Sentences with phrase «white images presented»

Not exact matches

Churches can use black theology to help people overcome oppressive images of the past and present — in some cases, paradoxically, white images that have been financed and constructed by blacks.

look at the false image presented in most white churches and stations like tbn and honestly tell me that's not from the devil.

Presented like a portrait, each image captures a single tree in lush green tones against a crisp white background.

Illustrated by astounding color and black - and - white images, the book presents the best of this mind - bending genre, detailing through insightful commentary and behind - the - scenes stories why each film remains essential viewing.

The black - and - white images are virtually without flaw as presented on this Blu - ray; the often brightly lit shots contain a significant level of detail, with all planes of the image sharply defined.

The famously beautiful black and white images are presented in 1.66:1 widescreen, as intended by Laughton.

Entertainment has a long history of presenting stereotypical images of black people that seemed to be pleasing to some white audiences while minimizing black lives.

Krasinski sets himself up to fail, but I couldn't even feel that good about saying, «Well, at least you tried,» because he makes so many choices I found excruciating: A Greek chorus made up of two guys talking about the female psyche drift in and out of the pastiches; a powerful monologue by Frankie Faison about the humiliating life of his father (a restroom attendant) is intercut with images of the father as a young man standing in the latrine, proudly standing stock - still in his white ice cream suit, while a dialogue ensues between the father of the past and the boy of the present that folds time in the most obvious, theatrical way you could think of.

The disc is presented in 16 × 9 anamorphic widescreen, approximating the original release aspect ratio just fine, and the image is solid, from a clean, well - kept black - and - white print.

Malani hand draws directly onto the prints in ghostly white ink, analogous to the mesmerizing moving images in the original installation, and compiles a range of complex narratives bringing together the past and present.

Employing an aspirational tone, these images present contestable messages about beauty, desire, virtue, and ideal white femininity.

The exhibition, titled Intersections Intersected, looks at the relationship between the past and present by pairing Goldblatt's earlier black - and - white images with his more recent color work.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

Esopus 23 presents specially - commissioned projects exclusive to this issue including a series of images printed on translucent and metallic stocks by Marilyn Minter, a portfolio of die - cut works by Mickalene Thomas, a collection of images and documentation by Jody Wood relating to her ongoing «Beauty in Transition» series, a new series of paintings by Stefan Kürten; drawings by Karo Akpokiere dealing with the challenges of living and working between Berlin and Lagos, and a series of abstract photographic «landscapes» created in the darkroom by master black - and - white printer Chuck Kelton.

There are few images included in the volume and those that are present are black - and - white.

White Cube Bermondsey presents «Tightrope Walk: Painted Images after Abstraction», a group exhibition, curated by Barry Schwabsky.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

Cincinnati Museum Center Presents Treasures in Black & White Historic Photographs of Cincinnati April 25 — October 12, 2014 South Gallery, Cincinnati History Museum Look through the photographer's lens and revisit images that document Cincinnati's neighborhoods, architecture and

The resulting series of 500 images of white monochromes have been presented in a number of different forms since he began making them in the 1990's, appearing as photographic prints, 35 mm slide projections, digital projections and also in book form.

The exhibition will present two sets of related images: some shot as a formal still life on a white ground and others shot in motion on a black ground.

This digital C - print, based on an image from the Robert Langmuir African American Photograph Collection at Emory University, presents artist Sanford Biggers as a remixed minstrel in a top hat and tails, his face and clothing bisected into two halves — one white and one black.

The third present Andy Warhol-esque takes on significant individuals from black history, with black - and - white images placed against tan backgrounds.

In the biennale video below, she went on to talk about one of the installations she presented, a series of primarily black - and - white images in which the faces of all her subjects are erased and replaced with the typewritten phrase «Everything will be taken away.»

Image: Anselm Kiefer Des Meeres und der Liebe Wellen [Detail] 2011 Mixed media and gynaecological instrument on photographic paper © the artist Photo: Charles Duprat Courtesy White Cube White Cube Hoxton Square is pleased to present a new exhibition by the internationally acclaimed artist Anselm Kiefer.

Simultaneously, he presents films / videos which look at the movement of people working, slides, or computer driven black and white abstract images floating through time.

It will be presented by 25 high - contrast black and white photographs, which are from editorial images of the 90's for VOGUE, HARPER»S BAZAAR, INTERVIEW and many other international magazines, to his personal work inspired by modern dance, landscapes, early German and East European cinema and photography.

This exhibition at the De La Warr Pavilion, Bexhill on Sea presents selected images from Magnums London Black & White resin library archive.

Dinh Q. Lê's exhibition at Shoshana Wayne Gallery, Los Angeles, also presents a continuation of Dinh Q. Lê's photo - weavings in which black and white photographs taken during the Vietnam War are woven together with richly colored images from present day.

Despite the similarity in subject matter and composition, these works present a contrast to the black and white images so associated with the artist's work.

A black - and white version of this image was later printed in Booth Steelwork, c. 1937 with the additional caption: «Showing that the adaptability of Mr W. Heath Robinson's «Steelwork» is equal to dealing with any difficulties presented by the site at the locality.»

The images were presented in clean white frames to fit the venue.

Kruglyanskaya was included in «Lost for Words,» Murray Guy, New York (2016); «The Extreme Present,» Aishti Foundation, Beirut (2015); «Tight Rope Walk: Painted Images After Abstraction,» White Cube Bermondsey, London (2015).

Chuck Close Photographs, on view from March 20 through October 2, 2016 features 86 images from 1964 to the present and illustrates the full range of the artist's exploration of photography — from early black and white maquettes, to monumental composite Polaroids, to intimately scaled daguerreotypes and recent Polaroid nudes.

House Sutra: From Cape Town to Kathmandu, 2006, presents a schematic image of a house, filled with white lines in a childlike scrawl.

Malcolm Morley: Painting, Paper, Process brings together works that have rarely been seen together and includes such diverse images as idyllic beach scenes; the artist's beloved black and white border collie, Elsa, in play and repose; and knights in armor, WWII flying aces, and their present day inheritors, the sports stars who carry on the legacy of derring do.

Rudolf Stingel, Untitled (# 4), 1989 Oil and enamel on black and white photograph Image size: 7 5/8 x 9 5/8 inches Frame size: 18 1/2 x 14 1/4 inches February 20 — March 21, 2009 Paula Cooper Gallery presents an exhibition of new work by internationally acclaimed artist Rudolf Stingel.

In this show, the 73 - year - old photographer presents his signature style black - and - white images shot on the streets of Wilkes - Barre, Penn., in 1974 and 1975, shortly after his notable solo outing at the Museum of Modern Art.

In Faded Remains the viewer is presented with a series of images of ancient greek sculptures that now is white, but originally was painted in a variety of colors.

(Mahwah)-- Ramapo College of New Jersey presents a special exhibition of images in its Photo Lounge Gallery: «The Pursuit of Emptiness, Variations of Red, White and Blue,» featuring works by conceptual artist Andor Orand.

Earlier this month, he presented a video narrative, «Afro - Cosmonaut / Alien (White Noise)» at the Moving Image New York art fair.

Presenting only black and white images, the works on view take visitors on a trip through a slice of American history.

The exhibition of large black and white images, «Obscure Structures», will be presented June 26 through August 9, 2015.

In the seventies, if we wanted to know what was being made over the water, in that same week, we often had to make do with black and white grainy photocopied images, so things have certainly improved since then, but the virtual image is a poor substitute for the «real thing», itself already a re-presentation, an image presented to the occipital lobe.

Image size is 14Lx16» Presented in an archival white mat and a plastic sleeve.

In the rear gallery, Kolding will present a large vitrine containing several intimately scaled dioramas made from black and white printed images, which have been mounted to wood and cut to shape.

Another image in which the iPhone itself is visible, the bootscreen — the Apple logo in black with white background is presented.