Sentences with phrase «white men whose»

Classic examples are Willem De Kooning, Jackson Pollack, Mark Rothko, all white men whose appeal was based as much on talent as a cult of personality.

Classic examples are Willem De Kooning, Jackson Pollack, Mark Rothko, all white men whose... Read more»

So out of the three proposals each reviewer received, at least two were from white men whose names had not been altered.

Compared with other pro sports, the Tour is stodgy, a place for privileged and pampered white men whose idea of a world crisis is not enough courtesy cars and too many spike marks.

Joseph was a trim, middle - aged white man whose hair, eyebrows and soul patch were fairer than his skin, giving him a crisp and youthful look.

It also subscribes to one of these festival's dominant themes, evident also in Michael Haneke's «Happy End» and Ruben Östlund's «The Square»: the moral idiocy of a privileged, dishonest white man whose actions will inevitably take a toll on his young children.

Not exact matches

«Working with Clarence was the toughest challenge in my career,» says Scott, «as the more you gave of yourself, the more was expected of you — seven days per week and always driven by a man whose own anger and frustration with what had happened to his people by «white guys» made him determined and impatient to advance his own nation's well - being.»

There's a solution I like, and it comes courtesy of Hollywood — specifically, from actress - writer - producer Mindy Kaling, whose impressive success as a young woman of colour in a town run by old white men routinely spurs people to ask where she gets her confidence.

OKLAHOMA CITY (AP)- Four white people are facing charges in the deaths of two black men whose bodies were found dismembered and chained to cinder...

OKLAHOMA CITY (AP)-- Four white people are facing charges in the deaths of two black men whose bodies were found dismembered and chained to cinder blocks in an Oklahoma City pond, but the prosecutor handling the case said Thursday the killings are not believed to be racially motivated.

We were surprised to meet Anthony there: a twenty - six - year - old white man in an argyle sweater vest, white dress shirt, tie, baggy plaid pants, and sneakers, at the old Methodist church in Maytown, Ohio, whose white steeple rises behind the trees in our backyard.

The old man, whose white beard flowed down to his chest, stood and held a ladder that extended to the top of the wall.

XLVI There I beheld the Ancient of days, whose head was like white wool, and with him another, whose countenance resembled that of man.

A non-citizen man who can not voice a single opinion that is not fed to him by his controllers, a man who disdains this country, who is NOT a christian, whose mother's history was rewritten after he ran for office (she was a known wh * re not a «good citizen» as she is now portrayed, a man who is a racist against whites even though he is half - white, a man whose wife is disbarred....

In the summer of 1986, when the Greenwich Village bookstores were crowded with Jay McInerney's Bright Lights, Big City — a novel whose method of demonstrating the bankruptcy of our culture, one critic said, is to chronicle its parties — and Bret Easton Ellis's Less than Zero and Don DeLillo's White Noise, all in shiny paperback covers, I remembered a New York Times review that called Richard Ford's The Sportswriter a novel about a good man.

A man who flies higher, but with no less zest, is Jim Hershberger, an oil - rich Wichita sportsman whose personal Lear - jet, a 500 - mph craft with a plush, white - carpeted interior, comes in handy for business as well as pleasure trips.

Into these waters last month moved the Upper Skagit Indians, whose eye for steelhead (at 20 cents a pound wholesale) is every bit as sharp as the white man's but whose interest in conservation is a good deal duller.

The man whose fate, and accompanying hoopla had become a global phenomenon — Wenger Out banners popped up everywhere from Wankhede Stadium to the White House — announced that his watch was over.

Tuteur has several complaints about the movement (whose proponents she compares to creationists and antivaccers): namely, it subverts actual science; it relegates mothers back to the home; it is founded on a few elderly white men's sexist and religious beliefs about controlling women's bodies; and it has created lucrative industries and lobbying groups that make the movement unduly influential.

A surprisingly good election campaign for the woman whose career low point was appearing to sneer at «white van man», she put in some good performances on TV and radio, including standing in for Diana Abbott when she was withdrawn from a Woman's Hour debate.

And perhaps most notably there was Howard Beach, which spawned angry protests by the city's black residents - three black men whose car had broken down in the all - white area were attacked by a gang of white youths.

Robyn Biti, Graeme Stewart of Westmead Hospital in Sydney, Australia, and colleagues report that they have found an HIV - infected homosexual man whose white blood cells contain a defective copy of a critical surface protein, called CCR5, that the virus uses to gain entry into the cells.

In men ages 15 to 44 years, American Indians or Alaska Natives (whose numbers were small) had the highest rates of death from legal intervention, but blacks and African Americans, and white Hispanics or Latinos all had rates that were significantly higher than those experienced by non-Hispanic whites and Asians or Pacific Islanders.

Any white man can browse and choose black women from a... Civil rights figure Recy Taylor dies at age 97 1 day ago ago Dec. 29 (UPI)-- Recy Taylor, a black Alabama woman whose rape by six white men in

The man in this video is more or less trying mimic white men who say they won't date a white woman whose been with black men due to their purely racist ideals.

A white woman growing up in rural America whose favorite hobby is horseback riding, might find it very difficult to find common ground with either a black or white man who was raised in Los Angeles.

Serena Williams «Dating Black Guys» Quotes Did Serena Williams announce she'd «stopped dating black guys» because «a white man is the only real choice She just started telling her friends she is pregnant, a source tells PEOPLE of first - time mom - to - be Mindy Kaling, whose baby news went public Monday

For a long time, there have always been a number of white women whose preference of partners lies more on the charming black men than their white counterparts, with a wide range of reasons, most being facts others fictitious but still hold water with many white women.

The most prominent characters include Haven Hamilton (Henry Gibson), a socially conservative, arrogant country music star; Linnea Reese (Lily Tomlin), a gospel singer and mother of two deaf children; Del Reese (Ned Beatty), her lawyer husband and Hamilton's legal representative, who works as the local political organizer for the Tea Party - like Hal Philip Walker Presidential campaign; Opal (Geraldine Chaplin), an insufferably garrulous and pretentious BBC Radio reporter on assignment in Nashville, or so she claims; talented but self - involved sex - addict Tom Frank (Keith Carradine), one - third of a moderately successful folk trio who's anxious to launch a solo career; John Triplette (Michael Murphy), the duplicitous campaign consultant who condescendingly tries to secure top Nashville stars to perform at a nationally - syndicated campaign rally; Barbara Jean (Ronee Blakley), the emotionally - fragile, beloved Loretta Lynn - like country star recovering from a burn accident; Barnett (Allen Garfield), Barbara Jean's overwhelmed manager - husband; Mr. Green (Keenan Wynn), whose never - seen ailing wife is on the same hospital ward as Barbara Jean; groupie Martha (Shelley Duvall), Green's niece, ostensibly there to visit her ailing aunt but so personally irresponsible that she instead spends all her time picking up men; Pfc. Glenn Kelly (Scott Glenn), who claims his mother saved Barbara Jean's life but who mostly seems obsessed with the country music star; Sueleen Gay (Gwen Welles), a waitress longing for country music fame, despite her vacuous talent; Bill and Mary (Allan F. Nicholls and Cristina Raines), the other two - thirds of Tom's folk act, whose ambition overrides constant personal rancor; Winifred (Barbara Harris), another would - be singer - songwriter, fleeing to Nashville from her working - class husband, Star (Bert Remsen); Kenny Frasier (David Hayward), a loner who rents a room from Mr. Green and carries around a violin case; Bud Hamilton (Dave Peel), the gentle, loyal son of the abrasive Hamilton; Connie White (Karen Black), a glamorous country star who is a last - minute substitute for Barbara Jean at the Grand Old Opry; Wade Cooley (Robert DoQui), a cook at the airport restaurant where Sueleen works as a waitress and who tries unsuccessfully to convince her that she has no talent; and the eccentric Tricycle Man (Jeff Goldblum), who rides around in a three - wheel motorcycle, occasionally interacting with the other characters, showing off his amateur magic tricks, but who has no dialogue.

Portraying this side of Darwin is probably an intentional P.R. white - washing by the producers of a man whose beliefs had unintended disastrous consequences on the world (e.g., fueling racism, violence, etc.).

In a year where we had some pretty cool and unusual things happening in mainstream cinema (an animated «princess» movie where the most important relationship was between two sisters, a space thriller whose face was a middle - aged woman, a high - grossing action movie starring a young woman, a sci - fi blockbuster where 2/3 leads were NOT white men, a female buddy - cop movie), this just seems....

WHITE GIRL is quick to put Leah in a series of degrading scenarios; almost every man she meets treats her like she's an idiot whose only use can be sex.

Here is the story of a man whose first pivotal memory is as a young servant picking cotton at a farm in the South, helplessly watching his father being murdered in cold blood for daring to call out the owner for raping and beating his mother, and whose final scenes in the movie see him visiting the White House after voting for the first African American President of the United States.

Haley amasses more interest in his quartet of young men, though Rob Brown, Michael Pitt, and Christopher Abbott (an actor whose talents are a bit underserved here, especially if you manage to see him in this year's James White, which reached limited theatrical release only a week prior) all play certain «types» of people, while Dan Stevens gets to do something a little more colorful (though quite silly and ultimately, convoluted).

«Sebastian Stan's rehabilitated assassin now goes by White Wolf,» the magazine says in its description of a cover featuring Bucky and the Guardians of the Galaxy's Mantis, «It's intriguing to see a man whose memories were scrambled, wiped, and rebuilt paired with Pom Klementieff's alien mind - reader.»

But Gosling's Stephen Myers is the man behind the man: the campaign whiz kid whose super-smart spin and speech - writing will get Morris to the White House.

Dirty Laundry (PG - 13 for profanity, sexuality, homophobic slurs and mature themes) Out of the closet comedy about a black man (Rockmond Dunbar), living on the down low with a white boyfriend (Joey Costello) in New York City, whose world is turned upside - down when he learns that he has a son (Aaron Grady Shaw) back in his small Southern hometown where nobody knows he's gay.

We've all seen the image of the venerable Karl Marx, the earth - shattering theorist with the full white beard, the man whose massive,...

But no space was smaller and more dangerous than the green room of Green Room, whose pressure - cooker scenario has provided 2016 with its most suffocating, white - knuckle thrills — complicated, granted, by the death of leading man Anton Yelchin and the uncomfortable parallels between the film's hatemongering villains and the real ones bellowing at rallies across the country.

The main character is a man of Japanese descent whose mind has been forcibly put in the body of a white man — which means Joel Kinnaman, the show's star, is portraying an Asian character.

Here they are surrounded, not only by gold, but also worshipping natives who mistake these two white men on a horse for gods whose arrival has been foretold in their native history.

Now they move together from the positively demure «Single Man» to the cunning sordidness of «Nocturnal Animals,» as done up in the height of LA art chic - meets white trash murderousness, Given a multi-story enigma of a film, Korzeniowski's ultra-lush themes beautifully dress up unspeakable behavior, a rapture of erotic orchestral melody whose contrast with the onscreen grotesqueries is exactly the point as his music shivers with anticipation towards the next shocking chapter.

Well, he's bored white collar type John Clark, a man whose loving family (among them Susan Sarandon as wife Beverly) aren't quite enough to compensate for the throes of mid-life crisis.

Nonetheless, this is a more diverse field than usual; the inclusion of Peele, whose only the fourth black director ever to nab a nod, and the Mexican genre visionary Del Toro, makes this the first time ever that white men don't make up the majority of the DGA lineup.

Sharon (Michon), whose many different hairpieces are a hoot, is outgoing and outspoken, engaged to Lars Hagerbakke (Gary Anthony Williams), who is a bit confused about his identity, in part because he is a black man adopted by a white Swedish family.

The story of a Muslim man, whose parents want him to have an arranged marriage, but he falls in love with a white, non-Muslim girl.

The horror film, which told the story of a black man who was dating a white woman whose family turns out to be auctioning his body to a group of white supremacists, was Peele's directorial debut.

The movie boasts charming and intelligent lead performances from Kristen Stewart and Jesse Eisenberg — a career - highlight for Eisenberg, actually, who plays a white tuxedo - ed Manhattan nightclub manager whose broken heart has caused him to undergo a Bogartian growing up: from a gauche boy to a mature, disillusioned man, trapped in the wrong marriage.

Compare that to a sentence from Collier's Encyclopedia, first published in 1950: «As he makes very clear to Starbuck, his first mate, Captain Ahab envisions in Moby - Dick the visible form of a malicious Fate which governs man thoughtlessly...» Or the description of Ahab in the 1953 Encyclopedia Americana: «a crazed captain whose one thought is the capture of a ferocious monster that had maimed him...» Or even this in CliffsNotes from 1966: «Ahab's monomania is seen then in his determination to view the White Whale as the symbol of all the evil of the universe.»

Journalist Patrick McCloskey spent the 1999 — 00 school year embedded at Rice High School, an all - boys school in Harlem whose initially white student body had long since been replaced by the predominantly African American (and mostly non-Catholic) young men it serves today.