Sentences with phrase «white hand print»

Not exact matches

Silver award winners included: VP+C for the Farmacy Beauty entry, with an origami - like box unfolding to reveal the brand story inside with hand - drawn illustrations on the package helping to tell a holistic story about the brand; Fuji's Fuji ・ M ・ O flexible packaging for its inkjet - gravure hybrid printing machine, which combines full - color inkjet printing and water - based white gravure printing; and GreenBlue for the How2Recycle recycling label for packaging, a universal recycling labeling system designed specifically for consumers.

Mens Chicago White Sox Nike Practice Tee Mens Short Sleeve Black Cotton - hand performance Dri - FIT tee for everyday wearability, with team graphic and Swoosh design trademark in non-PVC screen print.

And sometimes in a new home like ours, all you get is a nice coat of off white primer, which is susceptible to brush and hand prints.

Print and assemble several of these modern black and white striped Halloween treat boxes to hand out at Halloween.

Help them to make two hand prints (left and right) on the white card.

The ornament includes 100 % baby safe white paint to make your baby's little hand print.

The Granvela ZOOBOO Gloves come in skeletal hand or bloody claw print designs in blue, black, white, red, or yellow.

The white print has been applied by hand and feels a little bit rough on the face side, leaving the reverse side as smooth as organza can be.

When I saw Teen Vogue's fashion director Gloria Baume's photo in pink mini skirt, white graphic tee layered over by a printed cardigan and pink ballet flats biking her way to a show during fashion week, I was completely convinced that my two loves — fashion and biking — go hand in hand.

We don't know how got her hands on these matching printed Tanya Taylor separates before, but we do know we're loving the surprising, so - Kerry spin she puts on them with her blue - and - white Christian Louboutin heels and white crossbody.

Features an allover hand painted white «splatter» print throughout.

One way to wear these skirts is to get your hands knee length puffed skirt in plain sky blue color and pair it up with a contrasting black and white cheetah print top, tucked inside of the skirt.

The white print has been applied by hand and feels a little bit rough on the face side, leaving the reverse side as smooth as chiffon can be.

Pair the top with a busy print, or that off the shoulder beauty you've been dying to wear with a good pair of white jeans and you have a seriously cute outfit on your hands.

The cone heels sport an incredible black and white checkered print, which even looks to be hand printed onto the heel, and is my favourite feature of the whole design.

They hand - weave this shawl from 100 % silk adding block - printed floral patterns in black on off - white.

The white print has been applied by hand and feels slightly textured to the touch.

Feauters 3 - D hand - woven flower print in purple, white, orange and yellow...

Wear blue and white print heel pump and carry pink color gold lining clutch in her hand.

The interior of the Fiat 500 by Gucci gets two - toned seats in Frau leather with the Guccissima print, glossy and satin chromes and a hand - stitched leather - wrapped steering wheel, finished in a two - tone ivory and white combination.

CreateSpace, on the other hand, has been offering its entire range of trim sizes for color printing as well as for black and white.

This required my assistant - of - the - day Maggie and I to dip Alice's feet and hands in white paint, press her hands and feet on to plastic transparency sheets, cut out the hand prints and foot prints, and then strategically place the plastic prints in the scene, shoot, replace, shoot, etc until we had created the trail you see in the final image.

On the other - hand they still print books in black and white so I don't think its a wasted investment for 1 - 3 years of use.

Subverting ideals of male beauty in beautiful black - and - white prints, often monumentally scaled, his steady scrutiny of his hands, feet, knees, legs, and much more revealed baroque swags of skin, odd eruptions of hair, broken nails, and ropy veins — a willful over-sharing poised between documentary and performance.

The Minneapolis - born artist shoots high - resolution black and white images through glass blocks, then adds photograms during the development process and, for the final layer, hand - paints the prints.

Wrapping the edges of the exhibit are rarely seen black - and - white prints of the artist's graffiti photography, many of which he colored by hand after developing.

Malani hand draws directly onto the prints in ghostly white ink, analogous to the mesmerizing moving images in the original installation, and compiles a range of complex narratives bringing together the past and present.

Julie Mehretu: Colored Prints Exhibit of artist Julie Mehretu's newly hand - colored prints, which replace the black and white images offered inPrints Exhibit of artist Julie Mehretu's newly hand - colored prints, which replace the black and white images offered inprints, which replace the black and white images offered in 2011.

Day for Night State II, 2012 aquatint, sugar lift, white ground, burnishing, and hand painting by the artist 27.5 x 22.5 inches edition of 30 co-published by Smith College and Wingate Studio, printed by Wingate Studio SOLD OUT

The laborious printing process included selecting a black and white photograph transferred to a framed silkscreen, tracing the image, delineating paint areas and hand pulling each paint color across the screen onto the paper or canvas.

Adam Parker simulates cave painting in white carpeting, right down to hand prints beside the galloping horse.

Image Credits: Untitled, 2010, Silkscreened acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 min.

Plexiglas shifts from invisibility to brilliant - opaque when catching light from a certain angle, white threads are colored in strategic lengths to «disappear;» metal rods and chains have a dull but unique luster; and two - dimensional printed images of water contain the depth of an ocean, all at the hands of Oh.

This will be Kofie's second solo show with White Walls, and will include 30 recent works including smaller collage case studies on paper, hand painted multiple screen prints, assemblage on wood, paintings on canvas and wood and a large wall installation.

TOP IMAGE: CHARLES WHITE, «Sound of Silence,» 1978 (color lithograph on paper, 25 1/8 × 35 5/16 inches), Printed by David Panosh, Published by Hand Graphics, Ltd. The Art Institute of Chicago.

Incorporating both white walls and the surrounding ungainly, if eccentrically charming, brutalist architecture, the show makes corporeal connections between the splattered canvas works by VanDyke, the hand - pushed ceramic totem by Brie Ruais, and Meisenberg's delicate abstractions and impressed body prints on canvas, among others.

From a white plastic electrical fan to a scattering of hand - cast plaster bowls in a rainbow of colours and from a roll of LED strip lights to wallpaper and swatches of silk printed with a photographic image of polystyrene, texture seems like a key driver in your practice.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

The Swiss artist Urs Fischer, known mostly for his sculpture, has also made editioned «paintings» — laser prints of untitled landscapes or interiors that achieve a nearly abstract, cracked - mirror effect with uneven bands of red, white, or black that the artist adds by hand, using a fine paintbrush or felt - tipped marker.

Set of 2 books in white leather binding with printed title, gold embossing and metal closure, with text by Joyce Carol Oates, printed from text hand - written by Robert Gober and lithographic end papers, contained in purple linen covered box.

Drypoint, machine grinding, roulette, spit bite aquatint, and sanding printed in black from one copper plate, with hand - punched holes, on Somerset Satin paper with hand additions in pencil, watercolor, and white gouache

Pigment print on archival paper, framed in hand - painted white poplar frame.

Seven pigment prints on archival paper, framed in hand - painted white poplar frames, 46 5/8 x 55 5/8 x 1 1/2 inches.

Serigraph, six color separations silkscreened on hand - painted ground, printed on Arches Cover white paper.

Five pigment prints on archival paper, framed in hand - painted white poplar frames, 30 3/4 x 53 x 1 1/2 inches.

Brian Jones, The Rolling Stones by Terry O'Neill Black and White Silver Gelatin Print, Limited Edition of 50 Hand Signed by Terry O'Neill Other Sizes Available 16 «x20» 20 «x24»...

Description: Patina du Prey Mourning of Kathleen White Healing Hands on the Beach 2015 archival c - prints and thread 48 x 72 inches

White Walls is pleased to present Can't Afford to be Broke, a solo exhibition from Word To Mother, featuring new works on wood along with a small run of exclusive «zines with hand - pulled screen printed cover.

Highlights include a circa - 1800 barn that was adaptively repurposed into a charming residence, the Eliphalet Sturges / George Hand Wright house, which was originally built in 1764 as a simple two - room farm house and extensively remodeled in the colonial revival style by the dean of Westport artists, George Hand Wright, in 1910; «Duck Haven,» a house and cottage on the Saugatuck River adjacent to the historic low - tide crossing point; the David Judah House, circa 1760, which has gone through a meticulous restoration by its owner, who preserved every nail, piece of timber and window; a circa 1840 Italianate house whose owners uncovered an original back staircase hidden by 20th century renovations; Westport's first one - room schoolhouse west of the Saugatuck River, which includes a large collection of signed prints by abstract artist Frank Stella; a reproduction saltbox circa 1966 designed and built by well - known architect George White, which won a Historic Preservation Award this year.

In 1962, when he began, his first rolls of film were Kodachrome, and only after the first year of working in color did he realize that black and white prints enabled him to hold images in his hands rather seeing them on a screen.