Sentences with phrase «white moving platform»

Before you leave after getting Power Moon 11, go back up to the white moving platform on the back wall.

Not exact matches

In December 2017, the Riksbank published a white paper detailing its interest in moving Sweden's cash supply to a digital platform, though it didn't mention blockchain specifically.

Many prominent festivals such as New Wine, Keswick and Spring Harvest have traditionally looked very «white» in terms of attendance, although moves have been made in recent years to consciously include more diversity among speakers and musicians on their platforms.

This is why many dating site operators are deciding either to sell or to move their sites to a white label platform.

In the self - publishing arena referred to by White at Bustle, we're pretty much out of luck: so many self - published books are moving without trackable ISBNs (a sensitive issue among authors) that as long as the major platforms such as Amazon decline to give us statistics on how many books are being self - produced and sold, we simply can not say how many are written and published by women as opposed to men.

Since the regulatory changes a number of platforms moved their operations from the Island, however Cyprus can boast a number of regulated Binary Option brands including an not limited to TopOption, Banc de Binary and SpotOption the biggest white label provider of Binary options solutions.

Because I covered Bill de Blasio for about a year before I went to move to Europe, when I see what Trump does in the White House on a much bigger platform, I don't find it very different from what I saw at City Hall.

You'll glide across white platforms, avoiding orange surfaced areas that will bring insta - death, and navigate through switches that open alternate routes, purple blobs that will put your timing really to the test, super bounce pads and poles that will change the direction you're moving in.

The dealer's commitment to him was such that, when her gallery moved to a new Los Angeles location in 1963, she designed the space to accommodate his nine - foot verticals (she did not yet realized that his new works were limited to the five - foot - square format), and installed a narrow platform of white marble along the baseboard to keep visitors at a distance from the extremely fragile paintings, whose inscrutability seemed especially capable of provoking the public.

Here, despite a list of the usual suspects (Liam Gillick, Rodney Graham, Olafur Eliasson, Elmgreen & Dragset, Dominique Gonzalez - Foerster, Cerith Wyn Evans, Rirkrit Tiravanija, Anri Sala, Carsten Nicolai, Pae White...) the three curators - Molly Nesbit, Hans Ulrich Obrist and Rirkrit Tiravanija - created a platform that moved and breathed and had a formal rhythm that matched its content and allowed for inspiring and chaotic rummaging (read: audience participation), and for some discoveries.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

Following a residency at CERN, the world's leading particle physics research centre, Ikeda has created a site - specific intoxicating environment: a pitch black room with three glowing white platforms containing waves of dark matter moving to a soundscape.