The 1.33 X 1 black &
white image transfer can show the age of the materials used, but this looks good and comes from pretty good 35 mm archival stock.
Not exact matches
Then the excitement of
transferring those
images onto paper — big, bold, black and
white, my cat's face came through in the developer.
The Hustler's 2.35:1, 1080p
transfer is entirely too smooth; while not as severely airbrushed as DVNR poster children Predator and Patton, the
image lacks texture (fine detail proves frustratingly elusive) and depth — and, needless to say, grain, finally costing the gritty black - and -
white picture some of its social - realist capital.
Print the
image, in reverse, on iron - on
transfer paper, and then iron the
transfer onto a
white t - shirt.
The laborious printing process included selecting a black and
white photograph
transferred to a framed silkscreen, tracing the
image, delineating paint areas and hand pulling each paint color across the screen onto the paper or canvas.
They will learn various techniques of
transferring black - and -
white images onto textile, learn to use stencils and stamps.
They will learn various techniques of
transferring black - and -
white images onto textiles, and learn to use stencils and stamps.
The New York Center for Photographic Arts (NYC4PA) invites photographers world - wide to submit
images using any photographic process (print,
image transfer, emulsion
transfer, encaustic, black and
white, color etc.).
Hans Richter, Still from Filmstudie, 1926 35 mm film
transferred to video (black and
white, silent) March 19 — June 23, 2008 This exhibition considers the transformation of the art object from static
image to light projection within two distinct artistic lineages: the unconventional optical techniques and social analyses of the 1920s Neue Optik, or «New Vision,» generation of artists, among them László Moholy - Nagy, Hans Richter, and Marcel Duchamp; and the situational aesthetics advanced by Gordon Matta - Clark, -LSB-...]
All
images courtesy of the artists and Pace Gallery.Featured
images in slider: Glenn Ligon — Death of Tom, 2008, 16 mm black and
white film / video
transfer, 23 min.; 4:3 aspect ratio, Edition AP 1 of 1.
This bold black and
white image was
transferred onto the back of a door at Annie Sloan HQ in Oxford using Découpage Glue and Varnish.