Sentences with phrase «white lithographs»

His early black and white lithographs interpret the rounded contours of plants and fruits as simple, minimal lines.

Tworkov's first prints were a series of five black and white lithographs printed in 1965 at Hollander Workshop on Tenth Street in New York (where many of his peers, including Willem de Kooning, Esteban Vicente and Philip Guston had produced notable prints).

Beginning with the black and white lithographs that were popularized by the regionalists and urban realists, and continuing through the experimental intaglio prints of the 1940s and 1950s, the «Pop» explosion of screenprints in the 1960s, and the precision of super realism in the 1970s, printmaking has captured the imagination of countless American artists.

This exhibition is from the permanent collection of the UB Art Galleries, and focuses on Francis's overshadowed black - and - white lithographs — the basis for and sometimes the end Read More»

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

Its walls display a collection of black - and - white lithographs by renowned American artist Richard Serra.

The Bridge exemplifies games as an art form, with beautifully hand - drawn art in the style of a black - and - white lithograph.

A rare black - and - white lithograph, which Munch made in 1895, is one of the highlights of the exhibition.

«Pajaro» is an original black and white lithograph by Arturo A. Secunda.

A rare black - and - white lithograph,...

Every current member was invited to submit one design for a black and white lithograph.

A black - and - white lithograph, one from an extensive suite of prints McLaughlin made as an artist - fellow at Hollywood's Tamarind Lithography Workshop in 1963, is also included in the Norton Simon Museum's current PST exhibition, «Proof: The Rise of Printmaking in Southern California.»

For the May 2014 issue of Art in America, he created a black - and - white lithograph depicting many of his signature motifs, including numbers, a map of the United States and sign language.

Not exact matches

White is an artist, art director, cartoonist and illustrator whose integration of text into found lithographs speaks of the inseparability of language and landscape in contemporary culture.

Nearby is a gorgeous late Jackson Pollock, Untitled, 1951 that is semi-figurative; a Franz Kline black and white calligraphic abstraction, Untitled from 1953; an architectural collage of rectangular shapes by Conrad Marca - Relli from 1965; and, from 1976, the Larry Rivers pop - historical Big B Signs Up, a lithograph of two hands clasping a quill pen created by Rivers to mark the U.S. Bicentennial and honor Benjamin Franklin's signing the Declaration of Independence.

Featuring a series of etchings and lithographs produced at Mark Attwood's Artists» Press studio in White River as well as mixed media collage drawings and paintings all the size of vinyl record covers; Nhlengethwa's new works are stark, mostly monochromatic and affectingly vivid, echoing the emotion of Davis's melody.

Vendler had already done an edition of Ashbery's «Self - Portrait in a Convex Mirror» for Arion, printed on roundel pages — wheels of paper 18» in diameter — with work by several artists, including Willem de Kooning and Jim Dine, as well as a selection of Wallace Stevens with a frontispiece by Jasper Johns; 1992 saw an edition of Kaddish, White Shroud and Black Shroud with lithograph portraits by Kitaj.

Rauschenberg with First Lady Hillary Clinton and President Bill Clinton during the White House presentation of the artist's lithographs to mark 10th anniversary of Friends of Art and Preservation in Embassies, Washington, D.C., 1996.

Lot 122: CHARLES WHITE (1918 — 1979), «Love Letter # 1 (Angela Davis),» 1971 (color lithograph on handmade cream wove paper).

While drawing a master copy of Otis instructor Charles White's lithograph of Frederick Douglass, he had a realization about the insularity of white figures representing ideal beauty throughout art hisWhite's lithograph of Frederick Douglass, he had a realization about the insularity of white figures representing ideal beauty throughout art hiswhite figures representing ideal beauty throughout art history.

The Suite of Plant Lithographs, which is the first ensemble of this noted figurative theme in Kelly's work, is a testament to the clarity and visual strength of these pieces, and their adjacency to the other black and white works underscores their alliance with the strict abstraction that characterizes the rest of the exhibition.

Angela Davis took her post at UCLA the year before, after studying in San Diego and Berlin, and Charles White offers a Love Letter — a lithograph of her afro and bare shoulders above a rumbled field and a rose.

(A pendant show here, Kerry James Marshall Selects, offers a revealing glimpse of the artist's sources and inspirations: a stern portrait from the workshop of Hans Holbein, flowing figure studies by Veronese, a social - realist lithograph by his former teacher Charles Wilbert White, and a photograph of Gerhard Richter's wife, smudged with paint.)

Lithograph, etching, aquatint, relief, stamping, screenprint on white TGL handmade paper; metalized silver foil

Lithographs on Somerset 300gsm velvet white paper.

Roger Shimomura (American, b. 1939) American Buddhahead, 2012 from the series American Knockoff color lithograph on white Arches cover paper 29 x 10 inches Collection of the Kemper Museum of Contemporary Art, Kansas City, Missouri Gift of the Lawrence Lithography Workshop in honor of the 20th Anniversary of the Kemper Museum of Contemporary Art, 2014.9 © Roger Shimomura, courtesy of the Lawrence Lithography Workshop.

The pairing of two palettes — black, white, and grey and an array of yellows — stems in part from Albers's 1964 series of lithographs, Midnight and Noon, which brought together these two opposing color sets in a single portfolio.

Included in the exhibition are acrylics, drawings, etchings, gouaches, lithographs, screen prints by such noted artists as Benny Andrews, Romare Bearden, John Biggers, Elizabeth Catlett, Eldizer Cortor, Jacob Lawrence, Henry Ossawa Tanner, Charles White and many other outstanding artists.

TOP IMAGE: CHARLES WHITE, «Sound of Silence,» 1978 (color lithograph on paper, 25 1/8 × 35 5/16 inches), Printed by David Panosh, Published by Hand Graphics, Ltd. The Art Institute of Chicago.

[11] The most recent of his several retrospectives, a five - decade print retrospective comprising eighty - six lithographs, mezzotints, and drypoints from the James F. White Collection, was shown at the New Orleans Museum of Art, New Orleans, Louisiana, in 2006 at the time of a celebratory reopening of the museum six months after the devastation of Hurricane Katrina.

[88] In 2010, during British prime minister David Cameron's first visit to Washington, President Barack Obama presented him with a signed two - colour lithograph by Ruscha, Column With Speed Lines (2003), chosen for its red, white and blue colours.

There is something for everyone — woodcut, intaglio, lithographs, digital prints and monoprints — and imagery that is representational, abstract, colorful, or simply black and white.

Standouts include a Ruscha lithograph that depicts the signature implements of the California Gold Rush - a pick, pan and shovel - against a gold background and Richter's largely abstract black - and - white silkscreen of the Swiss Alps.

This Mark Rothko original Abstract Expressionist Modernist lithograph print poster» No. 14 White & Greens in Blue» 1957 is a very special piece to add to your collection.

HELEN FRANKENTHALER (B. 1928) Un Poco Más (Harrison 140) lithograph in colors, 1987, on Arches Cover, signed and dated in white pencil, numbered 59/60 (there were also 12 artist's proofs), published by Ediçiones Poligrafa, Barcelona, with full margins, the colors slightly attenuated, minor skinning at the reverse of the margin edges, otherwise in good condition L. 23 1/2 x 30 in.

HELEN FRANKENTHALER Un Poco Màs (H. 140) lithograph in colors, 1987, on White Arches Cover paper, signed and dated in pencil, numbered 46/60 (there were also 12 artist's proofs), published by Ediciones Poligrafa, S. A., Barcelona, the full sheet, minor rubbing in the lower corners, pale foxing on the reverse, otherwise in very good condition S. 27 x 37 in.

BODIES IS SPACE [WHITE], 2007 Lithograph on 300 gsm Velin d'Arches paper 78 x 230.5 cm BODIES IN SPACE [BLACK], 2007 Lithograph on 300 gsm Velin d'Arches paper 78 x 230.5 cm Installation view, MACRO, Rome, Italy, 2010 Photograph by Davide Franceschini, Rome

Artist: Kiki Smith Title of Work: Litter (Fireplace Editions) Year: 1999 Plate Dimensions: 22 ″ x 30 ″ Material: Lithograph in 4 colors with gilding on Arches Cover White paper Photo Line: © Kiki Smith / Universal Limited Art Editions, 1999.

David Hockney Tyler Dining Room From the Moving Focus Series, 1984 Lithograph on white TGL handmade paper 32 X 40 in.

This Mark Rothko original Abstract Expressionist Modernist lithograph print poster» No. 14 White & Greens in Blue» 1957... more This Mark Rothko original Abstract Expressionist Modernist lithograph print poster» No. 14 White & Greens in Blue» 1957 is a very special piece to add to your collection.

HELEN FRANKENTHALER (B. 1928) White Portal (Harrison 10) lithograph in colors, 1967, on Arches, signed and dated in pencil, numbered 18/18 (there were also 4 artist's proofs), with the ULAE blindstamp, West Islip, New York, with full margins, 6 tiny pin holes in the blue areas, time staining at the extreme margin edges, minor remains of old tape at the reverse of the margin corners, otherwise in very good condition.

HELEN FRANKENTHALER (B. 1928) Mirabelle (Harrison 169) lithograph in colors, 1985 - 90, on Arches, signed and dated in white pencil, numbered 21/56 (there were also 14 artist's proofs), with the Tyler Graphics Ltd., blindstamp, Mt. Kisco, New York, the full sheet, in excellent condition, framed S. 30 1/8 x 37 1/8 in.

This lithograph print poster features a painting by Rothko titled» No. 14 White & Greens in Blue» created in 1957.

Lithograph on thin off - white wove paper.

1965/66 Medium: Lithograph on Rives BFK white paper Sheet size: 35 7/16 x 24 1/2 inches Printer: Imprimerie Arte, Paris Publisher: Maeght Editeur, Paris Edition size: 75, plus proofs Catalogue raisonné: Axsom 47 Signed and numbered, lower margin; titled, verso

Robert Gober, not known for an ongoing commitment to racial issues, produced what he saw as a commentary on white guilt by juxtaposing a white sleeping man with a black hanged man in a 1989 lithograph — and generated a similar controversy to today's when black employees at the Hirshhorn Museum, where it was exhibited, protested.

His somber lithographs and monotypes, usually in black and white and strongly influenced by Goya, conveyed a turbulent sense of drama and struggle.

From there it's Stacy Engman's launch of Art Capsul art - fashion collaborations at Joyce department store and then a circuitous zig - zag through the Pedder Building's marble corridors from Hanart TZ (Wenda Gu) to Gagosian (Giacometti lithographs) to Lehmann Maupin (Hernan Bas) and Simon Lee (Toby Ziegler), before a short drive to 50 Connaught Road's marble corridors and White Cube (Mark Bradford) and Galerie Perrotin (Ryan McGinley, Jean - Michel Othoniel).

The survey includes recent large multi-panel and single - panel color photographic works, early black - and - white gelatin silver prints, dye destruction prints, waterless lithographs, and Polaroid prints.

In Ryan Gander's I've Got the Money If You've Got the Time, 2011, eighteen lithographs form a block of white pages framed by thick black lines.