Sentences with phrase «white markings covering»

Not exact matches

The «Mark Hunt is suing the «caps» > UFC and Dana White» story involves alleged negligence, cover ups, steroid use, and Brock Lesnar.

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The Judge Steps Out (Boris Ingster, 1949) Laughter in Hell (Edward L. Cahn, 1933) Afraid to Talk / Merry - Go - Round (Edward L. Cahn, 1932) Woman in Hiding (Michael Gordon, 1950) Mr. Skitch (James Cruze, 1933) Union Depot (Gentleman for a Day, Alfred E. Green, 1932) A House Divided (William Wyler, 1931) The Son - Daughter (Clarence Brown, 1932) Cover Up (Alfred E. Green, 1949) Le code a changé (Change of Plans, Danièle Thompson, 2009) Alina (Giorgio Pàstina, 1950) Parachute Jumper (Alfred E. Green, 1933) We Were Dancing (Robert Z. Leonard, 1942) Die Somme - Das Grab der Millionen (The Somme, Heinz Paul, 1930) Conrad in Quest of His Youth (William C. de Mille, 1920) Transatlantic (William K. Howard, 1931) Cry of the Hunted (Joseph H. Lewis, 1953) L'Engrenage (Louis Feuillade, 1919) No Man's Woman (Franklin Adreon, 1955) Time Table (Mark Stevens, 1956) The Lone Hand (George Sherman, 1953) The Threat (Felix E. Feist, 1949) Hotel Berlin / Vicki Baum's «Hotel Berlin» (Peter Godfrey, 1945) Confidential Agent (Herman Shumlin, 1945) Roger La Honte (Trap for the Assassin; Riccardo Freda, 1966) Pierrot Pierrette (Louis Feuillade, 1924) Getting Mary Married (Allan Dwan, 1919) The Idle Rich (William C. de Mille, 1929) Kiki (Clarence Brown, 1926) The Woman in White (Peter Godfrey, 1948) Yoru no tsuzumi (Night Drum, Imai Tadashi, 1958) She Couldn't Say No (Lloyd Bacon, 1954) Confession (Joe May, 1937) This Could Be the Night (Robert Wise, 1957) Ex-Lady (Robert Florey, 1933) Front Page Woman (Michael Curtiz, 1935) The Great Jewel Robber (Peter Godfrey, 1950) Deep Impact (Mimi Leder, 1998) Within the Law (Frank Lloyd, 1923) Prime (Ben Younger, 2005) Forged Passport (John H. Auer, 1939) So Young So Bad (Bernard Vorhaus & Edgar G. Ulmer, 1950) The Forbidden City (Sidney A. Franklin, 1918)

Tutorials covered are Resizing an Image, Converting an image to Black and White, Using the Hues / Saturation option, Brightness / Contrast option, Using levels to create a sunset image, Sepia Toning an image, Inserting Text on a image, Cropping an Image and Cloning unwanted marks on an image.

The coat should be at least 51 % white, with tan, black, or brown markings covering the rest.

Karelian Bear Dogs have strong, medium - sized frames covered in short, dense, straight coats that usually come in black with white markings.

White markings usually appear on the belly or feet and shouldn't cover more than one - third of the coat.

A solid color Goldendoodle with white markings that cover less than 50 % of the body are known by several names: abstract, mismarks, or chrome.

White marks as a fault are already covered in 14.0.

Late last month, when the spring 2015 release window was announced for Hyperdimension Neptunia Victory II, one of the plot details involved a mysterious white console covered in swirl marks.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

Featuring a series of etchings and lithographs produced at Mark Attwood's Artists» Press studio in White River as well as mixed media collage drawings and paintings all the size of vinyl record covers; Nhlengethwa's new works are stark, mostly monochromatic and affectingly vivid, echoing the emotion of Davis's melody.

Inspired by the graffiti artists whose marks covered the city's subway cars, Haring began to draw in white chalk over the black paper used to cover vacant advertising panels.

This image of the work turned on its side, made from an archival slide, documents the drips of white paint that marked the work's surface until Rauschenberg covered it with a fresh coat of black paint.

Yayoi Kusama: Give Me Love documents the artist's most recent exhibition at David Zwirner, New York, which marked the US debut of The Obliteration Room, an all - white interior that viewers were invited to cover with dot stickers of various sizes and colors.

The show includes a wood panel covered with black cedar shingles by Aaron Aujla (b. 1986); a vertical monochrome whose surface is marked by circular holes, which turn out to be the insides of plastic caps for cans of spray paint, by Dylan Bailey (1985); and a ghostly square monochrome whose surface is made from horizontal rows of strapping tape, translucent but reinforced with white string, by Chris Duncan (b. 1974).

Pinky peach accents in the duvet cover, cushion, artwork and bedside lights mark a departure from the grey, white and green schemes found throughout the house, though the shell of this palette remains in the walls and carpet.