Sentences with phrase «white identity politics»

Even many of those who favor lower taxes (or at least oppose higher taxes) and abortion restrictions don't know the Republican Party as anything other than a vehicle for upper - class interest group politics and white identity politics.

Arizona Senator Jeff Flake is fighting to protect conservative principle from the white identity politics of Donald Trump.

Those groups lobbied hard for Trump, and advocate for white identity politics.

Not exact matches

If Obama wins, he can thank blue - collar, non-evangelical white guys in the MIDWEST and Hispanics voting (not without reason, of course) identity politics.

Many people see him as the candidate of identity politics for elderly white people, but many of those same Trump despisers have grown up in the post-Cold War world.

You need to counter the strength of a competing candidate with a similar strength of your own; and being a protected minority is a major winning point in modern American identity - based politics (and being a Dead White Male is a weakness in most juridictions except deep red south).

However, liberal identity politics is increasingly a zero - sum game in which white men must invariably lose out so that women, ethnic minorities and LGBT individuals can prosper.

«White people love playing «divide & rule» We should not play their game», these words, tweeted by Diane Abbott, ignited a storm of accusations and denials of racism and opened a window into the complexities of identity politics.

Since the controversy erupted, director Laura Brownson and team exclusively filmed with Rachel, her sons and her adopted sister Esther, capturing the intimate, vérité life story of a damaged character who lands squarely in the cross-hairs of race and identity politics in America — and exploring how that character still provokes negative reactions from millions who see her as the ultimate example of white privilege.

In spite of its «modern» aspects (extended families, separated and remarried parents, step - fathers and half - siblings, the father's progressive politics, the mother's struggles), it's a time capsule of an America that is no more: white suburbs, established rites of passage, unquestioned gender and ethnic identities, a national territory unchallenged by the rest of the world, no real vanishing point.

Cast: Naomi Watts, Sean Penn, Ty Burrell, Noah Emmerich, Bruce McGill, David Andrews, Sam Shepard Director: Doug Liman Screenplay: Jez Butterworth, John - Henry Butterworth (based on the books, «The Politics of Truth: Inside the Lies That Led to War and Betrayed My Wife's CIA Identity: A Diplomat's Memoir» by Joe Wilson, and, «Fair Game: My Life as a Spy, My Betrayal by the White House» by Valerie Plame) Review published January 8, 2013

The Outcomes of the document read like a parody of academic identity politics, but they stand loud and clear in black and white.

Put simply, contrary to the arguments of many White Democrats (as well as pundits such as Jonathan Chait of New York, Frank Bruni of the New York Times and academic Mark Lilla), focusing on the efforts of Black, Latino, immigrant, and low - income communities for economic, social and political equality (which has often been derisively called «identity politics»), is critical to Democrat success in winning elections as well as in winning support from younger voters who are also concerned about these matters.

And while the»93 biennial didn't inaugurate a game - changing diversity consciousness within institutions (let's face it: the majority of artists represented in museums remain white, male, Euro - American, and heterosexual), the»93 biennial changed the ways an institution itself can engage in the politics of race and identity.

Best known for absurdist public performances, Pope.L has a history of dealing with the politics of race and identity — which the African - American artist doesn't limit to black versus white: His installation at the 2017 Whitney Biennial, for instance, consists of a four - sided structure covered with rows of rotting bologna slices meant to represent the percentage of Jews in New York City.

Best known for absurdist public performances, William Pope.L has a history of dealing with the politics of race and identity — which the African - American artist doesn't limit to black versus white: His installation at the 2017 Whitney Biennial, for instance, consists of a four - sided structure covered with rows of rotting bologna slices meant to represent the percentage of Jews in New York City.

But the exhibition dramatizes the paradox of the triumph of the «post-black» sensibility: the «post-black» artist's concern with identity is championed while connections to other (read white) artists elided in generalizations like «Modernism,» re-inscribing «post-black» artists in a discourse of identity politics.

2009 Beall, Dickson, SLAM for the holidays, West End World, 23 December Dawson, Jessica, Yinka Shonibare, skewing history with his images, The Washington Post, 20 November Judkis, Maura, Yinka Shonibare MBE: «As Artists, We are Liars», Washington City Paper, 13 November Geldard, Rebecca, Time Out, 6 November Lewis, Sarah, Yinka Shonibare: Brooklyn Museum, New York, Artforum, October Cole, Teju, Shonibare's fantasies of empowerment, 234 next.com, 10 July Hoffman, Barbara, Headless Bods, New York Post, 10 July Genocchio, Benjamin, The Rich Were Different (and Perhaps Still Are), The New York Times, 10 July Kazakine, Katya, Adam Smith, Ocelots Channel History in Artist's Textile World, Bloomberg.com, 8 July Lacayo, Richard, Decaptivating, TIME Magazine, 6 July Rosenberg, Karen, Fashions of a Postcolonial Provocateur, The New York Times, 3 July McLaughlin, Mike, Show blows away art world, The Brooklyn Paper, 2 July Olowu, Duro, Style.com/Vogue, July McCartney, Alison, Class, Culture and Identity in Party Time, NJ.com, 26 June Tambay, Defining Blackness Series, Shadow and Act, 21 June Sontag, Deborah, Challenging cultural stereotypes, International Herald Tribune, 19 June Sontag, Deborah, Headless Bodies from Bottomless Imagination, The New York Times, 17 June Bergman, Amerie, Yinka Shonibare MBE @ Museum of Contemporary Art, White Hot, June Later, Paul, Postcolonial Hybrid fuses art and politics, Flavor Pill, Summer How schoolchildren shaped the new Trafalgar Square plinth, The Times, 22 May Knight, Yinka Shonibare at Santa Barbara Museum of Art, Christopher, The LA Times 6 April Hunter, Alice, Encountering Excess, Art of England, Issue 56, April Jeno, Heather, Hip, British - Born Artist's Show Ushers in a New Era at SBMA, The Santa Barbara Independent, 31 March Pote, Mariana, African Art?

On a related note, Charlene Carruthers reminded us on Twitter that «identity politics, when divorced from radical and liberatory political commitments get us more liberalism, white nationalism and misogyny.»

The six installations included in the show were created at a time when earnest discussions around identity politics in liberal intellectual circles were causing a backlash from conservatives, straight white men, shock - jocks, gross - out cartoonists and moviemakers, as well as bad - boy contemporary artists such as Rhoades.

From Glenn Ligon and Lorna Simpson to Kara Walker and Ellen Gallagher, African American identity politics feature prominently in a show that, as if ironically, is mostly black and white.