Francis Danby (1793 — 1861) The Procession of Cristna Watercolor and gouache, heightened
with white gouache, with gum arabic, some scratching out, on vellum The Pierpont Morgan Library, purchased on the Sunny Crawford von Bülow Fund, 2001.18.
Instead of
using white gouache or Chinese White, you'll need to plan a bit more beforehand to reserve the white areas and possibly use masking fluid for the mast, the boat and maybe the roof of the building and the waterlines around the banks.
On view will be new works by Tokyo - based Tomoo Gokita, who is acclaimed for his black and
white gouache canvases that incorporate exceptional draftsmanship with surreal imagery.
Pen and black ink, gray wash, with touches
of white gouache Signed in black ink at lower right, Joseph Farris.
Through his signature black and
white gouache technique, Gokita mixes figurative and representational elements along with surreal and even abstract creations.
John Ruskin, The Garden of San Miniato near Florence, 1845, watercolor and pen and black ink, heightened
with white gouache, over graphite on wove paper laid down on thick, white paper, Patrons» Permanent Fund, 1991.88.1
Tokyo - based Tomoo Gokita is acclaimed for his black and
white gouache canvases that incorporate exceptional draftsmanship with surreal imagery.
Any white such as Chinese White or Titanium White watercolour is fine, or you could use
any white gouache paint.
Colours: Pthalo blue, French ultramarine, Naples yellow, gamborge hue, alizari crimson, burnt sienna, raw umber, white gouache
Colours: French ultramarine, burnt sienna, viridian, new gamboge, permanent mauve, permanent rose, alizarin crimson, white gouache
But the black - and -
white gouaches and photographs by Jay DeFeo in the other Presenhuber space were gorgeous and sadly neglected by too many rushing to the buffet lunch preceding «POOL,» an exhibition and four - hour - long symposium on collecting and public / private curating hosted by Maja Hoffmann's LUMA Foundation.
Drypoint, machine grinding, roulette, spit bite aquatint, and sanding printed in black from one copper plate, with hand - punched holes, on Somerset Satin paper with hand additions in pencil, watercolor, and white gouache
Etching printed with tone and hand - colored with
white gouache and with red, yellow, and blue chalk and watercolor on paper / Los Angeles County Museum of Art, purchased with funds provided by the Joan Palevsky Bequest.
Rocket Sam in — «Tis the Season of Giving on Planet X-38», 2005, black ink and pen over graphite with
white gouache, on Bristol board
Claude Gellée, called Claude Lorrain (1600 — 1682), Apollo Watching the Herds of Admetus, 1663, pen and brown ink and wash, heightened with
white gouache, over black chalk.