Get Out is sharp and cutting during its buildup — you'll never want this section to end — and the addition of two awkwardly ingratiating adults (Catherine Keener and Bradley Whitford) makes a comic meal out of
white liberal privilege with every «cool» handshake and turn of phrase («Hug me, my man!»
Not exact matches
That is why the loudest yelps about
white privilege come from pale - skinned students at the most expensive
liberal arts colleges.
Systemic racism benefits from silence just as much as it thrives under
white liberals who refuse to check their
privilege — those who assume that proximity to their black friend, love interest or neighbor proves that they are not complicit.