Sentences with phrase «white installation shots»

Colour and black and white photographs Includes colour installation shots by Anthony Stokes of the Venice Biennale, Italy (1982), colour slides of installation shots of «Les Champs de la Sculpture 2000», Champs - Elysees, Paris, France (1999), colour transparencies of installation shots of the solo exhibition at the Galerie Hans Mayer, Dusseldorf, Germany (1994), colour installation shots of bronzes including Hare on Ball and Claw, 1989/90, and Drummer, 1996, installed in the gardens of Galerie Hans Mayer, black and white installation shots by John Webb of «Sculptures in Stone 1973 - 1979» at Waddington Galleries, London, UK, a black and white installation shot of «Barry Flanagan sculptures in bronze 1980 - 1981» at Waddington Galleries.

, 1985 of the Pace Gallery, New York, USA, black and white installation shots of «The British Art Show: Old Allegiances and New Directions 1979 - 1984» at the Royal Scottish Academy, Edinburgh, UK (1985), black and white installation shots by Al Mozell of «Barry Flanagan.

An envelope of black and white installation shots of «Barry Flanagan - A Visual Invitation: sculpture 1967 - 1987» at the Museum of Modern Art, Belgrade, Serbia, black and white installation shots of «Art» 92» at the Business Design Centre, Islington, UK (1992), black and white photograph of Young Elephant, 1985 of the Pace Gallery, New York, USA, black and white installation shots of «The British Art Show: Old Allegiances and New Directions 1979 - 1984» at the Royal Scottish Academy, Edinburgh, UK (1985), black and white installation shots by Al Mozell of «Barry Flanagan.

The image of the black paintings I have relied on over the years is not an image of any given work but a black - and - white installation shot of the Jewish Museum exhibition of the black paintings in 1966 — identical dark gray squares along the wall, one after another.

Recent Sculpture» at The Pace Gallery (1983), black and white installation shot by A Rzepka of «Barry Flanagan» at the Galerie Durand - Dessert, Paris, France (1982), black and white installation shot of «Pier and Ocean» at the Hayward Gallery, London (1980) and black and white Rowan Gallery, London photographs of works including

Recent Sculpture» at The Pace Gallery (1983), black and white installation shot by A Rzepka of «Barry Flanagan» at the Galerie Durand - Dessert, Paris, France (1982), black and white installation shot of «Pier and Ocean» at the Hayward Gallery, London (1980) and black and white Rowan Gallery, London photographs of works including Ducks, 1970, Grass I, 1967/68 and hole in the sea (1), 1970.

Not exact matches

Installation shot, Assemble with Granby Workshop, 18 Jan — 16 Apr 2017, Whitechapel Gallery, Photo: Stephen White

The book title, named after the artwork «For Heaven's Sake» (2008), includes full - color plates of the skull, including fabrication shots and installation shots at the Hong Kong exhibition where this life - size human baby skull cast in platinum and covered in 8,128 pavé - set perfect diamonds: 7,105 natural fancy pink diamonds and 1,023 white diamonds on the fontanel was shown for the first time.

Installation shot of One Side of Broadway, 2005, continuous black and white 35 mm slide projection with sound, projection screen.

She examines the circulation of digital installation views and illustrates the persistent relevance of one specific type: the vacant «installation shot», interwoven with the paradigm of the White Cube.

2005 The Rape of the Sabine Women, single channel High Definition Video Cliff House, multi channel installation 2003 89 seconds at Alcazar, single channel video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen Hatch

Black and white and colour photographs, polaroid's and coloured slides Images of drawings, etchings and bronze sculptures, colour slides of installation shots from the solo exhibition at the Iowa Museum of Art (1995), slides of installation shots by JC Mazur possibly from the group exhibition «Feminin - Masculin» at the Centre Georges Pompidou, Paris, France (1995), colour Polaroid photographs of small bronze pieces of women labelled «Copperfield Archive», «Zilko» and «Umbilical Cord».

It also acquired three acrylic - on - canvas paintings from the»60s by Lawrence Weiner — No Title, Title Unknown and Yellow Wheel with Orange Border — plus three other»60s - era conceptual installations — A Wall Pitted by a Single Air Rifle Shot; Gloss White Lacquer, Sprayed for 2 Minutes at 40 lb Pressure Directly upon the Floor and A 36 x 36 Removal to the Lathing or Support of Plaster or Wallboard from a Wall.

Joyce Pensato, Installation view of «Welcome to My Party,» black and white One Shot enamel, 18 × 18».