Sentences with phrase «white monochrome paintings»

Touby's series of white monochrome paintings are a conceptual reference to the artist's l...
A curious feature of this exhibit are the black - and - white monochrome paintings that really don't work.
In the mid-1960s, Mary Corse developed an interest in white monochrome paintings.
A Bad Envrionment for White Monochrome Paintings solo exhibition, Mattress Factory, Pittsburgh.
Upstairs, a suite of large - scale photographs of an exterior wall of Ms. Barth's studio mimics the lineage of white monochrome paintings.
Touby's series of white monochrome paintings are a conceptual reference to the artist's longtime relati...
The exhibition was shown simultaneously with «Bad Environment for White Monochrome Paintings», at The Mattress Factory, Pittsburgh (1993).
Featuring seven recent white monochrome paintings by the artist, this represents the first solo exhibition of Chung's work in London.
The Mattress Factory in Pittsburgh hosted Hirst's installation piece «A Bad Environment for White Monochrome Painting» (1993).
The 1998 Tony award winning Broadway play «Art» employed a white monochrome painting as a prop to generate an argument about aesthetics which made up the bulk of the play.

Not exact matches

Nothing is ever as black and white as the picture painted in the monochrome of the red top.
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A lowered suspension helps those 22 - inch wheels fit nicely under the bodywork that's coated in monochrome, matte Pearl White paint.
Leila Packer, Curator at The National Gallery in London, talks about the Gallery's groundbreaking monochrome exhibit, the first major exhibition to trace the history of black and white paintings from the 12th century to today.
Black and white checkerboard floors and ebony furniture speak to a bygone era, as do the monochrome photos that share the walls with bold and colourful oil paintings and framed textiles.
They include the «Black» and «White» paintings: dense thickets of monochrome paint, with collaged, cut and reused canvas additions.
The exhibition brings together a selection of nine paintings on monochrome stone (slate and white marble) by Italian painters such as Sebastiano del Piombo, Titian, Daniele da Volterra and Leandro Bassano, which reflect the consolidation of a new approach to artistic techniques that emerged in the early decades of the 16th century.
Cage observed that the monochrome surfaces of the White Paintings, uninflected by gestural brushstrokes, reflected changes in light and shadows in their surrounding environment.
This is the period of her most recognisable works, the Accumulation sculptures, in which paint ceases to be an object and finds itself in the domain of sculpture, with an abundance of phallic appendices, and the Infinity nets, large extensions of polka dots that continue to make use of white monochrome.
The works included in Seven Paintings demonstrate Chung's career - long engagement with repetition, ritual, and process, highlighting the infinite complexity and nuance available in the white monochrome format.
The National Gallery in London is presently hosting an exhibition of works titled «Monochrome: Painting in Black and White
Their rarefied atmosphere is circumscribed by rigorously defined and scrupulously observed parameters: Levine paints only with primary colors and white, each monochrome is contained by a razor - sharp border of raw canvas, all of the pictures are minimally off - square.
They include the monochrome «Black Paintings» in which the illusion of space is suggested with only a few white lines.
But it was Kazimir Malevich who today is often viewed as the forefather of geometric abstraction, beginning with his seminal 1915 paintings of black shapes — a circle, a square — on a white ground, and his legendary white - square - on - white - canvas 1919 monochrome.
Art historical precedents including Robert Rauschenberg's monochrome White Paintings from 1951 and Robert Ryman's Minimalist experiments with white paint beginning in the 1960s, provide interesting counterpoints to understanding the range and function of white as a painterly meWhite Paintings from 1951 and Robert Ryman's Minimalist experiments with white paint beginning in the 1960s, provide interesting counterpoints to understanding the range and function of white as a painterly mewhite paint beginning in the 1960s, provide interesting counterpoints to understanding the range and function of white as a painterly mewhite as a painterly medium.
Meanwhile, still other artists looked back on Malevich's monochrome with paintings that conveyed form only through the shape of the canvas, like Robert Rauschenberg's early 1951 white paintings (which he considered stages for the interplay of ambient light and shadow) and Brice Marden's imposing examples from the 1960s.
Painting walls, floor and most of seven sculptural tableaux a medium gray, Pictures Generation artist Barbara Bloom transforms David Lewis into a monochrome stage set, echoing the vintage black - and - white photographs of actors and literary figures that constitute the starting point for each of her works.
Original Large Abstract Painting Modern Contemporary Canvas Art Black and White MONOCHROME FOREST 36x24 Palette Knife Texture Oil J.LEIGH
Actors and sets are rendered as though they inhabit a slapdash monochrome painting, rejigged as a silent - era black - and - white movie.
From a distance these delicate paintings read as monochromes, but up close their intricate surfaces become visible: small arched semi-circles of white paint almost completely covering the ground of the canvases.
Along with the White Paintings, which Rauschenberg completed in 1951, the Black paintings signaled the young artist's awareness of the status of the monochromatic canvas within the lineage of modernist painting, particularly as it was developing in the late 1940s and early 1950s at the hands of artists such as Barnett Newman (1905 — 1970), Franz Kline (1910 — 1962), and Willem de Kooning (1904 — 1997).4 Although the White Paintings and the Black paintings explored related formal strategies, the Black paintings in particular have been read as a response to the innovative rethinking of the monochrome that was occurring in thoPaintings, which Rauschenberg completed in 1951, the Black paintings signaled the young artist's awareness of the status of the monochromatic canvas within the lineage of modernist painting, particularly as it was developing in the late 1940s and early 1950s at the hands of artists such as Barnett Newman (1905 — 1970), Franz Kline (1910 — 1962), and Willem de Kooning (1904 — 1997).4 Although the White Paintings and the Black paintings explored related formal strategies, the Black paintings in particular have been read as a response to the innovative rethinking of the monochrome that was occurring in thopaintings signaled the young artist's awareness of the status of the monochromatic canvas within the lineage of modernist painting, particularly as it was developing in the late 1940s and early 1950s at the hands of artists such as Barnett Newman (1905 — 1970), Franz Kline (1910 — 1962), and Willem de Kooning (1904 — 1997).4 Although the White Paintings and the Black paintings explored related formal strategies, the Black paintings in particular have been read as a response to the innovative rethinking of the monochrome that was occurring in thoPaintings and the Black paintings explored related formal strategies, the Black paintings in particular have been read as a response to the innovative rethinking of the monochrome that was occurring in thopaintings explored related formal strategies, the Black paintings in particular have been read as a response to the innovative rethinking of the monochrome that was occurring in thopaintings in particular have been read as a response to the innovative rethinking of the monochrome that was occurring in those years.
The show also includes graphite works on paper and paintings from the 1990's, which demonstrate Knifer's consistent reductionism, pushing «the meander» to the edge of the canvas to create nearly monochrome black or white surfaces.
By painting only in white, Robert Ryman explored the textural potential of monochrome painting.
Displayed in the downstairs gallery is a series of new unique monochrome works, The Named Series, the surfaces of which consist of white wall paint carefully removed from prominent museums and public galleries by professional conservators, using techniques employed to restore frescoes and murals.
In addition, Riley's work is highlighted in the exhibition Seurat to Riley: The Art of Perception, Pattern, Pointillism & Op Art currently at The Holburne Museum in Bath until January 18, 2018 (first presented at Compton Verney Art Gallery & Park, Warwickshire); as well as in Monochrome: Painting in Black and White at The National Gallery, London through February 18, 2018.
Drawing on the Guggenheim's exceptional holdings of minimalist painting and singular sculpture, Singular Forms begins with Robert Rauschenberg's historic White Painting (1951), a stark, monochromepainting and singular sculpture, Singular Forms begins with Robert Rauschenberg's historic White Painting (1951), a stark, monochromePainting (1951), a stark, monochrome canvas.
Monochrome painting as it is usually understood today began in Moscow, with Suprematist Composition: White on White [13] of 1918 by Suprematist artist Kazimir Malevich.
In the subsequent exhibitions of the Incoherent arts (also in the 1880s) the writer Alphonse Allais proposed other monochrome paintings, such as «Première communion de jeunes filles chlorotiques par un temps de neige» («First communion of anaemic young girls in the snow», white), or «Récolte de la tomate par des cardinaux apoplectiques au bord de la Mer Rouge» («Tomato harvesting by apoplectic cardinals on the shore of the Red Sea», red).
-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos
Sol LeWitt cleanly tears a piece of white paper into stark geometric sections in R115, 1973, generating an elegant composition with a simple gesture, while Robert Ryman defamiliarizes the monochrome in Untitled, 1967, a white - painted canvas square affixed directly to the white wall with masking tape.
Abstract painting - oil on linen (diptych), monochrome, black and white painting Christopher Rico's oil paintings offer a momentary state of communion with the viewer.
Momentarily abandoning the stupefying rhetoric of immediacy that characterized his earlier photographic appropriations, he is now reinscribing his work in the well - lit field of modern paradigms: by referencing the monochrome as he did in his previous «joke» paintings, by reintroducing collage and silk - screen superimpositions, and above all by coating some of his appropriations with a thin layer of white paint that is simultaneously on top of and underneath the imagery.
Carol Bove, like Koons, introduces a bit of commercial mundanity in her Third White Sweater Painting (2016) by recasting the repetitive monochrome structure favored by Minimalist icons Agnes Martin and Robert Ryman, both of whom appear here, as the design of a cheap sweater.
And if you think of Franz Kline, it is entirely black and white and very fraught, Pollock's paintings are again very monochrome and with heavy use of black.
She covered expanses of canvas painted a monochrome of red, green, white or goldenrod yellow with open patterns of tiny, comma - like strokes — a form of craft, almost, but a very expressive one — often in marathon work sessions.
Pousette - Dart's white paintings are not really monochromes.
In Lute Music to a Heathen (2016), she paints a portrait of a black man seated facing sideways, looking away from his viewer; the sitter is dressed in black sleeveless t - shirt and trousers accentuated with a white belt, one hand tucked into his trouser as another holds up a small bird against a monochrome harlequin background.
monochrome painting I, 1988/1989 first station — christ condemned to death kasimir malevich SUPREMATISTS COMPOSITION: WHITE ON WHITE, c. 1918 oil on canvas the museum of modern art, new york
Moeller Fine Art, in the modern section, has several good, small Louise Nevelson works, identifiable by their pieced - together wooden construction, painted monochrome black or white.
There is a great, and profoundly disturbing, painting by the German master Gerhard Richter, and then a brightly lit, white - walled gallery, offering a beautiful synopsis of 20th - century monochrome abstraction.
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