Not exact matches
In the 5th century BCE, a Greek physician named Ctsesias described the Unicorn: «the body is
white, the head is dark red, the eyes dark blue; the base of the horn is
white, the upper part crimson, the
middle section black.
Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to
middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and
white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen
section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.
Unfocused, its
middle section is extraordinarily boring, little more than a power struggle in an empty house between Glover (ego), a
white rat named Socrates (superego), and a giant brown rat named Ben (id).
The source print's pristine beauty, however, is a Catch - 22, for in addition to killing the maverick texture of the piece, it erases Murch's logic of inserting sounds of thunder in the
middle section's all -
white scenes.
Could be printed for pupils to write links in the
middle section or projected onto the board with pupils writing links in their exercise books, mini
white boards.
There's a great design floating out there that places the flight number, gate, seat assignment and zone in large,
white text against a black background in the
middle of the pass, then splashes the airline's logo colors in the background and relegates the bar code to a small
section in the bottom right corner.
The pink element was fabulously flesh - like and the
white section in the
middle had a roughness that hinted at sun shining through a broken cloud.
I am referring here to a
section of London's contemporary arts community comprising largely, but not exclusively,
white middle - or upper -
middle - class artists; a
section unburdened by histories of oppression, suffused with privilege and the necessary leisure time available for seekership.
Artfully staged by Wave Hill gardener Susannah Strazzera, they form part of her blue - and -
white themed arrangement in the
middle of the Palm House, the central
section of the Conservatory.
One
section of the coloured bands is a distorted image of Caster Semenya (a South African
middle - distance runner who has appeared in several works by Dordoy), intersected by a black - and -
white image of an outstretched hand holding a lit candle, the melting wax pouring over the side of the palm.
Just below, a
section of the same
white patch has been partially overpainted with a dry brush pulled from the intense red of the
middle area.
The body of a carnivine is arranged in three layers, with the bottom composed of its leg - like roots, the
middle being made of a circle of large, green leaves, and the top holding its three
white, fanged flowers, connected to the leafy
section by flexible stems.
We
sectioned off the
middle with tape and a laser level tool and painted it
white.