Not exact matches
The gentle pencil and
gouache illustrations, set
on very generous
white space, draw the reader's eyes to the relationship between the two generations.
At first her vocabulary is right out of Mondrian, as is the matte
white of her
gouache on board — but the lines and squares land with the spontaneity of the I Ching.
Judy Chicago, Ca (ts) st of Characters from Kitty City, 1999, watercolor,
white tempera and
gouache on Arches, 22 x 30 in.
Peter Freeman, Inc. will highlight Anne - Marie Schneider (b. 1962), whose prolific artistic output has predominantly centred
on drawing, using pencil, ink,
gouache and watercolour, with a display of black and
white, as well as colour drawings from the late 1980s until today.
But the black - and -
white gouaches and photographs by Jay DeFeo in the other Presenhuber space were gorgeous and sadly neglected by too many rushing to the buffet lunch preceding «POOL,» an exhibition and four - hour - long symposium
on collecting and public / private curating hosted by Maja Hoffmann's LUMA Foundation.
On view will be new works by Tokyo - based Tomoo Gokita, who is acclaimed for his black and
white gouache canvases that incorporate exceptional draftsmanship with surreal imagery.
Gouache on paper, cut and pasted, and ink
on white paper, mounted
on canvas, 139 1/4 x 392 1/4» (353.6 x 996.4 cm).
In Superficie Modulada (1956), made with graphite and
gouache on paper, a series of intersecting lines creates a pattern whereby triangles in variegated shades of purple and pink jostle around a spine of black and
white diamonds, like the design of a backgammon board.
Of course, there were many thematic and visual references to poverty and exclusion that were framed by the discourse of art history — as in a metal construction by Jannis Kounellis [who died in February this year] that combines a hard - edged steel - cast minimalist frame with multicoloured rags of Arte Poveraat
White Cube, for example; or in a an arresting display of Sadie Benning's «drawings» made of wood, Aqua - Resin, casein and acrylic
gouache with motifs reminiscent of African textilesat Susanne Vielmetter Los Angeles Projects; or works about otherness framed by the formerly excluded, or
on their behalf — as in a display from the Goodman Gallery in Johannesburg, South Africa; or Andres Serrano's unforgettable photographs of notable figures in American pop culture, such as his portrait of Snoop Dogg (America)(2002) placed next to that of Donald Trump,
on view at Galerie Nathalie Obadia.
gold,
white gold, pulverized charcoal, mica flake, coffee,
gouache, acrylic medium
on Arches paper mounted
on panel, 61 x 82 x 2 in., Courtesy of the Nancy Toomey Fine Arts.
1969, Blinky Palermo (1943 — 1977),
gouache with pencil under drawing
on smooth
white paper, mounted
on off -
white card.
White gouache paint
on albumen print.
In addition to this key painting and its related studies, the exhibition will also present a range of works in a variety of media that attest to Albers's lifelong investigation into black,
white, and grey, from ink and watercolor works
on paper that pre-date his time at the Bauhaus, to
gouaches executed during his tenure at Black Mountain College, to color studies that shed light
on his working process.
Chocolate Utopian Underground City with Yellow Inner Structure Station with Square Grid under Construction Safety Chrysalis and Abandon Square Habitat with
White Expulsion Area and Central
White Mine Tunnel Transportation Center, 2003, Ink, watercolor, pencil, colored pencil, felt - tip pen, synthetic polymer paint, and
gouache on colored paper, 54 1⁄2 x 78 5/8 in.
Drypoint, machine grinding, roulette, spit bite aquatint, and sanding printed in black from one copper plate, with hand - punched holes,
on Somerset Satin paper with hand additions in pencil, watercolor, and
white gouache
The clouds in LA appeared to Dean to be unconnected to rain, as they are in England, but rather to «imperceptible activity of winds high above the earth's surface,» and they inspired an incredible series of drawings made using spray chalk,
white charcoal and
gouache on salvaged Victorian - era school blackboards, as well as lithographs she produced with Gemini G.E.L..
Gouache (tempera) and graphite
on off -
white, lightly textured wove paper.
Josef Albers, Color Study for
White Line Square Oil
on blotting paper with
gouache, pencil and varnish The Josef and Anni Albers Foundation
Dirk Stewen untitled, Hamburg 2012 Inkjet print,
gouache, paper streamer, silver foil,
white confetti, thread and tape
on paper 49 5/8 x 35 1/8 inches; 126 x 89 cm (unframed) 54 1/2 x 39 1/2 inches 138.4 x 100.3 cm (framed) DETAIL
Dirk Stewen untitled, Hamburg 2012 Inkjet print,
gouache, paper streamer, silver foil,
white confetti, thread and tape
on paper 49 5/8 x 35 1/8 inches; 126 x 89 cm (unframed) 54 1/2 x 39 1/2 inches 138.4 x 100.3 cm (framed)
John Ruskin, The Garden of San Miniato near Florence, 1845, watercolor and pen and black ink, heightened with
white gouache, over graphite
on wove paper laid down
on thick,
white paper, Patrons» Permanent Fund, 1991.88.1
Adolph Gottlieb (1903 - 1974)
White Face signed «Adolph Gottlieb» (lower left) graphite, ink,
gouache and pastel
on paper 18 1/4 x 24 in.
Bottom: Tracey Emin Furniture 2011
Gouache on paper © the artist courtesy of
White Cube photo Ben Westoby
Rocket Sam in — «Tis the Season of Giving
on Planet X-38», 2005, black ink and pen over graphite with
white gouache,
on Bristol board
Josef Albers, Color Study for
White Line Square, oil
on blotting paper with
gouache, pencil and varnish, The Josef and Anni Albers Foundation, inv.
Josef Albers, Color Study for
White Line Square (not dated), oil
on blotting paper with
gouache, pencil and varnish; courtesy The Morgan Library & Museum and The Josef and Anni Albers Foundation
For the
white stars and lights
on the tree, I used
white gouache paint.