Sentences with phrase «white images of the faces»

Not exact matches

Such efforts give the lie to what is accurately described as the racist slander that black Americans are incorrigibly incapable of facing the truth about their situation, are perpetually parasitic on the larger society, and have no other strategy than to exploit white guilt in order to continue the free ride that blacks are getting on the wagon that others pull (to use Senator Phil Gramm's ugly image).

The images abound in stock video footage accompanying stories on evangelicals, the religious right, megachurches and the culture wars — the obligatory shots of middle - class worshipers, usually white, in corporate - looking auditoriums or sanctuaries, swaying to the electrified music of «praise bands,» their eyes closed, their enraptured faces tilted heavenward, a hand (or hands) raised to the sky.

The images abound in stock video footage accompanying stories on evangelicals, the religious right, megachurches and the culture wars — the obligatory shots of middle - class worshipers, usually white, in corporate - looking auditoriums or sanctuaries, swaying to the electrified music of «praise bands,» their eyes closed, their enraptured faces tilted heavenward, a hand (or hands) raised to...

Then the excitement of transferring those images onto paper — big, bold, black and white, my cat's face came through in the developer.

He was asked by Channel 4 journalist Michael Crick why a brochure emblazoned with the phrase «changing the face of politics» featured only images of white people.

But then I saw an image of a woman's face surrounded in white light.

Strange images emerge from beneath the white paint: a stern - faced Christ in the throes of judgement; awed saints kneeling in admiration; the miserable damned being cast into the fires of hell.

The film begins with black - and - white newsreel footage of the war's end, cutting to a similarly toned image of Elizabeth's observant face.

(Perhaps it's a mirror image of the difficulties Justin Simien's «Dear White People» faced finding distribution in the U.K.) As far as I know, Kureishi is heterosexual, but he uses gayness as a battering ram against the prejudices of Thatcher's England, as well as the narrow - mindedness of his own diaspora.

Apple has been a leader in accurate display calibration, but all of the iPads and iPhones that we have tested have White Points that are slightly too blue, which can impart a cold or bluish caste to some images — such as in shifting the complexions of faces slightly.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenImages (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenimages of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

If these renowned faces make up her current tribe, the seven black and white images from the O Portfolio at Lacma, running until 15 September, provide a glimpse of her old tribe, the lesbian bondage community in San Francisco where Opie went to school in the 80s.

In the image on the right the polyhedron appears stationary, one of its stark white faces parallel to the picture plane.

In the biennale video below, she went on to talk about one of the installations she presented, a series of primarily black - and - white images in which the faces of all her subjects are erased and replaced with the typewritten phrase «Everything will be taken away.»

Similarly, his apparently sober palette of beiges, browns and greys sometimes gives way to a small flourish of brighter color — a white bow or a ruddy - cheeked face — that breaks into and energizes the whole image.

Relatedly, St. Petersburg - based Sharon Norwood's doctored 19th - century images in which curly Black hair engulfs the faces and bodies of the all - white protagonists as if to show another, imagined history.

Seated with legs akimbo, wearing a constructed traditional tiered wedding cake, with an open smile on her face and wearing a white wedding veil, the image is humorous but wickedly clever in its deconstruction of what the traditional wedding signified (s).

His lithograph Ice Point — which incorporates a slivered image of a woman's face on a starry white background — is published by Visconti / Laxo Vujic in the portfolio Art and Sport to commemorate the upcoming 1984 Winter Olympics in Sarajevo, Yugoslavia.

For example, Podedworny has hung Robert Houle's large canvas Kanata with John Abrams's mighty black and white images of a printing press, a Roman helmet and a child's face.

There are graphite, ink and watercolor portraits of women, images of heads with flourishes of gold embossing powder, and a recent series of collages — black and white photographs of faces cut from vintage Ebony and Jet magazines embellished with watercolor coifs and, in some instances, text.

These artists often perform for their own cameras, either physically as in Paul McCarthy's Face Painting — Floor, White Line 1972 or more conceptually through ideas of self - image and fantasy as in the work of Boris Mikhailov.

An early example is President Elect (1961, Pompidou Centre, Paris), in which the tanned face of John F. Kennedy is combined with unrelated images as if the whole thing was a black - and - white photograph.