of places.

Cami Anderson, former superintendent of Newark public schools, talked about the way that current discipline policies negatively impact students of color, referencing research that shows that adults view black girls as less innocent than their white counterparts as early as kindergarten.

Findings show that, generally, girls self - report as being more engaged than boys, White students and Asian American students are more engaged than other races across all three dimensions, students in advanced classes are more engaged, non-low-income students report more engagement, and students who begin and stay at their high school starting in the ninth grade are higher across the dimensions of engagement.

Erin, who has appeared with LYMMC and The Edinburgh Scout and Guide Gang Show joins the cast of «White Christmas «She shares the role of «Susan» with other girls from Paisley and the Borders.

As you go, you'll meet all your favourite Disney characters whom you are able to interact with, the trailer shows a little girl hugging Snow White.

When John first showed his paintings — mostly of suburban women and girls — at White Columns and later at Andrea Rosen right out of Yale graduate school, they were considered ironic and, in truth, kind of mean, even degrading, to his subjects.

Emin's childhood photographs — later exhibited as part of «My Major Retrospective» her first show at White Cube in 1993, which established her as one of the YBAs — show her as a happy little girl, but it wasn't long before all that would change.

Four years later, with the publication of the companion text to the Neel show, Als returns to what he started in White Girls, this time literally assuming the role of a white girl: Alice White Girls, this time literally assuming the role of a white girl: Alice white girl: Alice Neel.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Philadelphia Museum of Art, Philadelphia, USA Hannah Arendt Denkraum, International art exhibition in former Jewish girls» school, August Strasse, Berlin, Germany Transformation from our collection, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein The Grand Promenade, Emst, National Museum of Contemporary Art, Athens, Greece Into Me / Out of Me, PS1 Contemporary Art Center, Long Island City, New York, USA Infinite Painting, Contemporary Painting and Global Realism, Villa Manin, Codroipo, Italy Surprise, Surprise, Institute of Contemporary Arts, London, England Alexanderplatz Underground Station (line U2), Berlin, organized by NGBK, Berlin, Germany Metropolitanscape, paesaggi urbani nell «arte contemporanea, Palazzo Cavour, Turin, Italy Draft Deceit, Kunstnernes Hus, Oslo, Norway Group Show, Special Exhibition Space, Arndt & Partner, Berlin, Germany La Force de l'art, Grand Palais, Paris, France People, Museo d'arte contemporanea Donnaregina, Naples, Italy Eretica, Civica Galleria d'Arte Moderna, Palermo, Italy Into Me / Out of Me, KW Institute for Contemporary Art, Berlin, Germany Dedica, 20 anni della galleria Alfonso Artiaco, PAN, Palazzo delle Arti, Naples, Italy 2005 The Blake Byrne Collection, MOCA, Los Angeles, California, USA Leçon Zéro, Galerie Chantal Crousel, Paris, France Take Two: Worlds and Views, Contemporary Art from the Collection, MoMA, New York, USA Short Cuts, Bass Museum of Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy Paisaje.

New York, NY 2003 Triennial of contemporary art and design, Museum of Applied Art and Design, Frankfurt, Germany Corporal Identity, Body Language, Museum of Art and Design, New York, NY 2002 FIT, Schroeder Romero Gallery, Brooklyn, NY Artists to Artists, Ace Gallery, New York, NY Unexpected Selections, Martin Margulies collection, The Art Museum at F. I. U. Miami, FL 2001 Sculpture, Flip Side Gallery, Brooklyn, NY The Grammar of Ornament, Memphis College of Art, Memphis, TN 2000 White, Nikolai Fine Art, New York, NY The Dog and Pony Show, The Workspace, New York, NY Red Square, Smack Mellon Studios, Brooklyn, NY 1998 Something to Bump Into, Kagan Martos Gallery, New York, NY Elbowroom, Tredje Sparet, Stockholm, Sweden 2 person exhibition, Daniel Spreng Gallery, Bern, Switzerland 1997 The Pink Wink, New Image Art, West Hollywood, CA Material Girls, Gallery 128, New York, NY 1996 Gender Fucked, Center on Contemporary Art, Seattle, WA Crest Hardware Show, Brooklyn, NY Pieces of Eight, Marymount Manhattan College, New York, NY Pattern and Relief, Smack Mellon Studios, Brooklyn, NY 1995 Revealing Desire, Cristinerose Gallery, New York, NY Wheel of Fortune, Lombard - Freid Gallery, New York, NY 1994 Rough Cuts, the expanded artist's notebook, Henry Street Settlement, New York, NY.

The artist's Tomato Head (Green)(1994), shown in Art Basel Unlimited, the fair's sector for institutional - scale works, sold to an American private collection for $ 4.75 million, followed by the sale of McCarthy's Michael Jackson Inflatable Drawings (2003) for $ 650,000 and sculpture WS, White Snow Flower Girl # 3 (2016) for $ 575,000 on opening day.

Welcoming the viewer into «Big Girl Now,» Ms. Kristalova's concurrent show at Lehmann Maupin, is The Invisible, a 4 - foot - high girl with inky hair sitting on her head like the detachable wig of a Lego figure, an off - white, collared blouse marked with grainy, vertical stains that would look like dried blood if they were slightly less orange, a short, blue - black skirt that flares out like a tutu, long white legs falling into high - top blue Chucks, and a smooth white face with no features at Girl Now,» Ms. Kristalova's concurrent show at Lehmann Maupin, is The Invisible, a 4 - foot - high girl with inky hair sitting on her head like the detachable wig of a Lego figure, an off - white, collared blouse marked with grainy, vertical stains that would look like dried blood if they were slightly less orange, a short, blue - black skirt that flares out like a tutu, long white legs falling into high - top blue Chucks, and a smooth white face with no features at girl with inky hair sitting on her head like the detachable wig of a Lego figure, an off - white, collared blouse marked with grainy, vertical stains that would look like dried blood if they were slightly less orange, a short, blue - black skirt that flares out like a tutu, long white legs falling into high - top blue Chucks, and a smooth white face with no features at all.