Sentences with phrase «white ink washes»

Not exact matches

A dark, ink - like wash goes perfectly with a classy blazer and leather, high - end shoes, and a light - washed pair accessorized with some white sneakers is another great combo.

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Wang noticed the slogans on the white wall of the shrine, written in black ink but slightly washed out by the summer rain.

Thomas Gainsborough, Figures in a Wooded Landscape, 1785 — 88, black chalk, black ink wash, with white chalk, worked wet, heightened with white.

Pen and black ink, gray wash, with touches of white gouache Signed in black ink at lower right, Joseph Farris.

From left, Lot 68, «Jerry,» circa 1945 (etching on thick wove paper) by Charles White and Lot 69, «Untitled (Nude Sitting on a Bed),» circa 1948 (pen, ink, pastel and wash on cream wove paper) by Eldzier Cortor.

White Noise Installation, Surge on the Diagonal I, 1973/2008 ink and wash on paper paper: 14 1/8 x 23 inches (35.9 x 58.4 cm) framed: 16 3/4 x 25 3/8 inches (42.5 x 64.5 cm) AMC - WP.12

Figures in a Wooded Landscape, 1785 — 88, black chalk, black ink wash, with white chalk, worked wet, heightened with white.

Agnes Martin, Untitled, 1961, Orange wash, black ink and white ink, Paper size: 20.3 x 20.3 cm Framed: 38.3 x 38.3 cm, Paper size: (8 x 8in) Framed: (15 x 15in)

The drawings envelop viewers in a similarly surreal, ambiguous and unreliable universe, depicted with a subdued combination of pencil, watercolor, ballpoint, white ink and coffee washes.

Depending on the materials and techniques used, the powerful contrast between black and white, or the more subtle contrast of various shades of gray, stresses the structure and the optical effects that bring the works to life, from the subtle vibration of pencil lines to the sustained cadence of flat areas of black and white in acrylic, through soft variations of ink washes.

Also influenced by natural surroundings such as the mountainous areas of southern China, free - flowing charcoal lines and ink washes, overlaid with solid arcs and circles of white paint, in delicate, harmonious compositions are features of Zhou Li's (b 1969) work.

Anthony van Dyck (1599 — 1641), Diana and Endymion, ca. 1625 — 27, pen and point of brush, brown ink and brown wash, heightened with white opaque watercolor, on blue paper, faded to green gray, The Morgan Library & Museum, I, 240.

Claude Gellée, called Claude Lorrain (1600 — 1682), Apollo Watching the Herds of Admetus, 1663, pen and brown ink and wash, heightened with white gouache, over black chalk.