Sentences with phrase «white ink mounted»

Not exact matches

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

Produced during a residency at the Lower East Side Printshop in New York, the prints use white ink on white retro - reflective vinyl mounted on aluminum — the same materials that cause street signs to glow when hit by a car's headlights at night.

Gouache on paper, cut and pasted, and ink on white paper, mounted on canvas, 139 1/4 x 392 1/4» (353.6 x 996.4 cm).

Zarina Pillar, 2014 BFK light paper printed with black ink and collaged with 22 - karat gold leaf paper mounted on Somerset white paper Unique Sheet size: 25 1/2 x 19 1/2 inches (65.8 x 49.5 cm)

Exhibition Checklist Main Gallery (clockwise from front desk) Untitled, 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp 16 Untitled (Roadmap), 2004 charcoal, pastel on paper mounted on canvas 60 x 80 inches ECp 18 Untitled (Paper Airplanes), 2004 charcoal, pastel on paper mounted on canvas 60 x 80 inches ECp 19 Untitled (Snow White and the Seven Dwarfs), 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp 17 Misadventures of the Liberating Savages, 2004 acrylic, waterbased oil, pencil, collage, ink transfers on amate paper 8 x 116 inches ECd 43 Side Gallery Untitled (Untitled), 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp 15 Untitled (Liberty), 2004 charcoal, pastel on paper mounted on canvas 60 x 60 inches ECp14 Poor George (After PG), First Row: Poor George (After PG) # 12, 2004 ink on paper 14 x 16 inches ECd 38 Poor George (After PG) # 3, 2004 ink on paper 14 x 16 inches ECd 24 Poor George (After PG) # 15, 2004 ink on paper 14 x 16 inches ECd 41 Poor George (After PG) # 16, 2004 ink on paper 14 x 16 inches ECd 42 Poor George (After PG), Second Row: Poor George (After PG) # 14, 2004 ink on paper 14 x 16 inches ECd 40 Poor George (After PG) # 4, 2004 ink on paper 14 x 16 inches ECd 25 Poor George (After PG) # 7, 2004 ink on paper 14 x 16 inches ECd 33 Poor George (After PG) # 8, 2004 ink on paper 14 x 16 inches ECd 34 Poor George (After PG), Third Row: Poor George (After PG) # 9, 2004 ink on paper 14 x 16 inches ECd 35 Poor George (After PG) # 13, 2004 ink on paper 14 x 16 inches ECd 39 Poor George (After PG) # 11, 2004 ink on paper 14 x 16 inches ECd 37 Poor George (After PG) # 10, 2004 ink on paper 14 x 16 inches ECd 36